Han Yajuan

Han Yajuan (born 1980), also spelled Han Ya Juan (Chinese: 韩娅娟) is a Chinese contemporary artist (中国当代艺术, Zhongguo Dangdai Yishu). She currently lives and works in Beijing. Han Yajuan ranks seventh on the all-time list of artists who have grossed the most money at auction before their 30th birthday.

Early life and education

She was born in Qingdao, China, and studied art at the China Academy of Art. After the graduation, in 2004, she worked in College of Visual Art. In 2008 Yajuan obtained a master's degree at the Oil Painting Department of the China Central Academy of Fine Arts, Beijing. Han Yajuan ranks seventh on the all-time list of artists who have grossed the most money at auction before their 30th birthday.[1]

Career

She had her first solo exhibition at China Academy of Art in Hangzhou, China, in 1999. After that she took part in a number of exhibitions in China and abroad.[2]

Artwork
A Faint Fragrance, oil on canvas, which was auctioned for $73,000 at Sotheby's in 2007.[3]

Yajuan belongs to the new Chinese painting movement. Her works have clear and occasionally ironic references to pop and ultra-contemporary culture. Han Yajuan is said to distance herself to some extent from the earlier social responsibility faced by traditional art, preferring a simple and direct style that portrays the light-hearted themes of young people’s collective imagination, with a nod to the cartoons and cinema of the Cartoon Generation. The mainly female subjects whirl and dance, flying through the air in strong, contrasting colours; indifferent and ironical figures in a carefree world. As described by Blouin Artinfo, "Fascinated by fashion and celebrity culture, Han Ya Juan’s paintings are characterized by pixie girls who dance, fly, and dream as they clutch their Dior Handbags and flaunt their Fendi bracelets. While many Chinese artists would use these emblems as a means of criticizing Western influence on traditional China, Han Ya Juan celebrates the exuberance and fun they bring to a young and hopeful Chinese generation."[4] According to Newsweek, Han Yajuan's figures, who have all the trappings of contemporary city girls: flashy cars, designer sunglasses and bulging shopping bags, „appear to live guilt-free lives of consumption, which the artist says embodies the dreams and aspirations of her generation.“ "Han clearly shows empowered females that are benefiting from the economic boom," says, in Newsweek, Mila Bollansee, a curator based in Beijing. "Yet if her theme is that of a strong, independent woman, she's also fully aware that women in China are not on an equal footing with men. Her message is for each individual to take responsibility for him or herself in this new society." Some other observers note that for all their cuteness and flippant humor, these cartoonlike characters evoke a sense of loneliness, anxiety and spiritual emptiness. Karen Smith, a well-known Beijing art critic, believes the "me" generation is struggling with being single children who marry single children, overindulged by parents and in-laws but expected to one day support them.[5]

Her work is regularly sold by leading international auction houses such as Christie's[6][7] or Sotheby's.[8]

Exhibition History

Solo Exhibitions
2016 "superlative," Longmen Arts Project, Shanghai, China
2011 “Indulgence and Transcendence,” Klein Sun Gallery, New York, NY [9]
2009 “Bling Bling,” Chinese Contemporary, New York, NY
2008 “Herstory,” Marella Gallery, Beijing, China
2008 “Angels from Hell,” Olyvia Oriental, London, UK
2007 “Travel Alone,” Tokyo Gallery, Tokyo, Japan
2007 “Selection of Dreams,” Willem Kerseboom Gallery, Amsterdam, Holland
2007 “Delightful Escape,” Project B Contemporary Art, Milan, Italy
2007 “Beautiful Plan,” TaiKang Top Space, Beijing, China
2006 “Milkshakes,” Art Beatus, Hong Kong

Selected Group Exhibitions

2013
  • “De Beers Jewellery: Moments in Light,” Sinan Mansion, Shanghai, China
  • “Hot Pot: A Taste of Contemporary Chinese Art,” Brattleboro Museum and Art Center, Brattleboro, VT
  • “Far East Duet,” Australia China Art Foundation Project Space, Melbourne, Australia

2012
  • “Go F!gure: Contemporary Chinese Portraiture,” National Portrait Gallery, Parkes, Australia
  • “Future Pass,” National Taiwan Museum of Fine Arts, Taichung, Taiwan; Today Art Museum, Beijing, China
  • “CAFAM-FUTURE,” Central Academy of Fine Arts Museum, Beijing, China
  • “Generation Me: Lost in Transition,” Schoeni Gallery, Hong Kong
  • “Bye Bye,” Vue Privée, Singapore

2011
  • “Future Pass,” Palazzo Mangilli-Valmanara, Venice, Italy; Wereldmuseum, Rotterdam, Netherlands
  • “Fashion – Art – Space,” Lane Crawford and Vogue China, Lane Crawford Seasons Place, Beijing, China
  • “Half the Sky: Women in the New Art of China,” Leonard Pearlstein Gallery, Drexel University, Philadelphia, PA
  • “Surrealist Pop,” Landmark Museum, Bejiing, China; Injoy Museum of Art, Beijing, China

2010
  • “Invisible Wings,” Times Art Museum, Beijing, China
  • “Filter Window,” Beyond Art Space, Beijing, China

