Girl on the Third Floor

Girl on the Third Floor is a 2019 horror film directed by Travis Stevens, written by Stevens, Paul Johnstone and Ben Parker, and starring Phil "CM Punk" Brooks, Trieste Kelly Dunn and Tonya Kay. The film tells the story of a deeply flawed man who renovates an old home for himself and his wife, and the supernatural events that ensue as they prepare to move in.

Girl on the Third Floor
Directed byTravis Stevens
Produced byGiles Edwards
Nicola Goelzhaeuser
Brett Hays
Paul Johnstone
Greg Newman
Ben Parker
Travis Stevens
Written byPaul Johnstone
Ben Parker
Travis Stevens
StarringPhil "CM Punk" Brooks
Trieste Kelly Dunn
Sarah Brooks
Elissa Dowling
Karen Woditsch
Travis Delgado
Marshall Bean
Anish Jethmalani
Bishop Stevens
Tonya Kay
Music bySteve Albini
Alison Chesley
Tim Midyett
Gaelynn Lea
CinematographyScott Thiele
Edited byAaron Crozier
Scott Draper
Production
company
Queensbury Pictures
Distributed byDark Sky Films (MPI Media Group)
Release date
  • March 10, 2019 (2019-03-10) (South by Southwest)
  • October 25, 2019 (2019-10-25) (United States)
Running time
93 minutes
CountryUnited States
LanguageEnglish

Girl on the Third Floor was released world-wide on October 25, 2019, after having garnered largely positive reviews at SXSW, BUFF, and the London FrightFest Film Festivals. Reviewers took note of the command of the genre of newcomer director Travis Stevens, as well as the convincing portrayal of the main character by former professional wrestler and Mixed Martial Artist Phil Brooks. The film received praise by critics for its "wonderful and gross" usage of practical special effects from UK designer Daniel Martin.

Plot

Don Koch, a man from Chicago with a criminal past, purchases an old house in the suburbs hoping for a new start for his pregnant wife, Liz, and their dog, Cooper. Shortly after moving in, Don meets Ellie Mueller, the pastor living across the street, who seems eager to get to know him. Later, Don learns from the local bartender about the house's sordid past, and its effect on straight men. Don witnesses strange events within the home, including sludge-like substance seeping from the walls and fixtures, as well as the appearance of marbles throughout the home.

Next, Don meets another assumed neighbor, Sarah Yates, who easily seduces him into sleeping with her in the upstairs bedroom. After she leaves, the bedroom ceiling collapses revealing a viewing platform in the attic. The next day Sarah appears again and tries to seduce Don, but he admits his guilt and dismisses her.

Milo Stone, Don's former coworker, arrives at the house to help Don patch the bedroom ceiling and discovers Don's affair. The two men have an argument and Don leaves for more supplies and tells Milo not to return if he can't keep it a secret. While Don is out, Milo follows a marble into the basement where he is murdered by Sarah. When Don returns and doesn't see Milo, Don assumes Milo left.

The next day, Liz sees Sarah in the background during a call with Don. Becoming nervous, Don installs new locks and security cameras. That night, Sarah lures Cooper downstairs with a marble. When Don wakes up the next morning, he finds his dog dead in the dryer. With no proof of anyone entering the house, the police are no help. Furious, Don waits for Sarah to appear, then kills her and attempts to bury her body within the basement walls.

While doing more work around the house, Don breaks through some walls and finds a secret room in the attic with drawings on the wall of a girl with a bird-man figure. While searching in other walls, Don finds Milo's head. His phone receives a text from Milo's phone and he learns that Liz is also receiving vague messages. Don sees a deformed girl and is chased upstairs to the bedroom where she attacks him with marbles that get under his skin. He tries to extract the marbles with a knife but she releases more marbles towards him.

Liz arrives and, while searching for Don, finds a newspaper article about the house's past as a brothel and a missing body. Sarah appears, claiming to be Don's assistant but then vanishes when Ellie rings the doorbell and she advises Liz to leave with her family. After returning to the house that evening, Liz experiences a vision from the house's past with strange men going upstairs to watch "the show". She goes up into the attic and sees a crowd of men in suits peering down into her bedroom where Sarah performs a sadistic act with a masked man. She witnesses a little girl in a dark corner of the room drawing on the wall when a man gives the little girl a bag of marbles and says "It’s too much."

