George Huddesford

Rev. George Huddesford (1749–1809) was a painter and a satirical poet in Oxford. Huddesford published a number of works. His first was described by Fanny Burney as a "vile poem" as it revealed that she had written the novel, Evelina.[1]

For his father, the English academic administrator, see George Huddesford (academic).

George Huddesford
1780 self portrait
Born1749
Oxford
Died1809
Resting placeLoxley church
NationalityBritish
OccupationCleric
RelativesWilliam Huddesford was his elder brother

Life

Huddesford was baptized at St. Mary Magdalen, Oxford, on 7 December 1749. His father, also George Huddesford, was the president of Trinity College. He attended Winchester College and Trinity College, Oxford. His elder brother, William, was to become a leading creator of the Ashmolean Museum.

Huddesford left his father's college and became a fellow of New College in 1771. Huddesford resigned the fellowship as a result of his marriage a year later. It was said that Huddesford had married in haste and unwisely driven by youthful enthusiasm for his prospective wife.[2]

Mr Huddesford and Mr Bampfylde (about 1778)[3]

Huddesford was an amateur painter and was a student of Joshua Reynolds after he left Oxford. Huddesford was able to have several paintings exhibited at the Royal Academy before 1775. He had carried out several paintings in oil, including a full-length portrait of George Lee, the Earl of Lichfield. Joshua Reynolds in turn captured Huddesford in a painting that Huddesford had commissioned,[1] with his good friend John C. Bampfylde and also complete a painting of Mrs Huddesford.[2]

His satire 'Warley, A Satire' was published anonymously in 1778 and was dedicated to Joshua Reynolds. This work was called a "vile poem" by Fanny Burney as it revealed that she was the author of Evelina, a novel she had published anonymously as well as revealing a pet name that had been given to her by Samuel Johnson. Other satirical poems followed with "the French" and rigged elections as targets of his wordplay. One later work was a collection of poetry by old fellow Winchester College students which was called the "Wiccamical Chaplet".

In 1791, Huddesford wrote a comic verse anonymously on the subject of the death of Thomas Warton (the younger) who had been Professor of poetry in Oxford, and a friend to Samuel Johnson, Reynolds and Edmund Burke. This large poem compares Warton to a college cat and it is titled, "Monody on the Death of Dick, an Academical Cat." The poem is littered with clever puns and allusions.[4] The painting of him with John Bampfylde shows the two of them admiring a portrait of Thomas Warton who was master of Winchester College.[3] Huddesford and Bampfylde were close friends, but their relationship was destroyed when Bampfylde was arrested for breaking windows in order to further his affection for the niece of Reynolds. His good friend was eventually sent to a mental asylum where he was kept for twenty years. It is said that Bampfylde regained his sanity but died of tuberculosis shortly after reclaiming his freedom.[3][5]

Huddesford joined the church in the six years before his death in London. His connections had brought him the living of Loxley in Warwickshire and "Sir George Whelkers Chapel" in London.

Works
Huddesford's church in Loxley
  1. 'Warley, a Satire' (anon.), part i., October 1778; part ii., November 1778
  2. 'Salmagundi: a Miscellaneous Combination of Original Poetry’ (anon.), 1791
  3. 'Topsy Turvy; with Anecdotes and Observations illustrative of the Present Government of France’ (anon.), 1793
  4. 'Bubble and Squeak: a Gallimaufry of British Beef with the Chopp'd Cabbage of Gallic Philosophy and Radical Reform' (anon.), 1799. #'Crambe Repetita, a Second Course of Bubble and Squeak' (anon.), 1799.
  5. 'Les Champignons du Diable, or Imperial Mushrooms,' 1805.
  6. 'The Scum Uppermost when the Middlesex Porridge-pot Boils Over: an Heroic Election Ballad,’ 1802; two editions.
  7. 'Wood and Stone, or a Dialogue between a Wooden Duke [of Northumberland] and Stone Lion [over his house at Charing Cross, London],' c. 1802.
  8. ‘Wiccamical Chaplet.’ (Editor)
  9. 'Bonaparte: an Heroic Ballad.'[2]
gollark: Okay, that was easy, it just needed to be power cycled.
gollark: I'm going to be absent for this briefly while I investigate the mysterious nonexistence of one of my """servers""".
gollark: Oh, the long now clock thing, it's neat.
gollark: I mean, they have use, barely, but mostly use which just reduces to funlolz.
gollark: Yachts and vast mansions and such are *somewhat* wasteful.

References
  1. W. P. Courtney, ‘Huddesford, George (bap. 1749, d. 1809)’, rev. S. C. Bushell, Oxford Dictionary of National Biography, Oxford University Press, 2004 accessed 6 February 2010
  2. "Huddesford, George" . Dictionary of National Biography. London: Smith, Elder & Co. 1885–1900.
  3. Reynolds and the Reproductive print Archived 29 October 2009 at the Wayback Machine, tate.org, accessed February 2010
  4. Monody on the Death of Dick, an Academical Cat, Rev G. Huddesford, 1791, accessed February 2010
  5. Leslie Stephen, ‘Bampfylde, John Codrington Warwick (1754–1796)’, rev. S. C. Bushell, Oxford Dictionary of National Biography, Oxford University Press, 2004 accessed 6 February 2010
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