Gennaro Federico

Gennaro Antonio Federico (died Naples, 1744) was a Neapolitan poet and opera librettist. He is best remembered for his collaborations with G. B. Pergolesi including La serva padrona.[1]

Libretti

La Zita (opera buffa; set by Costantino Roberto 1731)
Lo frate 'nnamorato (commedia musicale; set by Giovanni Battista Pergolesi 1732)
L'Ippolita (opera buffa; set by Nicola Conti 1733)
L'Ottavio (commedia per musica; set by Gaetano Latilla 1733 , set by Pietro Alessandro Guglielmi 1760)
La serva padrona (intermezzo; set by Giovanni Battista Pergolesi 1733, set by Girolamo Abos 1744, set by Pietro Alessandro Guglielmi 1780, Giovanni Paisiello 1781 )
Gl'Ingannati (commedia per musica; set by Gaetano Latilla, 1734)
La marina de Chiaja (chelleta, revision of an earlier libretto; set by Pietro Pulli, 1734)
Il Flaminio (commedia per musica; set by Giovanni Battista Pergolesi 1735 )
Il Filippo (opera buffa; set by Costantino Roberto 1735 )
I due baroni (opera buffa; set by Giuseppe Sellitto 1736 )
La Rosaura (opera buffa; set by Domenico Sarro, 1736)
La Teodora (opera sacra; set by Papebrochio Fungoni, 1737)
Gismondo (commedia per musica; set by Gaetano Latilla, 1737)
Da un disordine nasce un ordine (opera buffa; set by Vincenzo Legrenzio Ciampi, 1737)
Il conte (dramma giocoso per musica; set by Leonardo Leo 1738 )
Inganno per inganno (opera buffa; set by Nicola Bonifacio Logroscino, 1738)
La locandiera (scherzo comico per musica; set by Pietro Auletta, 1738)
Ortensio (commedia per musica; set by Giovan Gualberto Brunetti, 1739)
Amor vuol sofferenza (commedia per musica; set by Leonardo Leo 1739, and by Nicola Bonifacio Logroscino come La finta frascatana, 1751)
La Beatrice (opera buffa; set by Vincenzo Legrenzio Ciampi, 1740)
L'Alidoro (commedia per musica; set by Leonardo Leo, 1740; set by Matteo Capranica come L'Aurelio, 1748)
L'Alessandro (commedia per musica; set by Leonardo Leo, 1741)
La Lionara (opera buffa; set by Vincenzo Legrenzio Ciampi 1742, and Nicola Bonifacio Logroscino 1743 )
Il fantastico od Il nuovo Chisciotte (commedia per musica after Miguel de Cervantes; set by Leonardo Leo, 1743)
Il copista burlato (commedia; set by Antonio Sacchini, 1759)

gollark: I am actually considering changing this from a server-rendered to client-rendered-ish application so I can have "usable sidebars" and similar technology.

gollark: C++_incursing_into_reality_inescapably

gollark: You should make a helper function to help with that.

gollark: You MAY have to actually store information.

gollark: Doesn't Haskell not like infinite types?

References

Guy A. Marco Opera: A Research and Information Guide - Page 268 113557801X - 2002 Librettist Gennaro Federico used a colloquial Italian text in his earlier Lo frate 'nnamorato, but he did not write dialect in La serva padrona. Nevertheless, he was able to delineate the fairly complex character of Serpina through nuances of ...

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.

[1] Guy A. Marco Opera: A Research and Information Guide - Page 268 113557801X - 2002 Librettist Gennaro Federico used a colloquial Italian text in his earlier Lo frate 'nnamorato, but he did not write dialect in La serva padrona. Nevertheless, he was able to delineate the fairly complex character of Serpina through nuances of ...