When Liz returns downstairs to the bedroom, she finds it empty and the ceiling back to normal. Liz again sees Sarah who confesses that the brothel owner killed her, and she's bitter about how nobody cared enough to look for her body. She mentions a smaller girl who was killed and her body dumped in the train yard. Sarah attacks Liz, but Liz hides in the bedroom where she finds Don's lacerated body. He confesses his affair and begs for Liz's forgiveness, but she refuses. Sarah reveals herself inside Don's skin and explains it was a trick and a test before allowing Liz to leave the house for being strong against the will of men. As Liz exits the house, she finds Ellie who explains how each person must choose to enter and face their actions. Liz decides to stay in the house to lift the curse by finding Sarah's body and giving it a proper burial.

Six months later, Liz is living happily alone in the house with her daughter. When the baby is left alone in the crib, Don appears in a ceiling grate and drops marbles into the crib saying, "That's my girl."

Cast
  • Phil "CM Punk" Brooks as Donald "Don" Koch
  • Trieste Kelly Dunn as Liz Koch
  • Sarah Brooks as Sarah Yates
  • Elissa Dowling as Sadie
  • Karen Woditsch as Ellie Mueller
  • Travis Delgado as Milo Stone
  • Marshall Bean as Geary McCabe
  • Anish Jethmalani as Attorney Manny Bharara
  • Bishop Stevens as Patrolman Weaver
  • Tonya Kay as The Nymph
  • Eileah Pyrzynski as the Baby

Production

Writing

During SXSW 2019, Stevens revealed during the post-screening Q&A that much of the story he wrote was not entirely fictional: the house was real and its backstory was "only slightly embellished for the film."[1]

Filming

Girl on the Third Floor was filmed entirely in Frankfort, Illinois, at a house newly acquired to accommodate the headquarters of Stevens' production company. The house was actually in the process of being renovated at the time, and Stevens paused the renovations in order to use their incomplete state as part of the movie.[1]

Release

Girl on the Third Floor was released on October 25, 2019. It is currently streaming on Netflix.[2] The film was previously shown at several film festivals, including SXSW, BUFF, and the London FrightFest Film Festivals.

  • World Premiere – SXSW 2019 – Midnighters[3]
  • Official Selection – Boston Underground Film Festival 2019[4]
  • Official Selection – Chattanooga Film Festival 2019[5]
  • Official Selection – Overlook Film Festival 2019[6]
  • Official Selection – Popcorn Frights Film Festival 2019[7]
  • Official Selection – FrightFest London 2019[8]
  • Official Selection – Knoxville Horror Film Festival 2019[9]
  • Official Selection – Fantasy Film Fest 2019[10]
  • Official Selection – WYO Film Festival 2019[11]
  • Official Selection - Cinema/Chicago Film Festival, 18 October 2019[12]

Reception

Critical reception

The film review aggregation website Rotten Tomatoes reported that 84% of critics have given the film a positive review based on 37 reviews, with an average rating of 6.69/10. The site's critics consensus reads, "Girl on the Third Floor proves a good old-fashioned haunted house story can still be entertaining – and put a fresh spin on established genre formula."[13] On Metacritic, the film has a weighted average score of 65 out of 100 based on 6 critic reviews, indicating "generally favorable reviews."[14]

Oscar Goff of Boston Hassle notes that director Travis Stevens "throws a lot of ideas at the wall, and while not all of them stick, the cumulative effect is dizzying and effective."[1]

In his review of Girl on the Third Floor, Anton Bitel of SciFiNow designates the film a "highly accomplished" haunted house story for the #MeToo generation, "the undoing of ‘King Don’ is a belated revenge of the female repressed, as well as a long history of perverted patriarchy replaying itself ad nauseam and deconstructing...the uneasy, even exploitative and violent relations between men and women."[15]

Deidre Crimmins, from RueMorge also notes that while "nearly equal screen time is given to lingering on both male and female bodies...the film itself never quite gets away from feeling a little unkind to women." She points out that the female characters are presented as "not much more than archetypes...the men don’t get portrayed very well either, but at least they are given a little more to do." Crimmins does extol the practical effects, calling them equally "amazing" and "gross."[16]

