Hajra Waheed

Hajra Waheed is a Montréal-based artist.[1] Her multimedia practice includes works on paper, collage, sound, video, sculpture and installation. [2] Waheed uses news accounts, extensive research and personal histories to critically examine multiple issues including: covert power, mass surveillance, cultural distortion and the traumas of displacement caused by colonialism and mass migration. [3]

Waheed was born in 1980 in Canada.[4] She has complex ties and relationships to North America, the Middle East and South Asia. She grew up within the gated compound of Saudi ARAMCO in Dhahran. [1][5] She studied at the Art Institute of Chicago where she received her BFA in advanced painting and art history, in 2002. [6] She moved to Montréal in 2005 and completed her MA at McGill University in 2007. [2] At 34, Waheed received the Victor Martyn Lynch-Staunton Award for Outstanding Achievement as a Canadian Mid-Career Visual Artist. [7] She was shortlisted for the Sobey Art Award in 2016. [1][8]

Waheed's works are in the collections of the MoMA,[9] British Museum, the Devi Art Foundation, Samdani Art Foundation, the Musée d'art contemporain de Montréal, and the National Gallery of Canada.[10][2]

Exhibitions
gollark: They are not really the same thing.
gollark: Don't use it, it's pure horror and insanity.
gollark: No.
gollark: Oh, right, so you need to put that there and run it unconditionally.
gollark: Someone bodging together a PHP program.

References
  1. Travis, Rebecca (February 2017). "Interview with Hajra Waheed - The White ReviewThe White Review". www.thewhitereview.org. Retrieved 2018-02-26.
  2. Bailey, Stephanie (March 2017). "Systems of Fragments". Ibraaz. Retrieved 2018-02-26.
  3. Spence, Rachel (Spring 2016). "Hajra Waheed Interview: "I am Interested in the Space of Not Knowing"" (PDF). Financial Times.
  4. Martin, Richard (2016-04-06). "Surveillance and secrecy in Gateshead and London | Apollo Magazine". Apollo Magazine. Retrieved 2018-02-26.
  5. Proctor, Rebecca Anne (2014). "Finding Fragments" (PDF). Harper's BAZAR.
  6. Morgan-Feir, Caoimhe (May 11, 2017). "Montreal Artist Hajra Waheed Traces a Rising Tide in Venice". Canadian Art. Retrieved 2018-02-26.
  7. "Darling Foundry | Asylum In the Sea". fonderiedarling.org. Retrieved 2018-02-26.
  8. "Quebec - Hajra Waheed". CBC Radio. Retrieved 2018-02-26.
  9. "Hajra Waheed | MoMA". The Museum of Modern Art. Retrieved 2020-01-05.
  10. "The Cyphers 1-18". www.gallery.ca. Retrieved 2020-01-05.
  11. "Hold Everything Dear". The Power Plant. Retrieved 2019-07-24.
  12. Wilkinson, Jayne. "Constellations". Canadian Art. Retrieved 2020-01-05.
  13. "The Video Installation Project 1-10 – MAC Montréal". MAC Montréal. Retrieved 2018-02-26.
  14. "Artisti". La Biennale di Venezia (in Italian). 2017-03-30. Retrieved 2018-02-26.
  15. "Turbulent Landings". www.gallery.ca. Retrieved 2018-02-26.
  16. "Biennale für aktuelle Fotografie". biennalefotografie.de (in German). Retrieved 2018-02-26.
  17. Pritchard, David (February 2, 2016). "Review: Hajra Waheed, BALTIC Centre for Contemporary Art". Corridor8. Retrieved 2018-02-26.
  18. "the8thclimate.org". 11th Gwangju Biennale 2016: The Eighth Climate (What does art do?). Retrieved 2018-02-26.
  19. NGC. "Traditional Practices and Alternate Realities: The 2016 Sobey Art Award Exhibition". www.gallery.ca. Retrieved 2018-02-26.
  20. "THE MISSING ONE | 2016". Samdani Art Foundation. Retrieved 2018-02-26.
  21. "Hajra Waheed. Still against the sky – KW Institute for Contemporary Art". KW Institute for Contemporary Art. 2015-10-11. Retrieved 2018-02-26.
  22. Moser, Gabrielle (2015). "Watermarks: Hajra Waheed's Asylum in the Sea" (PDF). Asylum in the Sea. Retrieved February 26, 2018.
  23. "La Biennale de Montréal 2014 – Musée d'art contemporain de Montréal". Musée d'art contemporain de Montréal (in French). Retrieved 2018-02-26.
  24. "Lines of Control: Partition as a Productive Space - Nasher Museum of Art at Duke University". Nasher Museum of Art at Duke University. Retrieved 2018-02-26.
  25. "Collages – MAC Montréal". MAC Montréal. Retrieved 2018-02-26.
  26. Mitra, Srimoyee (2013). Looking and Seeing with Hajra Waheed. The Art Gallery of Windsor.
  27. "Lines of Control | Herbert F. Johnson Museum of Art". museum.cornell.edu. Retrieved 2018-02-26.
  28. "In the First Circle. A Project by Imogen Stidworthy". www.fundaciotapies.org. Retrieved 2018-02-26.
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