German Cultural Council

The German Culture Council, or Deutscher Kulturrat in German, is the umbrella organization of the German cultural associations and has its headquarters in Berlin.  It is a political and lobbying association, member, for example, of European Movement International. The Council is funded by taxpayers.[1]

Logo of the German Cultural Council

It defines itself as a point of contact for the politics and administration of the German federal government, the German federal states, and the European Union in all cultural policy matters that overlap the individual branches of the German Cultural Council. Its purpose is to bring cross-sectoral issues into cultural policy discussions at all government levels, and "to advocate freedom of the arts, publications and information."[2] In 2018, it called for German talkshows to be shut down for one year.

History

The association was founded in 1981 as a response to the German Federal government which wanted to abolish the reduced VAT tax on books and visual media. Fifteen artist and retailer associations succeeded in their protests and next founded the Council. Its main source of funding is German federal funds. Membership fees and the sale of books on cultural policy provide are a minimal part of its income.[3]

Since its inception, it was established that the Cultural Council should become an "umbrella organization of umbrella organizations". In 1995, the working group was transferred to the fixed and more effective structure of a non-profit association. Early in the new millennium, it became the recognized umbrella organization of the federal cultural associations.

In July 2012, the association published the first edition of its "Cultural Red List"  to publicize threatened or closed cultural institutions such as theaters, museums, initiatives, clubs, programs or movie houses. The analogy is with, for example, the IUCN Red List.  It is published in the in-house journal Politik & Kultur.[4]

Organization

The association is features eight sections according to subject-specific subdivisions, which in turn consist of a total of 246 federal associations.[5]

Includes: ARD, Bundesverband Musikindustrie, among others
  • Rat für darstellende Kunst und Tanz
  • Deutsche Literaturkonferenz
  • Deutscher Kunstrat
  • Rat für Baukultur und Denkmalkultur
Includes: Association of German Architects, among other
  • Sektion Design
  • Sektion Film, Rundfunk und Audiovisuelle Medien
  • Rat für Soziokultur und kulturelle Bildung

Each of these eight independent sections is represented in the Speaker's Council and in the Assembly of Delegates of the German Cultural Council, the annual Plenum. From the circle of the Speaker's council the board of the Speaker's council is elected every two years. From 2001 to 2013, Max Fuchs was the chairman of the Speaker's Council. On March 12, 2013, Christian Höppner was unanimously elected as the new honorary president.[6]

The managing director (since March 1997: Olaf Zimmermann[7]) coordinates the work of the association and implements the resolutions of the executive committee, the plenum and the speaker council. He maintains contacts with politicians and administrates and develops plans and projects. The experts in the specialist committees of the German Cultural Council draw up recommendations and statements that identify areas of cultural and media policy problems and identify perspectives for action.

The German Cultural Council is a member of the European Movement International.

Calls for shutting down political talkshows in Germany

In June 2018, the Council called for political talkshows to be suspended for one year,[8][9][10] and be replaced with «more suitable contents with regards to social cohesion». A spokesman for public broadcaster ARD replied «We believe the talk shows are an enriching part of our programming.»[11]

gollark: ĦEŁØ
gollark: Don't think so, though.
gollark: I don't know.
gollark: What about iT?
gollark: The... *volume*? No.

References
  1. Kate Connolly (13 June 2018). "Populist talkshows fuel rise of far right, German TV bosses told". The Guardian. Retrieved 14 June 2018. The cultural council, which is taxpayer funded
  2. "Kulturrat calls for a one-year break for talk shows". Die Zeit. 7 June 2018. Retrieved 14 June 2018. The aim of the German Cultural Council is to "stimulate cultural policy discussion at all political levels and to advocate freedom of the arts, publications and information."
  3. RUTH CIESINGER (25 September 2001). "Deutscher Kulturrat: Anniversary". Der Tagesspiegel (in German). Retrieved 15 June 2018. For the most part, the Cultural Council is financed by federal funds, to a small extent by membership fees and the sale of books on cultural policy.
  4. "Deutscher Kulturrat stellt gefährdete Kultureinrichtungen in Deutschland vor". Deutscher Kulturrat. Archived from the original on 2014-10-06. Retrieved 2018-06-14.
  5. Mitglieder des Deutschen Kulturrates at www.kulturrat.de
  6. "Christian Höppner neuer Präsident des Deutschen Kulturrates". Deutscher Kulturrat. Archived from the original on 2016-03-10. Retrieved 2018-06-14.
  7. Geschäftsführer
  8. "German Culture Council recommends one-year talk show break". T-Online (in German). 8 June 2018. Retrieved 14 June 2018. The recommendation comes from the top association of German cultural associations: ARD and ZDF should take a one-year talk show break to revise the broadcast concepts, the German Cultural Council.
  9. Claudia Tieschky (9 June 2018). "Silent year for Plasberg & Co.?". Süddeutsche Zeitung (in German). Retrieved 15 June 2018. The German Cultural Council calls for a one-year break for talk shows. Who? And how realistic is that? Answers to the most important questions.
  10. "Time out: One year talk break in Das Erste and ZDF?" (Press Release). kulturrat.de (in German). German Cultural Council. 7 June 2018. Retrieved 15 June 2018.
  11. Kate Connolly (13 June 2018). "Populist talkshows fuel rise of far right, German TV bosses told". The Guardian. Retrieved 14 June 2018. “I’d suggest for them, take a break for a year ... though the length of the intermission isn’t the decisive factor. What is crucial is that they return with new talkshow concepts and try to come up with more suitable contents with regards to social cohesion in our society,” Zimmermann said
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