Hannelore Baron

Hannelore Baron (June 8, 1926 – April 28, 1987) was an artist whose work has become known for the highly personal, book-sized, abstract collages and box constructions that she began exhibiting in the late 1960s.

Hannelore Baron
Undated photo of Hannelore Baron in her studio
Born
Hannelore Alexander

(1926-06-08)June 8, 1926
Dillingen, Germany
DiedApril 28, 1987(1987-04-28) (aged 60)
NationalityAmerican
Known forcollages and box constructions

Biography

Born in Dillingen/Saar, Germany, Baron and her family fled persecution in Nazi Germany, illegally crossing the border into Luxembourg in 1939. In 1941 Baron's family sailed from Lisbon to New York and settled in the Bronx, New York City. By the time she graduated from the Staubenmiller Textile High School in Manhattan, Baron was avidly reading eastern philosophy, making increasingly abstract paintings and probably already experiencing the symptoms of claustrophobia and depression that would lead to a series of nervous breakdowns throughout her life. She married book dealer Herman Baron in 1950 which whom she had daughter Julie and son Mark.[1] In the late 1950s Baron combined a variety of techniques and began making her first collages. Occupied with raising her two children and beset by psychological problems, Baron nevertheless exhibited her work and in 1969, the year of her one-person exhibition at Ulster County Community College, she began to make the box constructions that would become her signature. In the early 1970s, Baron established a studio and devoted her time and energy completely to her artwork until her death in 1987.[2] Hannelore Baron was self-taught.[3]

Although her compositions are completely abstract, she considered them to be both personal and political statements. In her own words,

Everything I’ve done is a statement on the, as they say, human condition...the way other people march to Washington, or set themselves on fire, or write protest letters, or go to assassinate someone. Well, I’ve had all the same feelings that these people had about various things, and my way out, because of my inability to do anything else for various reasons, has been to make the protest through my artwork... H.B.[4]

Throughout the 1970s and 1980s her work garnered critical acclaim, along with gallery and museum exhibitions in the United States, Europe and Japan. In 1995, her work was the subject of a one-person exhibition at the Solomon R. Guggenheim Museum in New York. In 2001 her work was the subject of a traveling exhibition curated by Ingrid Schaffner and organized by the Smithsonian Institution Traveling Exhibition Service. Her works can be found in the collections of The Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; the Whitney Museum of American Art, New York; the Los Angeles County Museum of Art, The Art Institute of Chicago, the San Francisco Museum of Modern Art, the Museum of Fine Arts, Boston, the Minneapolis Institute of Art and the Israel Museum, Jerusalem.

Works

Selected Public Collections

gollark: So to mock them, I'm implementing a prime factorization program in potatOS.
gollark: People somehow can't even think to look up "semiprime factorizing" or something and just go ¨ÆÆÆÆÆÆÆÆa hard maths".
gollark: It incorporates a challenge, where to uninstall it you must factorize a small semiprime.
gollark: You know potatOS, the best OS?
gollark: Not my scheme thing, potatofactor™.

References

  1. Frank, Peter (1994). Hannelore Baron : Collages and Box Constructions. New York, NY: Barbara Mathes Gallery. p. 9.
  2. Baron, Hannelore. "Artist Timeline". Estate of Hannelore Baron. Estate of Hannelore Baron. Retrieved October 16, 2019.
  3. "Archived copy". Archived from the original on April 10, 2017. Retrieved February 15, 2014.CS1 maint: archived copy as title (link)
  4. Baron, Hannelore. "Hannelore Baron Biography". Michael Rosenfeld Gallery. Retrieved October 16, 2019.

Further reading

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