Georges Van Parys
Georges Van Parys (7 June 1902 in Paris – 28 January 1971 in Paris) was a French composer of film music and operettas. Among his musical influences were the group Les Six, Maurice Ravel, and Claude Debussy. Later in his career he served as vice-president of the Société des auteurs, compositeurs et éditeurs de musique. He is buried in the cemetery at Villiers-sur-Marne.
Operettas
- 1922: Madame la Comtesse
- 1923: Une bonne à rien faire
- 1927: Voila le printemps
- 1936: Prends la route
- 1941: Petites Annonces
- 1941: L'École buissonnière
- 1943: Une femme par jour
- 1946: Virginie Déjazet
- 1946: Les Chasseurs d'images
- 1949: La Tour Eiffel qui tue
- 1950: Tristoeil et Brunehouille
- 1951: L'Affaire Fualdès
- 1951: La Reine-Mère
- 1953: Que d'eau, que d'eau
- 1956: Minnie-Moustache
- 1960: Le Jeu des dames
- 1961: La Belle de Paris
With Philippe Parès :
- 1927: Quand y en a pour deux
- 1927: Lulu, libretto Serge Véber, Théâtre Daunou
- 1927: La Petite Dame du Train bleu
- 1928: L'Eau à la bouche
- 1929: Louis XIV
- 1930: Le cœur y est
- 1931: Couss-Couss
- 1937: Ma petite amie
- 1945: On cherche un roi
- 1957: Le Moulin Sans-Souci
Partial filmography
- The Woman and the Puppet (1929)
- Black and White (1931)
- Sailor's Song (1932)
- A Son from America (1932)
- Mademoiselle Josette, My Woman (1933)
- Zouzou (1934)
- Gold in the Street (1934)
- Youth (1934)
- The House on the Dune (1934)
- Counsel for Romance (1936)
- Gargousse (1938)
- Miquette (1940)
- The Mondesir Heir (1940)
- The Acrobat (1941)
- Prince Charming (1942)
- Bolero (1942)
- The Benefactor (1942)
- Behold Beatrice (1944)
- Not So Stupid (1946)
- The Heart on the Sleeve (1948)
- A Certain Mister (1950)
- Tuesday's Guest (1950)
- Old Boys of Saint-Loup (1950)
- Mademoiselle Josette, My Woman (1950)
- Rome Express (1950)
- Wonderful Mentality (1953)
- Virgile (1953)
- Le Secret d'Hélène Marimon (1954)
- The Beautiful Otero (1954)
- Madame du Barry (1954)
- Escalier de service (1954)
- Les Intrigantes (1954)
- Mam'zelle Nitouche (1954)
- Scènes de ménage (1954)
- Les Impures (1954)
- Les Diaboliques (1955)
- Papa, maman, ma femme et moi (1955)
- Comme un cheveu sur la soupe (1956)
- It Happened in Aden (1956)
- Meeting in Paris (1956)
- Women's Club (1956)
- La Tour, prends garde ! (1958)
- Marie of the Isles (1959)
- Captain Fracasse (1961)
- Girl on the Road (1962)
- Le Tracassin or Les Plaisirs de la ville
- Monsieur (1964)
- Coplan Takes Risks (1964)
- The Lace Wars (1965)
Further reading
- Georges van Parys, Les jours comme ils viennent, Paris, Plon, 1969
gollark: Anyway, cubez, it is possible that Rust is not actually suited for what you want to do. Thus:- do a different thing- use a different language
gollark: This is false, as Rust is perfect in every way, actually.
gollark: What?
gollark: That isn't exactly true, though. You can prove stuff based on axioms in maths, and "prove" stuff by at least showing it isn't very likely to not be the case through empirical testing and statistics.
gollark: Added to your conclusional profile.
External links
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