Georges Douay
Georges Douay (7 January 1840 – 18 September 1919) was a French 19th–20th century composer and collector.
Georges Douay | |
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 Chien et Chat, cover page of Georges Douay's operture | |
| Born | 7 January 1840 |
| Died | 18 September 1919 (aged 79) Paris |
| Occupation | Composer, collector |
Biography
A trendy composer in the years 1860-1870, he was responsible for numerous songs and music of operettas. At his death, he bequeathed the Bibliothèque de l'Arsenal a rich collection of over 50,000 artifacts on theater, which included printed materials, 700 engravings and 1500 manuscripts. This collection was the origin of the theatrical direction of the establishment.[1]
He wrote more than 400 pieces on texts by Francis Tourte, William Busnach or Alexandre Flan, among others.[2]
Bibliography
- John Denison Champlin, William Foster Apthorp, Cyclopedia of Music and Musicians: Abaco-Dyne, 1893, p. 449
- Frantz Funck-Brentano, Paul Deslandres, La Bibliothèque de l'Arsenal, 1930, p. 26
- Albert Ernest Wier, The Macmillan Encyclopedia of Music and Musicians, T.1, 1938, p. 479
Notes
Authority control  |
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gollark: The planned system splits responsibility across a million bureaucrats, who are just going to resist change and rubberstamp things.
gollark: The market system, by giving *each individual participant* a direct incentive to improve things, is more efficient.
gollark: Not the same thing, really.
gollark: Outsourcing *increases* efficiency, which is why it's done.
gollark: In CommunismLand™, if you have a good idea, you must present your good idea to the CommunismCommitee™, who will review it, and then possibly throw it out since it threatens their position, or implement it after about 5 years and when they finish updating plans to include it.
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