Franz-Otto Krüger
Franz-Otto Krüger (April 1, 1917 – March 17, 1988) was a German film and television actor. Krüger already started his acting at Berlin theatres in 1934, but his career was interrupted by his service in the Second World War. He appeared in over 125 film and television productions between 1947 and 1987, mostly in supporting roles. One of his first films was Roberto Rossellini's neorealist classic Germany, Year Zero.
Franz-Otto Krüger | |
---|---|
Born | |
Died | March 17, 1988 70) | (aged
Nationality | German |
Years active | 1934–1987 |
In addition to acting, he also worked as a stage and television director in his later career. He was also employed as a voice actor and director of German dubbings. Krüger directed the German synchronisation versions of film classics like On the Waterfront, Bambi and The Great Dictator.
Selected filmography
- Germany, Year Zero (1947)
- No Place for Love (1947)
- Everything Will Be Better in the Morning (1948)
- Nothing But Coincidence (1949)
- The Black Forest Girl (1950)
- One Night Apart (1950)
- When Men Cheat (1950)
- The Woman from Last Night (1950)
- Queen of the Night (1951)
- Mikosch Comes In (1952)
- Fight of the Tertia (1952)
- When the Heath Dreams at Night (1952)
- Oh, You Dear Fridolin (1952)
- The Prince of Pappenheim (1952)
- The Cousin from Nowhere (1953)
- The Rose of Stamboul (1953)
- Lady's Choice (1953)
- Red Roses, Red Lips, Red Wine (1953)
- Such a Charade (1953)
- My Sister and I (1954)
- The Model Husband (1956)
- Der Etappenhase (1957)
- Salzburg Stories (1957)
- Victor and Victoria (1957)
- Tired Theodore (1957)
- Aunt Wanda from Uganda (1957)
- The Simple Girl (1957)
- Vater sein dagegen sehr (1957)
- The Muzzle (1958)
- The Man Who Couldn't Say No (1958)
- The Crammer (1958)
- Voyage to Italy, Complete with Love (1958)
- Peter Voss, Thief of Millions (1958)
- A Thousand Stars Aglitter (1959)
- The Avenger (1960)
- We Will Never Part (1960)
- The Bird Seller (1962)
- Kohlhiesel's Daughters (1962)
- The Gorilla of Soho (1968)
- The Man with the Glass Eye (1969)
- The Love Mad Baroness (1970)
Bibliography
- Shandley, Robert R. Rubble Films: German Cinema in the Shadow of the Third Reich. Temple University Press, 2001.
gollark: That sounds problematic. I hope it's fixable.
gollark: We know that different genetic variants occur in nature. If you can be sure you're only editing specific bits it's *probably* fine?
gollark: > Changing peoples genes can't be good<@438839137496203266> I feel like it's probably fine as long as it's made reasonably safe somehow.
gollark: Biased how?
gollark: The anarcho-primitivism one is very accurate.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.