George Da Costa

George S. A. Da Costa (1853–1929) was a Nigerian photographer who was active in the late 19th and early 20th centuries. He documented government projects including railway construction in the colony.

George S. A. Da Costa
Born1853
Lagos, Nigeria
Died1929
NationalityNigerian
OccupationPhotographer
Known forPictures of colonial government projects

Life

George S. A. Da Costa was born in Lagos in 1853. He was educated at the CMS Grammar School, Lagos. From 1877 to 1895 he managed the Church Mission Society Bookshop in Lagos.[1] In 1895 he invested £30.00 in special training and then opened a photography business in Lagos.[2] He had a thriving business in the 1890s that continued into the next century.[3]

Da Costa worked as a photographer for the colonial government of Nigeria, and took many pictures that recorded government activities throughout the country, including the North.[3] These included pictures of the construction of the railway from Lagos through Jebba to Kaduna. His studio in 1920 was at 18 Ricca Street, Lagos.[1] He worked for Allister Macmillan that year, taking photographs for the Red Book of West Africa. Macmillan called him "the ablest and best known professional photographer in Nigeria".[4] 52 of his photographs appeared in the Red Book, seven taken in Kano and the others in Lagos.[5]

George Da Costa died in 1929.[6]

Work

Da Costa's work depicts a West Africa that is far from the image of the "dark continent" held by Europeans and Americans at the time. He shows a cosmopolitan society of literati, international merchants, attorneys, politicians, newspaper tycoons and socialites.[4] Da Costa's photographs appeared in The Red Book of West Africa: Historical and Descriptive, Commercial and Industrial Facts, Figures, & Resources (1920, edited by Allister Macmillan). The book claimed it was "the first of its kind ever issued on West Africa, also the most profusely illustrated."[7] Many of his photographs are reproduced in Christaud M. Geary's In and Out of Focus: Images from Central Africa, 1885-1960 (2003).[8]

gollark: Seems like we're going for Mars first, sadly.
gollark: Probably?
gollark: Fusion will still be 25 years away, though.
gollark: Though maybe there'll be newer-generation reactors around if they can get through the mire of regulation and insane popular opinions on it.
gollark: A *lot*.

References
    1. Costa, George S A, Da, b 1853, photographer, RCS.
    2. Macmillan 1920.
    3. Aura Seikkula & Bisi Silva 2013.
    4. Oguibe 2004, p. 76.
    5. Nimis 2005, p. 66.
    6. Ajiroba Yemi Kotun 2013.
    7. African Peoples' Encounters With Others, LoC.
    8. Da Costa, George S. A., AAVAD.

    Sources
    • "African Peoples' Encounters With Others". Library of Congress. Retrieved 2015-03-17.
    • Ajiroba Yemi Kotun (2013-08-08). "Paving The Way". The Nigerian Voice. Retrieved 2015-03-17.
    • Aura Seikkula; Bisi Silva (2013-05-28). "Framing the Moment: The Independent Look of J.D. 'Okhai Ojeikere". africultures. Retrieved 2015-03-17.
    • "Costa, George S A, Da, b 1853, photographer". Royal Commonwealth Society Photograph Collection. Cambridge University Library. 2004-05-10. Retrieved 2015-03-17.
    • "Da Costa, George S. A." AAVAD: African American Visual Artists Database. Retrieved 2015-03-17.
    • Macmillan, Allister (1920). "The Red Book of West Africa". Frank Cass and Co. Retrieved 2015-03-17.
    • Nimis, Erika (2005). Photographes d'Afrique de l'Ouest: l'expérience yoruba (in French). KARTHALA Editions. ISBN 978-2-84586-691-1. Retrieved 2015-03-17.
    • Oguibe, Olu (2004). The Culture Game. U of Minnesota Press. ISBN 978-0-8166-4130-7. Retrieved 2015-03-17.
    This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.