Hans Tichy

Hans Tichy (27 July 1861, Brno – 28 October 1925, Vienna) was an Austrian artist and a professor at the Academy of Fine Arts, Vienna.

Garden and Church in Murau

He studied at the Academy of Fine Arts, Vienna from 1880 to 1884, under Christian Griepenkerl and August Eisenmenger. Tichy was also a student of the genre painter August von Pettenkofen.[1]

He was a founding member of the Vienna Secession.[2] He was elected to the presidency of the group in 1902.[3][4] His painting, At the Fountain of Love, was exhibited with the group;[5] it won him the Reichel Prize from the Academy,[6] and it was bought by the Moderne Galerie (now the Österreichische Galerie Belvedere).[7]

With Richard Kauffungen in 1900, he ran classes for a women's art school on drawing and painting from living models.[8] In 1914, he was made a professor of the Vienna Academy.[9]

Exhibitions
  • Second Great Berlin Art Exhibition, 1894.[10]
  • Fourth Exhibition of the Vienna Secession, 1899.[11]
  • Twentieth Exhibition of the Vienna Secession, 1904. Orpheus and Eurydice shown.[12]
  • Spring Exhibition of the Vienna Secession, 1906.[13]
  • Spring Exhibition of the Vienna Secession, 1908. At the Fountain of Love shown.[5]
  • Spring Exhibition of the Vienna Secession, 1910.[14]
  • International Art Exhibition, Rome, 1911.[15]
  • Winter Exhibition of the Munich Secession, 1912.[16]

Awards
  • Reichel Prize, 1908; for the painting At the Fountain of Love.[6]
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References
  1. Carl von Lützow (1889). "Die Kunst in Wien unter der Regierung seiner kaiserlich königlich apostolischen Majestät Franz Joseph I". Die graphischen Künste. 1: 23–24.
  2. "Ordentliche Mitglieder" [Ordinary Members]. Ver Sacrum. 1: 28. 1898.
  3. "Personal- und Atelier-Nachrichten". 18. 1902: 431. Cite journal requires |journal= (help)
  4. "Vereine und Institute". Kunstchronik: Wochenschrift für Kunst und Kunstgewerbe. 26: 409. 1902.
  5. Karl Michael Kuzmany (1908). "Die Frühjahr-Ausstellung der Wiener Secession". Die Kunst für alle: Malerei, Plastik, Graphik, Architektur. 37: 392.
  6. "Personal- und Atelier-Nachrichten". Die Kunst für alle: Malerei, Plastik, Graphik, Architektur. 20: 480. 1908.
  7. "Sammlungen". Kunstchronik: Wochenschrift für Kunst und Kunstgewerbe. 27: 455. 1908.
  8. Olga Stieglitz; Gerhard Zeillinger; Hildegunde Suete-Willer (2008). Der Bildhauer Richard Kauffungen (1854-1942) zwischen Ringstrasse, Künstlerhaus und Frauenkunstschule. p. 133. ISBN 9783631522035.
  9. "Personal-Nachrichten". Die Kunst für alle: Malerei, Plastik, Graphik, Architektur. 5/6: 120. 1914.
  10. Adolf Rosenberg (1894). "Die Große Berliner Kunstausstellung. II". Kunstchronik: Wochenschrift für Kunst und Kunstgewerbe. 30: 475.
  11. "Liste der verkauften Werke". Ver Sacrum. 6: 32. 1899.
  12. Bertha Zuckerkandl (1904). "Die 20. Ausstellung der Wiener Sezession". Die Kunst für alle: Malerei, Plastik, Graphik, Architektur. 18: 416.
  13. Karl Michael Kuzmany (1906). "Die Frühjahr-Ausstellung der Wiener Sezession". Die Kunst für alle: Malerei, Plastik, Graphik, Architektur. 17: 390.
  14. Karl Michael Kuzmany (1910). "Die Frühjahr-Ausstellung der Wiener Secession". Die Kunst für alle: Malerei, Plastik, Graphik, Architektur. 17: 386.
  15. Kurt Rathe (1911). "Österreich auf der Internationalen Kunstausstellung in Rom 1911". Die Kunst für alle: Malerei, Plastik, Graphik, Architektur. 4: 82.
  16. Georg Jacob Wolf (1912). "Winterausstellung der Münchener Secession". Die Kunst für alle: Malerei, Plastik, Graphik, Architektur. 12: 274.
  • Heinrich Fuchs (1974). "Die österreichischen Maler des 19. Jahrhunderts: S–Z" (4): 239. Cite journal requires |journal= (help)

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