Gordon Rohlehr

Gordon Rohlehr (born 20 February 1942)[1] is a Guyana-born scholar and critic of West Indian literature, who is noted for his study of popular culture in the Caribbean, including oral poetry, calypso and cricket.[2] He pioneered the academic and intellectual study of Calypso,[3] tracing its history over several centuries, writing a landmark work entitled Calypso and Society in Pre-Independence Trinidad (1989), and is considered the world's leading authority on its development.[4]

Life and career

Born in Guyana in 1942, Rohlehr was educated at Queen's College, Guyana, and at the University College of the West Indies, Mona, Jamaica, graduating in 1964 with a first-class Honours degree in English Literature.[1][5] He then wrote a doctoral dissertation entitled "Alienation and Commitment in the Works of Joseph Conrad" at Birmingham University (1964–67),[4] before taking up an English Literature appointment in Trinidad at the University of the West Indies (UWI), St Augustine.

Spending 40 years at UWI, St Augustine – he began as Assistant Lecturer in 1968 and achieved a personal Chair by 1985[6] – he established an international reputation for his ground-breaking work on Caribbean literature, calypso and culture, building an extensive opus that comprises books, hundreds of essays, interviews, lectures and broadcasts.[1][4][7] He co-edited, with Stewart Brown and Mervyn Morris, Voiceprint: An Anthology of Oral and Related Poetry from the Caribbean (Harlow: Longman Caribbean, 1989).

Rohlehr has also been Visiting Professor to Harvard University (September–December 1981); the Johns Hopkins University (September–December 1985); Tulane University (January–May 1997); Stephen F. Austin State University (January–May 2000); Miami University Writers’ Workshop (June–July 1995); York University, Toronto (January–February 1996) and Dartmouth College, New Hampshire (June–August 2004).[4]

Writing

Rohlehr is the author of several books on different aspects of Caribbean culture. He has said that his interest on researching and writing about calypso music dates back to his attendance of the Caribbean Artists Movement's second meeting, held in 1967 at the North London flat of Orlando Patterson,[8] when in response to discussion among the likes of Kamau Brathwaite, George Lamming and Aubrey Williams about "the Caribbean aesthetic" Rohlehr was prompted to say: "The way to determine what this aesthetic might be is to look at what Caribbean people have done and to create, through a close dialogue with the material, some way of talking about their achievement and of distinguishing what is peculiarly Caribbean about it, if you employ that method, beginning with the work–Walcott’s poetry, Sparrow’s calypsoes, Selvon’s novels–you might then be able to recognise recurring features. If for example, you read Selvon’s The Lonely Londoners and short stories alongside Sparrow’s calypsoes you might discover something that was peculiarly Trinidadian in both of these people…..those were not my exact words, of course; only a paraphrase of the sense of what I said. Then someone, one of the big voices, said, 'If this is the way you feel, why don’t you do it?'"[9]

Since then, as Raymond Ramcharitar has noted, "Gordon Rohlehr’s accomplishments in mapping this territory are monumental."[10] In particular, his 1990 book, Calypso and Society in Pre-Independence Trinidad, describing the development of the Trinidad calypso from pre-emancipation times to the late 1950s, is considered a seminal work.[11][12] His most recent book, launched in August 2015, is My Whole Life is Calypso: Essays on Sparrow.[13][14][15]

Awards and honours

In 1995 Rohlehr received the University of the West Indies' Vice-Chancellor's Award for Excellence in the combined fields of Teaching, Research, Administration and Public Service.[5][16]

His retirement from UWI in 2007 was marked by a conference in his honour,[17][18] "for his sterling contribution to the development of West Indian literary and cultural criticism".[14][19]

Rohlehr's life and career are celebrated in a documentary film entitled Rivers of Sound.[20]

In 2012, Rohlehr was awarded the Nicolás Guillén Outstanding Achievements in Philosophical Literature Award by the Caribbean Philosophical Association.

