Frederick Ponzlov

Frederick (Fred) Ponzlov is an American thespian, television and film actor, screenwriter, author, theatre director, and acting teacher known for his work on stage and for writing the award-winning film Plots with a View (USA title Undertaking Betty).

Frederick Ponzlov
Frederick Ponzlov - February 9, 2013
NationalityAmerican
Other namesFredrick Ponzlov
Occupation
Known forUndertaking Betty (screenplay)

Career

Fred Ponzlov has been acting and directing stage work since the 1970s.[1][2][3] He directed numerous plays[4] at the Bellflower Theater Company and is co-founder and artistic director of the Long Beach Repertory Theatre.[5] He was trained by Sanford Meisner of the Neighborhood Playhouse in New York City, and as a former casting director for HBO, he teaches and coaches acting classes in Long Beach, specializing in the Meisner Technique.[6]

Ponzlov wrote Plots with a View (USA title Undertaking Betty).[7][8] In 2002, Variety wrote the film is "An enjoyable and entertainingly cast fable about love, death and fitting revenge, "Plots With a View" strikes a near-miraculous balance between the silly and the morbid."[8] When the film screened in Los Angeles in 2005, Kevin Crust of Los Angeles Times made note of "the zany spirit of Frederick Ponzlov's script."[9] The film was nominated for a Golden Hitchcock at the 2002 Dinard British Film Festival, and won a Cymru Award at the 2003 BAFTA Awards, Wales. His book, "Solomon Speaks on Reconnecting Your Life," co-authored with Dr. Eric Pearl, has been translated into over seventeen languages.

Critical recognition

The Los Angeles Times notes: Director Fred Ponzlov, who guided the recently closed “The Cherry Orchard” at the New Community Theatre of Irvine, says he is in love with the play. He worked in a production of it at Milwaukee Rep years ago and says he has seen or worked on a couple of hundred stagings. “The play is bottomless,” Ponzlov says. “It’s about people going through incredible changes. It sort of ties in to the coming millennium. Change is coming, and either people go with it or they can’t.” Indeed, the timelessness of Chekhov appeals to all these artists. His philosophies, so pertinent 100 years ago, still resonate at the end of this century.[10]

Of his work as one of the news anchors in the 2008 play Tragedy: A Tragedy, Hoyt Hilsman of Backstage wrote "The actors do solid work here, notably Ponzlov as the anchor and McCray as a field reporter."[11] and LA Weekly theater critics wrote "Gifted with gravitas and eloquence, the four graveyard-shift journalists in Pulitzer finalist Will Eno’s sharp satire on round-the-clock spin are honing panic that the sun has set and may never rise again",[12] Of his performance in Much Ado at the 1978 Colorado Shakespeare Festival, where director Edgar Reynolds reset the original Shakespeare play Much Ado about Nothing into the American Southwest, William Babula of Shakespeare Quarterly wrote the character of "Dogberry was played as the 'gringo', a somewhat anachronistic Texan with badge, six-guns, cowboy hat, spurs, and drawl. The role was handled admirably by Frederick Ponzlov, and it was amusing to observe the working-class Mexicans of the 'Watch' trying to make sense of the 'gringo' before deciding he was a fool.".[13]

Filmography

Recognition
gollark: > Tell factories to produce 100K units of winter clothing and give them free choice of a variety of different accepted models.But then you don't know how much stuff each factory will need.
gollark: But a firm has the simple goal of "maximize profit", which makes all that way easier.
gollark: And you have to somehow merge the disagreements into some compromise version and it's all quite hard.
gollark: Anyway, the linear programming thing: just how do you assign values for millions of different end-product goods? If you have people vote on it, they'll probably only be remotely competent to decide on a summary or something, and the process of translating the summaries into full plans will probably involve someone making subjective decisions themselves and influencing the process.
gollark: Yes, that is very silly.

References
  1. Guernsey, Otis L. (1977). The Best Plays of 1976-1977 (illustrated ed.). Dodd, Mead. p. 483. ISBN 0396075010.
  2. Samuel L. Leiter, Langdon Brown (1986). Shakespeare around the globe: a guide to notable postwar revivals. Greenwood Press. p. 972. ISBN 0313237565.CS1 maint: uses authors parameter (link)
  3. Mcculloh, T.H. (March 30, 1998). "What's Up, Doc? - The Potency of Anton Chekhov's Plays Continues--With 8 Southland Productions". Los Angeles Times archives. Retrieved 2009-04-18.
  4. "Bellflower Theater: Orpheus Descending". City of Bellflower. 2006. Retrieved 15 February 2010.
  5. Saltzgaver, Harry (November 2, 2011). "Playhouse Goes Collaborative". Gazettes. Retrieved August 28, 2013.
  6. "Frederick Ponzlov - Meisner Technique". losangeles.learningguidenetwork.com. Retrieved 2009-04-18.
  7. "Plots With A View". bbc.co.uk. December 3, 2005. Retrieved 2009-04-18. The movie won great acclaim and a Bafta Cymru award in 2002, but to this date (December 3, 2005) has never been released to UK cinemas
  8. Nesselson, Lisa (November 7, 2002). "Plots With a View". Variety. Retrieved 2009-04-18.
  9. Crust, Kevin (11 November 2005). "movie review: Undertaking Betty". Los Angeles Times. Archived from the original on January 28, 2010. Retrieved 14 February 2010.
  10. Koehler, Robert (20 March 1998). "'Cherry Orchard' Ripe to Pick but Out of Grasp". Los Angeles Times. Retrieved 15 February 2010.
  11. Hilsman, Hoyt (October 24, 2008). "Tragedy: A Tragedy". Backstage. Retrieved 2009-04-18.
  12. "Theater Reviews: Tragedy: A Tragedy, Waiting in the Wings, Good Bobby". LA Weekly. October 20, 2008. Retrieved 2009-04-18.
  13. Babula, William (Spring 1978). "Colorado Shakespeare Festival". Shakespeare Quarterly. Folger Shakespeare Library. 29 (2): 251–252. doi:10.2307/2869119. JSTOR 2869119.
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