Franz Schroedter
Franz Schroedter (9 May 1897 – 14 November 1968) was a German art director.[1]
Franz Schroedter | |
---|---|
Born | 9 May 1897 |
Died | 14 November 1968 71) | (aged
Occupation | Art director |
Years active | 1920–1966 (film) |
Selected filmography
- The Black Count (1920)
- The Dance of Love and Happiness (1921)
- The New Paradise (1921)
- The Queen of Whitechapel (1922)
- The Men of Frau Clarissa (1922)
- The Cigarette Countess (1922)
- The Shadows of That Night (1922)
- The Shadow of the Mosque (1923)
- The Woman from the Orient (1923)
- The Voice of the Heart (1924)
- Strong Winds (1924)
- The Heart of Lilian Thorland (1924)
- Chamber Music (1925)
- Tragedy (1925)
- The Adventures of Sybil Brent (1925)
- The Elegant Bunch (1925)
- The Doll of Luna Park (1925)
- The Morals of the Alley (1925)
- The Flower Girl of Potsdam Square (1925)
- Roses from the South (1926)
- The Last Horse Carriage in Berlin (1926)
- Only a Dancing Girl (1926)
- The Flames Lie (1926)
- When She Starts, Look Out (1926)
- The Trousers (1927)
- Nameless Woman (1927)
- Intoxicated Love (1927)
- U-9 Weddigen (1927)
- My Aunt, Your Aunt (1927)
- The Hunt for the Bride (1927)
- The Indiscreet Woman (1927)
- The Queen of Spades (1927)
- The Island of Forbidden Kisses (1927)
- Violantha (1928)
- Lotte (1928)
- The Weekend Bride (1928)
- The Most Beautiful Woman in Paris (1928)
- Latin Quarter (1929)
- The Night Belongs to Us (1929)
- Marriage in Trouble (1929)
- The Ship of Lost Souls (1929)
- The Mistress and her Servant (1929)
- Cyanide (1930)
- Fire in the Opera House (1930)
- The Widow's Ball (1930)
- Scandalous Eva (1930)
- Hans in Every Street (1930)
- Louise, Queen of Prussia (1931)
- Poor as a Church Mouse (1931)
- Victoria and Her Hussar (1931)
- The Soaring Maiden (1931)
- My Leopold (1931)
- 24 Hours in the Life of a Woman (1931)
- The True Jacob (1931)
- Gitta Discovers Her Heart (1932)
- I Do Not Want to Know Who You Are (1932)
- Love at First Sight (1932)
- Countess Mariza (1932)
- This One or None (1932)
- The Hymn of Leuthen (1933)
- Ripening Youth (1933)
- The Grand Duke's Finances (1934)
- Trouble with Jolanthe (1934)
- Mother and Child (1934)
- Charley's Aunt (1934)
- I Was Jack Mortimer (1935)
- The Dreamer (1936)
- The Abduction of the Sabine Women (1936)
- The Prisoner (1949)
- The Rabanser Case (1950)
- Taxi-Kitty (1950)
- The Lie (1950)
- Melody of Fate (1950)
- The Beautiful Galatea (1950)
- The Lost One (1951)
- The Sinner (1951)
- Professor Nachtfalter (1951)
- Miracles Still Happen (1951)
- Queen of the Arena (1952)
gollark: That is indeed a word which you can put in quotes.
gollark: The trouble is that even an initially good measurement of how well you're likely to do a specific job is probably going to be distorted more and more the longer it's used as people try to optimize for it instead of actually being good at the job.
gollark: Apparently IQ correlates decently with some important things.
gollark: Ideally hiring would be entirely merit-based, but we end up with credentialism instead.
gollark: I wonder how many edit wars it'll end up experiencing.
References
- Giesen p.212
Bibliography
- Giesen, Rolf. Nazi Propaganda Films: A History and Filmography. McFarland, 2003.
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