Dennis Harvey of Variety considers Stevens' directorial skills to be well above average for the genre, but offers a mixed review of the film, noting how it draws from films like The Amityville Horror, The Shining and Eyes Wide Shut, and considers Sarah Brooks' lack of convincing "inner malevolence" to be terrifying.[17]

In trying to define the film for her readers, Daily Dead's Heather Wixson notes that Stevens' memorable directorial debut feels like what one would get "if Clive Barker and H.P. Lovecraft had teamed up to make The Money Pit, and singles out Phil Brooks' acting as "compelling."[18] Bobby Lepire, reviewer for FilmThreat, also compliments Brooks' portrayal of Don Koch, further noting that writer/director Travis Stevens has an "innate understanding" of the lessons that horror films teach, in this case a horror story as morality play. As well, Lepire feels that the director effectively sustained the atmosphere of dread throughout the film, but "runs out of steam before the conclusion, making for a not quite, but almost, great film."[19]

Film School Rejects writer Rob Hunter points out that while haunted house movies usually involve misdeeds of the past affecting the present, Girl on the Third Floor instead has present-day bad behaviors "unintentionally reaching out to past transgressions," while opining that Punk resembles "nothing less than the angry love child of Jon Hamm and Ted Raimi with his expressive antics here — walking a fine line with a character who earns our sympathy before threatening to lose it." Hunter sees the main character as needing to find redemption for his past misdeeds and expresses his hope that "this guy, finally, will understand and acknowledge his actions before it’s too late."[20]

Vanyaland's Nick Johnston also described the connection between the main character's behavior and the house's reaction, "Stevens’ thematic goals here are interesting and compelling. It's all about a bad man paying for his behavior and, thusly, the actions that his misogynistic forbearers [sic] committed decades ago, and when that bad man is played by Phil Brooks, it becomes infinitely more interesting."[21]

Adi Robertson, reviewer for The Verge.com, notes that, instead of trying to push the narrative limits of the haunted house trope, Girl on the Third Floor generates suspense through the predictable and inevitable fall of Brooks' main character, using foreshadowing and jump scares. Robertson, commenting on the effectiveness of the practical effects, opines, "marbles, mucus, and doorbells have never been so ominous."[22]

Film Inquiry's Kevin Lee states that, despite "clunky writing," the film's efficiency lies in two areas; the house - with its creepy noises and gross leakages - is more than just old and in need of renovation. It is also clear that Stevens is exploring the fallout of toxic masculinity through Don's disreputable past and his refusal to accept help with the extensive renovations. Lee notes that it is this behavior and shady past that make Don "a vulnerable victim to the house’s psychological effect. Whether or not the film works for you depends on your opinion of Don."[23] Lee goes on to point out that the film's final act clearly demonstrates Stevens' knowledge of surrealism and his fondness for the 2017 Darren Aronofsky psychological horror film, mother![23]

Brian Tallerico from RogerEbert.com stated that Stevens' previous experience as a producer of respected indie horror films is evident in his confidence behind the camera in his directorial debut.[24] Tallerico points out the metaphor of the main character's devotion to the physical task of fixing something physical because he is unwilling to perform the real repair on his deeply-flawed character, and that is the source of the problem.[24]

Slashfilm reviewer Matt Donato decided, "there have been smoother and more leveled 'tortured past inhabitants won’t leave' realty nightmares than Girl On The Third Floor, but this one ain’t too shabby." Donato notes how director Stevens "breaks a man down, tears a house apart, and leaves us with the ultimate conclusion that forgiveness can only be granted so many times."[25]

gollark: It's still too safe for you.
gollark: You would melt with the sheer safety.
gollark: Just use GTech™ stylometry algorithms?
gollark: Logos wrote the weird GPU one obviously.
gollark: Doesn't it?

