Hail, Mary!

Hail, Mary! (Russian: Салют, Мария!, romanized: Salyut, Maria!) is a 1970 Soviet drama film directed by Iosif Kheifits. It was entered into the 7th Moscow International Film Festival where Ada Rogovtseva won the award for Best Actress.[1]

Hail, Mary!
Film poster
Directed byIosif Kheifits
StarringAda Rogovtseva
Release date
  • 14 April 1970 (1970-04-14)
CountrySoviet Union
LanguageRussian

Plot

The film is set in 1919. In the vastness of the former Russian Empire a civil war rages on. In Europe, the World War has just ended and the winning countries are to organize a military intervention in Russia to help the White movement in the struggle against Soviet power.

In one of the southern ports come on board ships of the Entente troops, including those from Spain. The young underground fighter Maria gets the job to campaign among the Spanish sailors and soldiers. This is where she meets a sailor Pablo. Love starts to grow between them.

The Civil War is over. In Russia, Soviet power has taken hold. But here people dream of a world-wide revolution. After a long separation, Maria and Pablo meet again and together go to Spain as Comintern agents, to prepare a local revolution and at the same time to conduct intelligence activities there. They end up having a son.

But the happiness does not last long - the Nazis kill Pablo. In Spain, civil war erupts. Son of Mary, a fighter pilot, dies in a dogfight. Having lost her husband and son, Maria returns home, where she works as an instructor in a Soviet intelligence school.

Cast

  • Ada Rogovtseva as Maria Tkachyova
  • Angel Gutierrez as Pablo Luis Alvarez
  • Vitali Solomin as Seva Chudreev
  • Vladimir Tatosov as Ignacio Mures
  • Valentina Vladimirova as Maria's mother
  • Alexander Barinov as Pavlik, Paulito, son of Maria and Pablo, Soviet pilot-internationalist
  • Tatiana Bedova as Olya / Nadezhda Kosheverova, agent
  • Avgust Baltrusaitis
  • L. Bayon
  • Oleg Belov as Riccardo Rivas
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gollark: You don't know that. We can't really test this. Even people who support utilitarian philosophy abstractly might not want to pull the lever in a real visceral trolley problem.
gollark: Almost certainly mostly environment, yes.
gollark: It's easy to say that if you are just vaguely considering that, running it through the relatively unhurried processes of philosophizing™, that sort of thing. But probably less so if it's actually being turned over to emotion and such, because broadly speaking people reaaaallly don't want to die.
gollark: Am I better at resisting peer pressure than other people: well, I'd *like* to think so, but so would probably everyone else ever.

References

  1. "7th Moscow International Film Festival (1971)". MIFF. Archived from the original on 16 January 2013. Retrieved 24 December 2012.


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