George Fanto
George Fanto (1911–2000) was a Hungarian-born cinematographer. Fanto made films in different countries, but most notably settled in Brazil where he worked in the local film industry including several films for the leading studio Cinédia.[1] Fanto worked with Orson Welles when he was in Brazil for It's All True, his ultimately unfinished documentary about Brazilian life. During the project he and Welles developed a close friendship.[2] Fanto was later employed on Welles' Othello (1952).
George Fanto | |
---|---|
Born | 4 August 1911 |
Died | 14 April 2000 |
Occupation | Cinematographer |
Years active | 1938-1952 (film) |
Selected filmography
- The Black Corsair (1937)
- It's All True (1942, incomplete)
- Samba in Berlin (1943)
- The Naked Angel (1946)
gollark: You can just make signs.
gollark: Maybe it's some weird thing about vitamin D.
gollark: ↓ tan line
gollark: Ideally we would be believing things based on whether they're actually true/well-evidenced or not, instead of aesthetics or whether or not persecuted minorities believe them, but whatever.
gollark: I do not think *anyone* should have a monopoly on particular ideas/beliefs.
References
- Stam p.119
- Callow p.133
Bibliography
- Callow, Simon. Orson Welles: Hello Americans. Random House, 2011.
- Stam, Robert. Tropical Multiculturalism: A Comparative History of Race in Brazilian Cinema. Duke University Press, 1997.
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