Glenn Kaino

Glenn Akira Kaino (born 1972 in Los Angeles) is an American conceptual artist based in Los Angeles.

Early life, education and artistic training

He grew up in Cerritos and East Los Angeles; he is fourth-generation Japanese-American. He attended UC Irvine and received a BA in 1993 after which he attended UC San Diego where he completed an MFA in 1997.

Trained as a sculptor, Kaino came of age in the late 1980s – early 1990s, at the height of the culture wars. Working closely with teachers and mentors who at the time were engaged in a critically important reevaluation about the role of identity and politics in contemporary art, Kaino emerged as a member of the first generation of artists of color in the US to begin to consider the ways through which contemporary art could be responsive to the conceptual turn while remaining faithful to the political project of artists and activists of prior decades.[1]

Early career

Developing his practice at the height of the Internet boom, Kaino began to explore ideas of systems as a way to bring distinct wisdoms and knowledge forms into the language of contemporary art. Informed by the process of kit-bashing, akin to a model-maker's process of reassembling standard models and structures into new and innovative forms, Kaino began to approach his sculptural process as a form of conceptual kit-bashing—appropriating the languages, logics, production processes, and value systems of various fields of study to apply them to his artistic process as a way to consolidate improbable materials.[2]

Artwork

Kaino's work ranges across a wide range of media including drawing, painting, sculpture, video, and performance.

Kaino's most well-known works include Desktop Operations, a large-scale sand castle structure he debuted at the 2004 Whitney Biennial;[3] In Revolution, a kinetic sculptural illusion encompassing a rapidly spinning Aeron chair that unveils the image of a chalice as it rotates inside its incubator;[4] Untitled (Reverse Inverse Ninja Law), a large-scale levitating hammer sculpture made from thousands of small Zapatista dolls made through a collaboration with Zapatista activists in Chiapas;[5] The Burning Boards, a sculptural moment first shown at the Whitney Museum at Altria that encompasses a chess tournament played with burning candles; Safe, a sculpture made from amassed secrets that visualizes secrecy in material form;[6] Arch, a large-scale sculpture commissioned by the City of Pittsburgh and the Heinz Endowment;[7] and In Every Grain, a sculptural environment in which he used air and sand to construct an ephemeral and temporary city-like sculpture for the US Pavilion at the 13th International Cairo Biennale in 2013, where he represented the US.[8]

Kaino's work has been exhibited internationally and is included in the collections of the Los Angeles County Museum of Art (LACMA); the Hammer Museum, Los Angeles, CA;[9] the Museum of Contemporary Art San Diego;[10] the Orange County Museum of Art (OCMA), Newport Beach, California; the Museum Folkwang Essen; and the Studio Museum in Harlem, New York City.

Influences and collaborations

In addition to his studio practice, Kaino has collaborated with a wide range of organizations and companies on creative projects. An expansion of his ongoing interest in finding platforms in which art and creativity expand beyond the boundaries of the cultural institution, Kaino has worked with Universal Music Group on Farmclub.com and Napster 2.0.[11]

Kaino has also helped create various experimental venues to support the work of other artists. Working with collaborators Daniel Joseph Martinez, Rolo Castillo, and Tracey Shiffman, Kaino co-founded the seminal artist-run gallery Deep River in Los Angeles in 1997.[12] Throughout its five years of existence, it was a beacon for artists and experimental practices in Los Angeles. Kaino was also a founding board member of LA><ART[13] and more recently he created the performance art duo A.Bandit with magician Derek DelGaudio.[14]

Exhibitions

Awards and nominations
  • California Community Foundation (CCF) Grant[15]
  • Smithsonian American Art Museum Nominee for Contemporary Artist Award, 2012[16]
  • Represented the US at the 13th annual Cairo Biennale, which ran from December 2012 to February 2013.[17]

Personal life

Glenn Kaino is married to fashion designer Corey Lynn Calter. They live in Los Feliz with their two daughters and dog Gilbert.[18]

gollark: I still don't really care very much if people go around testing... weird brain things... on others, as long as everyone involved agrees to it, licenses or not.
gollark: You can talk here and ping whoever you're replying to.
gollark: You mention near-infrared, which is apparently absorbed somewhat less than other wavelengths by skin and such, but based on my 30 second duckduckgo search it's still scattered and absorbed a decent amount by that and probably is blocked by the skull, which is where the brain is.
gollark: In any case, would most lasers *not* just be blocked by the skull and not interact with brain tissue anyway?
gollark: This is probably more of an issue for neuroscientists than... people with lasers.

References
  1. LaBelle, Charles. "GLENN KAINO: Fish Out of Water". Charles Labelle | Selected Criticism. Archived from the original on November 13, 2013. Retrieved February 28, 2013.
  2. Berardini, Andrew. "Fall Art Preview". LA Weekly. Retrieved September 23, 2011.
  3. Plagens, Peter (March 21, 2004). "Art's Star Search." Newsweek.
  4. Stacy, Greg (February 14, 2008). "Karen Finley, Glenn Kaino, Daniel Joseph Martinez, Martin Kersels at OCMA's 'Disorderly Conduct'." Orange County Weekly
  5. Firstenberg, Lauri (2006). "Ninjas and Pirates, Revolution and Romanticism: Lauri Firstenberg in Conversation with Glenn Kaino" Archived November 13, 2013, at the Wayback Machine Art Papers, November/December 2006 issue. Retrieved February 25, 2013
  6. Finkel, Jori (September 23, 2010). "Glenn Kaino turns magic into art." Los Angeles Times.
  7. Thomas, Mary (July 16, 2008). "L.A. artist's work transforms at Warhol Museum". Pittsburgh Post-Gazette. Retrieved February 25, 2013.
  8. UC Irvine Studio Art Department (May 15, 2012) Glenn Kaino to Represent the US at the Cairo Biennale
  9. Hammer Museum. Glenn Kaino
  10. Museum of Contemporary Art, San Diego. Glenn Kaino: (Untitled) Reverse Inverse Ninja Law
  11. "Napster Appoints Music Industry Veteran to Lead Artist and Label Relations". PR Newswire (March 23, 2004). Retrieved February 28, 2013.
  12. Yun, Michelle (2011). "Kaino, Glenn Akira" in The Grove Encyclopedia of American Art, Vol. 1, pp. 8–9. Oxford University Press
  13. "Founder's Board". LAXART. Retrieved February 28, 2013.
  14. Calendar, The Kitchen. A.Bandit: Experiments from The (Space) Between featuring Glenn Kaino and Derek DelGaudio Archived January 29, 2012, at the Wayback Machine
  15. California Community Foundation. About The Fellowships for Visual Artists Archived February 17, 2013, at the Wayback Machine
  16. Newsdesk, Smithsonian Institution (August 6, 2012). "Smithsonian American Art Museum Announces Artists Nominated for its Contemporary Artist Award"
  17. PR Newswire (February 28, 2012). "Glenn Kaino to Represent the U.S. at the 13th International Cairo Biennale Slated for December 2012". Retrieved February 26, 2013.
  18. Price, Nina. "2013 Looks Bright for LA-Based Power Duo". Los Angeles Confidential
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