George Herzog (ethnomusicologist)

George Herzog (* December 11, 1901 in Budapest, Austria-Hungary – November 4, 1983 in Indianapolis) was an American anthropologist, folklorist, musicologist, and ethnomusicologist.

This article is about the ethnomusicologist. For the interior designer, see George Herzog.

George Herzog
Born	(1901-12-11)December 11, 1901 Budapest, Hungary
Died	November 4, 1983(1983-11-04) (aged 81) Indianapolis, Indiana
Education	Budapest Music Academy Hochschule für Musik Columbia University
Employer	Indiana University Bloomington
Known for	Study of Native American language, music and anthropology.

Life

Georg Herzog studied at the Budapest Music Academy from 1917 to 1919, and at the Hochschule für Musik in Charlottenburg. Starting in 1921, he assisted Carl Stumpf and Erich Moritz von Hornbostel in the Berliner Phonogramm-Archiv. In 1925, he emigrated to the United States, where he received a postgraduate degree in anthropology from Columbia University. While there, he studied with Franz Boas, Edward Sapir and Ruth Benedict. In 1930/31 he went on a research trip to Liberia, where he recorded, on behalf of Sapir, the language and folk music of the Jabo people.[1] He received a Guggenheim Fellowship in 1935 (and 1947). Through field research, he wrote his doctoral thesis in 1937 A comparison of Pueblo and Pima musical styles which made him one of the fore-most authoritative scholars for American Indian music. He taught and conducted research at the University of Chicago, Yale University and Columbia University. During World War II, he worked in the US Army in Military Intelligence.

Herzog was a professor of Anthropology at Indiana University Bloomington from 1948 to 1958 where he formally established the Archives of Traditional Music which he had begun collecting in 1936 while he was at Columbia University. Herzog was a North American pioneer in the field of ethnomusicology and posed such radical research questions as: "do animals have music?" (1941).[2] His students included Bruno Nettl.

Herzog was a member of the Board of Advisers of the Institute of Jazz Studies and was briefly president in 1955. He, along with David P. McAllester, Alan Merriam, Willard Rhodes und Charles Seeger, founded the Society for Ethnomusicology.[3] After a serious illness in 1950, he had to give up work in 1958, retired in 1962, and lived for the next twenty years in a sanatorium.

Writings (selection)

• Folk tunes from Mississippi. repr. New York : Da Capo Press, 1977
• with Harold Courlander: The cow-tail switch, and other West African stories. New York: H. Holt and Co. 1947
• Drum Signaling in a West African Tribe. in: Word 1, S. 217–238, 1945
• with Frank G. Speck: The Tutelo spirit adoption ceremony: reclothing the living in the name of the dead. Harrisburg : Pennsylvania Historical Commission, 1942
• with Charles G. Blooah: Jabo Proverbs from Liberia: Maxims in the Life of a Native Tribe. London, Oxford University Press 1936
• Research in primitive and folk music in the United States, a survey. Washington, D.C., American council of learned societies 1936
• Die Musik der Karolinen-Inseln : (from the Phonogramm-Archiv, Berlin). Hamburg: Friederichsen, de Gruyter, 1936. (= Ergebnisse der Südsee-Expedition 1908–1910, II B, Bd. 9, 2. Halbband, Eilers, Westkarolinen.)
• A comparison of Pueblo and Pima musical styles. New York City 1935

Further reading

• Israel J. Katz: Herzog, George. In: Stanley Sadie (ed.): The New Grove Dictionary of Music and Musicians. Macmillan, London 1980. v. 8, pp. 527f
• Israel J. Katz: Letters from George Herzog. In: Musica Judaica, 20, 2013–14, pp. 199–248
• Bruno Nettl: Herzog, George. In: Friedrich Blume (ed.): Die Musik in Geschichte und Gegenwart. Bärenreiter, 2002, vol. 8, pp. 1451–1453
• Bruno Nettl: George Herzog as Scholar and Teacher: The Syncratic American Approach to Ethno-musicology. In: Joahim Braun, Uri Sharvit: Studies in Socio-Musical Sciences. Bar-Ilan University Press, Ramat Gan 1998, pp. 17–28
• Daniel Reed: The Innovator and the Primitives: George Herzog in Historical Perspective. In: Folklore Forum, 24/1-2, 1993, pp. 69–92
• Daniel Reed: George Herzog: A contemporary Look at his Work and Ideas. I–II. In: ReSound, 13/3-4, July–October 1994, pp. 1–6 and 14/1-2, January–April 1994, pp. 1–8

References

1. Jabo language
2. Bulletin of the American Musicological Society, Aug. 1941, S. 3f. Note from Rachel Mundy among others: Nature's Music: Birds, Beasts, and Evolutionary Listening in the Twentieth Century. (Dissertation, abstract)
3. Society for Ethnomusicology, website

External links

• Works by or about George Herzog in libraries (WorldCat catalog)