Franz Pomassl

Pomassl is an electronic sound and recording artist and DJ residing in Vienna, Austria, and is a co-founder of the Austrian Laton experimental techno label.

Pomassl
Background information
GenresAvant garde
Improvisation
Glitch
Noise
Occupation(s)Musician
Artist
InstrumentsHomebuilt analog instrumentation
LabelsLaton
Club Rus
Raster-Noton
Mille Plateaux
Ash International
Sabotage
Nexsound

Pomassl has inspired many other analog and digital electronic artists, including members of Pansonic and Carsten Nicolai,[1] as well as collaborated with a number of important artists across disciplines, including Carl Michael von Hausswolff, J. G. Thirlwell and Kodwo Eshun. In addition to Laton, he has released with seminal electronic labels, such as Raster-Noton, Mille Plateaux, Ash International, Sex Tags Mania, Craft, Sabotage and Nexsound.

Methods

Pomassl improvises using all manner of homebuilt analog electronic equipment, often inserting or connecting patch cables with parts of his body to introduce a deliberate and violent character of noise into dancefloor rhythms.[2]

In addition to being notable for absurd, violent, dadaist performances that satirize the artificial interaction between player and electronic instrument, he also creates custom instrumentation to examine the edges of human-perceptible audio[3] and uses these tools to "elaborate and process radical moments", such as aircraft blackbox data collected from crash sites.[4]

Discography

Albums
  • Skeleton (Austria: Craft/Sabotage, 1995, Craft. 07)
  • Skeleton 2 (Austria: Craft/Sabotage, 1997, Craft. 19)
  • Trail Error (Austria: Laton, 1997, Laton 006)
  • Aircra (Austria: Laton, 1999, Laton 018)
  • 2001 (Austria: Laton, 2001, Laton 021)
  • Retrial Error (Rmxs + Original) (Austria: Laton, 2002, Laton 011)
  • Retrial Error (Rmxs) (Austria: Laton, 2002, Laton 012)
  • Amalgama (Austria: Laton, Unreleased, Laton 033)
  • Skeleton (Norway: Sex Tags Mania, 2007, MANIA 10)
  • Spare Parts (Germany: Raster-Noton, 2007, Raster-Noton R-N088)

EPs

Compilations
  • Picknick mit Hermann! (Austria: Rhiz, 1997, Rhiz 001)
  • Clicks & Cuts 3 (Germany: Mille Plateaux, 2002, MP 116 CD)
  • Prototype: Armaments And Armatures Against Electronic Music (Austria: Laton, 2003, Laton 025)
  • freq_out (UK: Ash International, 2003, Ash 5.8)
  • MUTEK 2005 (Canada: Mutek Records, 2005)

Collaborations

Sound installations
  • Ohne Titel, 2010 with Peter Kogler, Schirn Kunsthalle, Frankfurt am Main, Germany
  • Dreamlands Burn (2006–2007)
Műcsarnok / Kunsthalle Budapest, Budapest, Hungary
  • Runaway (2006)
Galéria Priestor for Contemporary Arts, Bratislava, Slovakia
  • PORTAL II (2003)
Kunsthalle Fridericianum, Kassel, Germany
Göteborg International Biennial for Contemporary Art, Gothenburg, Sweden
  • Avanto (2002)
Muu Galleria, Helsinki, Finland
  • Frequenzen Hz - Audiovisuelle Räume (2002)
Schirn Kunsthalle, Frankfurt am Main, Germany
  • 10 Ans De Fri-Art - Etat des lieux #3 (2001)
Fri-Art - Centre d'Art Contemporain, Fribourg, Switzerland
  • Manifesta 2 - Luxembourg
Manifesta - European Biennial of Contemporary Art, Amsterdam, The Netherlands
gollark: The web platform and all its excessive features might actually be helpful for that, since you can probably get regular native-application-like behavior in a browser regardless of OS.
gollark: Windows: "Universal" Windows Platform, Google: Chrome OS/Android apps, Apple: their Mac app store thingy.
gollark: Software support? Probably. It doesn't help that each OS vendor is trying to lock you into their walled garden now.
gollark: Arch is rolling release, and I think any breaking of the package manager would also likely mess up everything else *anyway*.
gollark: The AUR (btw I use arch) contains a *lot* of stuff, and if it doesn't I can sometimes wrangle a program into compiling from source from their github or whatever.

References
  1. Mutek 2005 artist profile: Franz Pomassl
  2. Live reviews: Mutek 2005, Grooves 18, Ron Schepper and Alex Reynolds
  3. Austrian Radio: Artist profile
  4. Austrian Radio: About 'Aircra'
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