Gilda Lyons

Gilda Lyons (born January 11, 1975, Rhinebeck, New York, United States) is a United States composer, vocalist, and visual artist who writes music that “combines elements of renaissance, neo-baroque, spectral, agitprop Music Theater, and extended vocalism”.[1]

Gilda Lyons in 2012.

Biography

Gilda Lyons holds a B.A. in Music Composition, Vocal Performance, and Visual Arts from Bard College (1997), where she studied with Joan Tower and Daron Hagen; an M.A. in Music Composition and Theory from the University of Pittsburgh (2001), where she studied with Eric Moe and Anne LeBaron; and a Ph.D. from The State University of New York at Stony Brook (2005), where she studied with Daria Semegen and Peter Winkler. Lyons also studied voice, first at Bard with Arthur Burrows, then privately with heldentenor Barry Busse. American Opera Projects in New York City chose her doctoral dissertation, "The Walled Up Wife" (opera, libretto and music by Lyons, 2005), for development and concert premiere.[2] Her critically successful 2015 opera, "A New Kind of Fallout," commissioned and premiered by Opera Theater of Pittsburgh with a libretto by Tammy Ryan, addressed "in achingly human terms ... an artful perspective on an important matter [the dangers of pesticides]."[3] Inspired by Rachel Carson's "Silent Spring," Lyons' music moves the opera well, fluently traversing distinctively characterized styles. She creates bright and open lines to start the opera and later when Alice and Jack exemplify a good marriage, and somewhat denser and more rhythmically agitated when there is conflict. Lyons' command of varied musical textures is masterful.[4]

Performer, impresario, educator

She made her professional debut as both vocal soloist and composer in her own orchestral song cycle "Feis" (poetry of Nuala Ní Dhomhnaill, 1997) with the American Symphony Orchestra, Leon Botstein conducting.[5] She made her recording debut as the Maid in Daron Hagen’s opera Shining Brow (Naxos, 2006) with the Buffalo Philharmonic, conducted by JoAnn Falletta. Of her performance, David Shengold, in Opera, UK, wrote, “Gilda Lyon’s clear soprano compels admiration.”[6]

Lyons founded the Phoenix Concerts, a New York City-based contemporary music performing and presenting organization, in 2005 and currently serves as its Artistic and Executive Director. The New Yorker describes it as “New York’s plucky Upper West Side new-music series.”[7] As of October 2014, Lyons has programmed music by over 160 composers on over fifty concerts.[8] She has commissioned and performed premières of works by numerous living composers, including Kathryn Alexander, Juhi Bansal, Hayes Biggs, Robert Carl, Chen S’iang, Jesse D’Aiello, Stephen Dembski, Jed Distler, Kaeza Fearn, Daniel Felsenfeld, Daniel Gilliam, Daron Hagen, Wang Jie, Paula Kimper, Wendy Wan’ki Lee, Katarina Leyman, Eli Marshall, Jorge Martin, Daphna Mor, Frank Oteri, Glen Roven, David Rakowski, Jessica Rudman, She Ye, Faye-Ellen Silverman, Daniel Sonenberg, Dennis Tobenski, Craig Urquhart, Barbara White, Beth Wiemann, Peter Winkler, Randall Woolf, and Zhou Xu.

Lyons served as Assistant Executive Director of the New York New Music Ensemble (2006-2008) and Executive Director of the Lotte Lehmann Foundation (2008-2011). She has served as Adjunct Assistant Professor at Bronx Community College (2006-2012), as a Special Projects Instructor for Empire State College (2006-2008), and as a member of the composition faculty of the Seasons Music Festival Academy (2009-2012),[9] Since 2013 she has served as a Senior Artist Teacher with her own composition studio on the faculty of The Hartt School. In 2014 she joined the composition faculty of the Wintergreen Summer Music Festival and Academy.

Compositions

Lyons has received commissions from, among others, the ASCAP Foundation / Charles Kingsford Fund, American Opera Projects, Amy Pivar Dances, the Beijing New Music Ensemble, ComposersCollaborative Inc., Fort Greene Park Conservancy, Paul Sperry, Two Sides Sounding, Adrienne Dandrich, Thomas Bagwell, the Finisterra Trio, Entelechron Trio, Kyo-Shin-An Arts, the 5 Borough Music Festival, the AIDS Quilt Songbook at Twenty, Mirror Visions, IonSound, Sweet Plantain String Quartet, and The Walt Whitman Project.

Lyons often turns to unusual sources for texts, and combines ritualistic chant and expanded vocal techniques. Tom Strini in the Milwaukee Journal Sentinel described “Nahuatl Hymn to the Earth Mother” for treble choir as “hair-raising, yet elegant, [with] slides, dips, yips and yelps amid ceremonial intensity."[10] (Clarion CLCD-936) The wide range of her textual sources embraces poetry by grade school children in the Bronx “Songs from the F Train,” (Commissioned by American Opera Projects, and published by Schott, 2010),[11] the Anne Sexton-inspired solo voice cycle “A Small Handful” (EC Schirmer, 2006),[12] and even "transforms acronyms, route numbers and letters and a listing of transit-authority service changes into a comic soprano and mezzo-soprano duet [called] rapid transit.”[13]

She also incorporates visual imagery, as in the multi-media work “riverrun,” (images by Holen Sabrina Kahn) and combines voice with pre-recorded sound, as in “walk, run, fly,” which she premiered at the Flea Theater in 2012,[14] and “Coney Run,” in which she integrates piano, voices, and music concrete.

Schott Music, EC Schirmer, and Burning Sled Music publish her music. Recordings are available on the GPR and Clarion labels.

gollark: Did their toaster go on sale yet?
gollark: I want to add full text search to minoteaur, as it would be very not good without that. However, it needs to store an uncompressed copy of stuff to provide many FTS features, which means I would either end up being MILDLY INEFFICIENT and storing revision data twice, or have somewhat more code to avoid duplicate datoids.
gollark: No, I solved that one ages ago, it's easy.
gollark: Oh dear. I have encountered a horrible dilemma.
gollark: I see.

References
  1. Gilda Lyons website Archived 2014-10-06 at the Wayback Machine, retrieved 5 October 2014.
  2. American Opera Projects website, retrieved 5 October 2014.
  3. O'Driscoll, Bill (2015), "A New Kind of Fallout at Opera Theater: A new opera inspired by the work of Rachel Carson is frequently powerful", Pittsburgh City Paper Website (7/22/15)
  4. Kanny, Mark (2015), "Review: Compelling new opera, 'Fallout,' revisits 1960s, dangers of pesticides", Pittsburgh Tribune Live Website (7/19/15)
  5. ECS Publishing Website Lyons Biography, retrieved 5 October 2014.
  6. Shengold, David (2009), "Shining Brow Review", Opera, UK
  7. Platt, Russell (2011), "Concert Listings", The New Yorker
  8. Phoenix Concerts Concerts Webpage Archived 2014-10-06 at the Wayback Machine, retrieved 5 October 2014.
  9. Seasons Music Festival Composers Seminar Webpage Archived 2014-10-06 at the Wayback Machine, retrieved 5 October 2014.
  10. Strini, Tom (2008-02-18). "Milwaukee Choral Artists Shine". The Milwaukee Journal Sentinel.
  11. Schott Website Product Page, retrieved 5 October 2014.
  12. ECS Publishing Product Page Archived 2014-10-06 at the Wayback Machine, retrieved 5 October 2014.
  13. Kozinn, Allan (2012-01-15). "A Score of Ways to Serenade a City". The New York Times.
  14. The Flea Theater Blog, retrieved 5 October 2014.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.