Fred Düren
Fred Düren (1928–2015) was a German stage, film and television actor.[1] His career was spent in East Germany, where he appeared in several DEFA films including the historical adventure Follow Me, Scoundrels (1964). He was married to the actress Irmgard Düren. In 1988 he converted to Judaism and settled in Israel, where he died in 2015.
Fred Düren | |
---|---|
Düren and Inge Keller onstage in East Berlin in 1963. | |
Born | 2 December 1928 Berlin, Germany |
Died | 2 March 2015 |
Occupation | Actor |
Years active | 1954-1991 (film) |
Filmography
Year | Title | Role | Notes |
---|---|---|---|
1957 | Spielbank-Affäre | Reporter | |
1957 | Sheriff Teddy | Konsumpacker | |
1958 | Die Mutter | Pawel Wlassow | |
1958 | The Sailor's Song | Major Mörs | |
1958 | Tilman Riemenschneider | ||
1959 | Sie nannten ihn Amigo | Pepp | |
1960 | Hatifa | Zadok | |
1960 | Was wäre, wenn...? | ||
1960 | Fünf Patronenhülsen | ||
1960 | Prezil jsem svou smrt | Georg | |
1961 | Italienisches Capriccio | ||
1961 | Der Traum des Hauptmann Loy | Rex Nartin | |
1961 | Guten Tag, lieber Tag | ||
1962 | Minna von Barnhelm | Riccaut | |
1964 | Preludio 11 | Pater Leon | Voice |
1964 | Follow Me, Scoundrels | Leutnant Lübbenau | |
1964 | Der fliegende Holländer | Der Holländer | |
1968 | Schüsse unterm Galgen | Bauer Scott | |
1970 | Netzwerk | Peter Ragosch | |
1971 | Der verlorene Engel | Ernst Barlach | |
1971 | Goya or the Hard Way to Enlightenment | Esteve | |
1973 | Die Elixiere des Teufels | Belcampo | |
1974 | Orpheus in der Unterwelt | John Styx | |
1978 | Fleur Lafontaine | Eberhard Lafontaine | |
1980 | Solo Sunny | Doktor | |
1980 | Levins Mühle | Prediger Feller | |
1983 | The Turning Point | General Eisensteck | |
1985 | Die Grünstein-Variante | Grünstein | |
1986 | Käthe Kollwitz | Karl Kollwitz |
gollark: Suuuuuuuuure.
gollark: ...
gollark: What is a "true picture"? Cameras don't work exactly like human eyes do. They have to do a bunch of postprocessing.
gollark: I see.
gollark: It's apparently possible to see what people are seeing by reading their brain activity in an MRI scanner now, but those are hardly conducive to sleep and dreams probably don't use the same hardware.
References
- Goble p.251
Bibliography
- Goble, Alan. The Complete Index to Literary Sources in Film. Walter de Gruyter, 1999.
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