Georgina Greenlees

Georgina Mossman Greenlees (1849–1932) was a Scottish artist known for her landscape painting.[1] She was an advocate for art education and practice for women.[2]

Georgina Greenlees
Born13 May 1849
Glasgow, Scotland
Died6 February 1932
London
NationalityScottish
Spouse(s)Graham Kinloch Wylie

Biography

Greenlees was the daughter of Robert Greenlees, headmaster of the Glasgow School of Art from 1863 to 1881.[3] Greenlees married Graham Kinloch Wylie, a landscape painter, in October 1885.[1] Greenlees attended the Glasgow School of Art in the early 1870s.[4][2] She studied painting, design and drawing and was awarded a national Queen's Prize for a lace curtain design in 1870.[2]

Greenlees often painted Scottish landscapes, and was also known for her depictions of women.[1] Her works are held in public collections including A Little Waif, held by the McManus Gallery in Dundee, and a portrait of James Sellars in the Glasgow Museums collection.[5]

Greenlees exhibited at the Royal Academy Summer Exhibition in London during 1878 and 1880.[6] She also exhibited at Royal Glasgow Institute of the Fine Arts in 1867, when she was eighteen, and later at the Royal Scottish Academy.[2] In 1879, Greenlees was elected to the Royal Scottish Society of Painters in Watercolour.[7] She exhibited with the society from 1878, and her work was included in the Fourth Exhibition held in 1881.[8][9]

Greenlees taught at the Glasgow School of Art from 1874 to 1881, when she was one of two women teaching at the school, who both resigned from their positions.[4][1] Greenlees maintained a professional artistic career while continuing to teach privately, which was in direct opposition to the policies of the Glasgow School of Art.[1][2]

Greenlees was a founding member and first president of the Glasgow Society of Lady Artists.[4] The society was formed early in 1882 during a meeting at the studio Georgina shared with her father at 136 Wellington Street, Glasgow.[10][2] The society was the first of its kind to be formed in Scotland and represented the need for women art practitioners to exhibit their work and socialise with other artists.[11]

References
  1. The biographical dictionary of Scottish women : from the earliest times to 2004. Ewan, Elizabeth., Innes, Sue., Reynolds, Sian. Edinburgh: Edinburgh University Press. 2006. ISBN 9780748626601. OCLC 367680960.CS1 maint: others (link)
  2. Helland, Janice (2019-06-11). Professional women painters in nineteenth-century Scotland : commitment, friendship, pleasure. London. ISBN 9781351757256. OCLC 1104533372.
  3. "Greenlees, Georgina | Benezit Dictionary of Artists". www.oxfordartonline.com. 2011. doi:10.1093/benz/9780199773787.article.B00400703. Retrieved 2019-11-11.
  4. Brownrigg, Jenny. "The ladies would seem to have turned their attention: tracing the founding members' of Glasgow Society of Lady Artists" (PDF). Glasgow School of Art. Retrieved 2019-11-11.
  5. Wright, Christopher, 1945- (2006). British and Irish paintings in public collections: an index of British and Irish oil paintings by artists born before 1870 in public and institutional collections in the United Kingdom and Ireland. Gordon, Catherine M. (Catherine May), 1945-, Smith, Mary Peskett., Paul Mellon Centre for Studies in British Art. New Haven, Conn.: Yale University Press. p. 378. ISBN 0300117302. OCLC 64097320.CS1 maint: multiple names: authors list (link)
  6. "The Royal Academy Summer Exhibition: A Chronicle, 1769–2018 Index". chronicle250.com. Retrieved 2019-11-11.
  7. "Past Members". RSW. 2018-01-22. Retrieved 2019-11-11.
  8. Helland, Janice (October 1997). "Locality and Pleasure in Landscape: A Study of Three Nineteenth-Century Scottish Watercolourists". Rural History. 8:2: 149–164.
  9. Helland, Janice. (1996). The studios of Frances and Margaret Macdonald. Manchester, UK: Manchester University Press. p. 183. ISBN 0719047838. OCLC 33439974.
  10. Tanner, Ailsa (1 July 1990). "The Glasgow Society of Lady Artists". Women Artists Slide Library Journal. The Women's Art Library. 35.
  11. Suffrage and the arts: visual culture, politics and enterprise. Garrett, Miranda,, Thomas, Zoë. London. 2018-09-20. ISBN 9781350011861. OCLC 982532870.CS1 maint: others (link)
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