2009
  • “Animamix Biennial 2009 – 2010,” Shanghai MoCA, Shanghai, China; Today Art Museum, Beijing, China; Guangdong Museum of Art, Guangzhou, China
  • “China: The Contemporary Rebirth,” Palazzo Reale, Milan, Italy
  • “Real-Life Fairy Tales - the Dream World of Female Artists,” Beyond Art Space, Beijing, China
  • “Translucence - Female Contemporary Art from China,” Centrale Électrique, Brussels, Belgium
  • “NextNature,” Vanessa Art Link, Jakarta, Indonesia
  • “The World is a Cartoon,” Willem Kerseboom Gallery, Amsterdam, Holland
  • “Discover Future,” New Age Art Gallery, Beijing, China
  • “Beyond Globalization,” Beyond Art Space, Beijing, China
  • “Metropolis Now - A Selection of Chinese Contemporary Art,” Meridian International Center, Washington, DC
  • “Milestones,” Vanessa Art Link, Jakarta, Indonesia

2008
  • “Shanghai MoCA Envisage II - Butterfly Dream,” MoCA Shanghai, Shanghai China
  • “Fresh Eyes 08 / Negative - 5th Annual Exhibition Of Dissertation Works in Painting From National Art Academies Across China,” He Xiangning Art Museum, Shenzhen, China
  • "THAT’S ASIA?,” Andrew James Art, Shanghai, China
  • “Waiting in the Wings,” Beyond Art Space, Beijing, China
  • “Program Feb to June,” 24HR ART Northern Territory Centre for Contemporary Art, Darwin, Australia
  • “Free Zone China,” BSI Art Collection, Lugano, Switzerland
  • “Beyond Cartoon- Asia Contemporary Art Group Exhibition,” Beyond Art Space, Beijing, China

2007
  • “Animamix Hyper-Link,” Moon River Cultural Creative Industry Zone, Beijing, China*
  • "La Cina e' Vicina," Palazzo delle Arti, Naples, Italy
  • “BTAP Works in Progress,” BTAP, Beijing, China
  • “Floating - New Art of China,” National Museum of Contemporary Art, Seoul, Korea
  • “Cartoon Generation,” Chinese Contemporary, New York, NY
  • “Temptation,” Olyvia Oriental, London, UK
  • “Animation Exhibition,” The Maison des Arts de Creteil, Paris, France; Maubeuge, France
  • “MOSAIC Contemporary Art Exhibition,” Vanessa Art Link, Beijing, China

2006
  • “Fiction@Love / Forever Young Land,” Museum of Contemporary Art, Shanghai, China;
  • “Fiction@Love / Twinkling Stars,” Bund 18 Creative Center, Shanghai, China;
  • “Fiction@Love / Ultra New Vision of Contemporary Art,” Singapore Art Museum, Singapore

2005
  • “A Cartoon- Art Exhibition,” TaiKang Top Space, Beijing, China
  • “Media in ‘F’,” Ewha Art Center, Seoul, South Korea
  • “Archaeology of the Future- the Second Triennial of Chinese Art,” Nanjing Museum, Nanjing, China
  • “Neo-70s -- The Generation Changed by the Market,” Yuan Ming Culture & Art Center, Shanghai, China; Today Art Museum, Beijing, China

2004
  • “Automat Contemporary Art Exhibition,” Taohuawu Exhibition Hall of Suzhou Art and Design Technology Institute, Su Zhou, China
  • “Shadowing,” Mooma Art+Design Co. Ltd Shanghai, China
  • “Next Station Contemporary Art Exhibition,” ShengHua Arts Center, Nanjing, China

2003
  • “99 Works of Art,” Beijing Tokyo Art Project, Beijing, China
  • “Return Nature II: Pastoral,” An Exhibition Of International Contemporary Art, Sheng Hua

Arts Center, Nanjing, China

  • “Control Z- Art Exhibition,” TaiKang Top Space, Beijing, China

2002
  • “N-ply Identity- Art Exhibition,” Nanjing, China
gollark: Less with receive only, of course. But I found out that unencrypted very strong pager messages are transmitted here not massively far off regular FM radio.
gollark: There are probably some annoying legal things related to this.
gollark: There's no theoretical reason they couldn't contain an entire SDR nowadays.
gollark: It could. Too niche for most people to use it I assume.
gollark: I've learned to live with incredibly bad images.

References
  1. Salmon, Felix (2012-01-20). "The hot-young-artists league table". Reuters Blogs. Retrieved 2019-02-10.
  2. Artnet.com. "Han Yajuan on Artnet". Artnet.com. Retrieved 2012-11-04.
  3. Findartinfo.com. "Art auction result for Han Yajuan". Findartinfo.com. Retrieved 2012-11-04.
  4. Blouinartinfo.com. "Blouin Artinfo: Han Yajuan". Blouinartinfo.com. Retrieved 2012-11-04.
  5. Newsweek printed edition. "Newsweek, printed edition. China's Me-Generation Artists Turn Inward: All Eyes Inward. May 15, 2009". Newsweek. Retrieved 2012-12-12.
  6. Christie's. "Christie's sold Han Yajuan's Charlies Angels No 2 for $65,250". Christie's. Retrieved 2012-11-04.
  7. Christie's. "Yajuan Han on Christie's". Christie's. Retrieved 2012-11-04.
  8. Sotheby's. "Yajuan Han on Christie's". Sotheby's. Retrieved 2012-11-04.
  9. Klein Sun Gallery, New York, NY
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