At the 2014 NGC Bocas Lit Fest, Rohlehr was honoured alongside Professor Kenneth Ramchand with the Henry Swanzy Award for Distinguished Service to Caribbean Letters, which recognises the lifetime achievement of editors, publishers, critics and broadcasters.[21]

Bibliography
  • Pathfinder: Black Awakening in "The Arrivants" of Edward Kamau Brathwaite (Tunapuna: College Press, 1981)
  • Cultural Resistance and the Guyana State (Casa de las Américas, 1984)
  • Calypso and Society in Pre-Independence Trinidad (Port of Spain, 1990; ISBN 978-9768012524)
  • My Strangled City and Other Essays (Longman Trinidad, 1992)
  • The Shape of That Hurt and Other Essays (Longman Trinidad, 1992)
  • A Scuffling of Islands: Essays on Calypso (Lexicon Trinidad Ltd, 2004)
  • Transgression, Transition, Transformation: Essays in Caribbean Culture (Lexicon, 2007)
  • My Whole Life is Calypso: Essays on Sparrow (2015; ISBN 9789769583900)
Editor
  • (with Stewart Brown and Mervyn Morris) Voiceprint: An Anthology of Oral and Related Poetry from the Caribbean (Harlow: Longman Caribbean, 1989)
gollark: It seems like both are maybe valid?
gollark: This may take anywhere from 2μs to 10^37 teraseconds.
gollark: Fiiiiiine, I'll go actually check the recognized definition.
gollark: Having a humanlike mind behind it is totally a human trait.
gollark: Like saying that lightning is caused by thunder gods and not ??? cloud things, for example.

References
  1. "UWI Conference in honour of Rohlehr", Trinidad and Tobago Newsday, 22 September 2007.
  2. Anu Lakhan, "Crossing over", The Caribbean Review of Books, No. 16, May 2008.
  3. "Feature Speakers: Gordon Rohlehr", Interlocking Basins of a Globe: Honouring Nobel Laureate Derek Walcott, The University of the West Indies, St Augustine, Trinidad and Tobago.
  4. "Professor Gordon Rohlehr", The Integrationist.
  5. Gordon Rohlehr biography at Arts & Humanities Research Council. University of Leeds.
  6. Barbara Lalla, "Profile – Gordon Rohlehr", Tout Moun, Vol. 2, No. 1, October 2013, p. 7.
  7. "Key Figures in Creole Studies - Gordon Rohlehr", Department of Sociology, Warwick University.
  8. Anne Walmsley, The Caribbean Artists Movement, 1966-1972: A Literary and Cultural History, New Beacon Books, 1992, p. 51. ISBN 978-1873201060.
  9. Louis Regis, "'Ah Never Get Weary Yet': Gordon Rohlehr’s Forty Years in Calypso", Tout Moun, From Apocalypse to Awakenings, Vol. 2, No. 1, October 2013, quoting "Gordon Rohlehr, Interview with Funso Aiyejina", in Funso Aiyejina (ed.), Self Portraits. Interview with Ten West Indian Writers and Two Critics, St Augustine: The School of Continuing Studies, 2003 (230-70), p. 247.
  10. Raymond Ramcharitar, "Gordon Rohlehr and the Culture Industry in Trinidad", New West Indian Guide, Vol. 85, no. 3-4 (2011), pp. 191–214.
  11. "Professor Gordon Rohlehr", The Integrationist.
  12. Keith Smith, "The mountain Kitch climbed", Express (Trinidad), 3 February 2000.
  13. "Professor Emeritus Rohlehr to launch book on the Mighty Sparrow", UWI St Augustine, Campus News, 18 August 2015.
  14. " Sparrow’s glory and turbulence", Trinidad and Tobago Newsday, 14 August 2015.
  15. "Rohlehr writes Sparrow’s life story", Daily Express (Trinidad and Tobago), 17 August 2015.
  16. Contributors, Tout Moun, Vol. 2, No. 1, October 2013.
  17. "Rohlehr launches book on Caribbean culture", Trinidad and Tobago Guardian, 2 October 2007.
  18. "From Apocalypse to Awakenings – Conference in Honour of Professor Gordon Rohlehr, October 4th-6th 2007", Faculty of Humanities and Education, Department of Liberal Arts, UWI, St Augustine.
  19. "From Apocalypse to Awakenings", Campus News, UWI St Augustine Campus.
  20. "Rivers of Sound". Director: Jean Antoine-Dunne.
  21. Michelle Loubon, "Enjoying every word", Trinidad Express Newspapers, 21 March 2014.

Further reading
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.