References
  1. Goff, Oscar. "BUFF Review: Girl on the Third Floor (2019) DIR. Travis Stevens". BostonHassle.com. Brain Arts Organization. Retrieved 14 September 2019.
  2. Baxter, Joseph. "Girl on the Third Floor: Trailer Arrives for CM Punk Horror Movie". DenofGeek. Den of Geek Ltd. Retrieved 27 September 2019.
  3. "Girl on the Third Floor". SXSW.com. SXSW LLC. Retrieved 27 September 2019.
  4. "Girl on the Third Floor". BostonUnderground.org. Boston Underground Film Festival. Retrieved 27 September 2019.
  5. "MES After Hours (presented by Shudder : Girl on the Third Floor". Chattfilmfest.org. Chattanooga Film Festival. Archived from the original on 27 September 2019. Retrieved 27 September 2019.
  6. "2019 Films". OverlookFilmFest.com. Overlook Film Festival. Retrieved 27 September 2019.
  7. "Southeast US Premiere: The Girl on the Third Floor". PopcornFrights.com. Popcorn Frights Film Festival. Retrieved 27 September 2019.
  8. "Girl on the Third Floor". Frightfest.co.uk. London Fright Festival Limited. Retrieved 27 September 2019.
  9. "The Girl on the Third Floor – Central Cinema". Central Cinema. Retrieved 27 September 2019.
  10. "Girl on the Third Floor". FantasyFilmFest.com. Fantasy Film Fest. Retrieved 27 September 2019.
  11. "October 6th 11am at the WYO Theater". SheridanWYOFilmFest.org. Sheridan WYO Film Festival. Retrieved 27 September 2019.
  12. "Screening: Girl on the Third Floor". ChicagoFilmFestival.com. Cinema/Chicago. Retrieved 27 September 2019.
  13. "Girl on the Third Floor (2019)". Rotten Tomatoes. Fandango. Retrieved August 13, 2020.
  14. "Girl on the Third Floor Reviews". Metacritic. CBS Interactive. Retrieved 30 April 2020.
  15. Bitel, Anton. "GIRL ON THE THIRD FLOOR FIRST LOOK REVIEW: SXSW 2019 Horror veteran Travis Stevens' directorial debut Girl On The Third Floor pits a weak-willed man against a house with a history". Scifinow.co.uk. Kelsey Publishing. Retrieved 13 September 2019.
  16. Crimmins, Deidre. "BUFF '19 Review: "Girl on the Third Floor" Shows Love for Practical Effects". RueMorgue.com. Marrs Media Corp. Retrieved 13 September 2019.
  17. Harvey, Dennis. "SXSW Film Review: 'Girl on the Third Floor' The vengeful spirits in a former bordello prey on the home's new tenants in producer-turned-director Travis Stevens' enjoyable horror opus". Variety.com. Penske Media Corporation. Retrieved 13 September 2019.
  18. Wixson, Heather. "SXSW 2019 Review: GIRL ON THE THIRD FLOOR Reminds Us That You Can't Escape the Ghosts of the Past". Daily Dead. Daily Dead Media. Retrieved 13 September 2019.
  19. Lepire, Bobby. "Girl on the Third Floor". FilmThreat.com. Film Threat. Retrieved 13 September 2019.
  20. Hunter, Rob. "'Girl on the Third Floor' Review: Bad Behaviors and Bodily Fluids Paint the Walls Sticky". FilmSchoolRejects.com. Film School Rejects. Retrieved 13 September 2019.
  21. Johnston, Nick. "SXSW Review: 'Girl on the Third Floor' gives CM Punk a strong role Director Travis Stevens has true chops when it comes to the setting and atmosphere". Vanyaland.com. Vanyaland. Retrieved 14 September 2019.
  22. Robertson, Adi. "Girl on the Third Floor is a skin-crawling horror movie about home improvement". TheVerge.com. Vox Media, Inc. Retrieved 13 September 2019.
  23. Lee, Kevin. "SXSW 2019 Reviews: Darlin', Girl on the Third Floor & Snatchers/Girl on the Third Floor: Clunky Writing, Practical Effects, and Toxic Masculinity". FilmInquiry.com. Film Inquiry, Inc. Retrieved 14 September 2019.
  24. Tallerico, Brian. "SXSW 2019: Girl on the Third Floor, Tone-Deaf, I See You". RogerEbert.com. Ebert Digital LLC. Retrieved 14 September 2019.
  25. Donato, Matt. "'Girl on the Third Floor' Review: This Fixer Upper Has Ghostly Occupants [SXSW]". Slashfilm.com. /Film. Retrieved 14 September 2019.
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