Frank Philipp Schlößmann

Frank Philipp Schlößmann (born 1963) is a German scenic designer focused on operas who has worked at major opera houses and festivals internationally. He staged Janáček's Jenůfa at the Metropolitan Opera, Wagner's Der Ring des Nibelungen at both the Bayreuth Festival and Der Ring in Minden, and the world premiere of Heinz Holliger's Lunea at the Opernhaus Zürich.

Frank Philipp Schlößmann
Born1963 (age 56–57)
Bad König, Germany
EducationMozarteum
Occupation
  • Scenic designer
  • Costume designer

Career

Born in Bad König, Odenwald, Schlößmann studied design of stage and costumes (Bühnen- und Kostümgestaltung) at the Salzburg Mozarteum from 1985 to 1989.

He has worked freelance since 1991, collaborating with directors such as Philipp Himmelmann, Harry Kupfer and Olivier Tambosi. In Germany, he worked for the Komische Oper, Hamburgische Staatsoper, Cologne Opera, the Semperoper in Dresden and the Bavarian State Opera. In Europe, he staged for the Royal Opera House in London, in Dublin, in Amsterdam, Antwerp, in Strasbourg, Bologna and Catania, at La Fenice in Venice and the Liceu in Barcelona, in Oslo, Helsinki and Basel. In the Americas, he designed stages and costumes for the Houston Grand Opera and the Teatro Colón in Buenos Aires, among others. He has also worked in Beijing, Tokyo, and for the Mariinsky Theatre in Saint Petersburg.[1]

Schlößmann designed stages for Puccini's Tosca at the English National Opera, Manon Lescaut at the Lyric Opera in Chicago[2] and the San Francisco Opera, where he also created designs for Janáček's The Makropulos Case and Jenůfa and Verdi's Falstaff,[3] and Janáček's Jenůfa at the Metropolitan Opera in New York City and the Los Angeles Opera.[2]

Schlößmann designed stages for festivals including the Innsbruck Festival of Early Music and the Handel Festival Halle.[4] He designed the set for Wagner's Der Ring des Nibelungen directed by Tankred Dorst at the Bayreuth Festival, presented from 2006 to 2010.[1] He also designed the set for Katharina Wagner's 2015 production of Tristan und Isolde there.[3][4]

At the Bregenz Festival of 2016, Schlößmann directed a revival of Franco Faccio's opera Amleto from 1865, which had been forgotten for 140 years.[5] He staged Donizetti's L'elisir d'amore at the Staatsoper Berlin and Verdi's La traviata for the Oper Leipzig, Staatstheater Saarbrücken, the Deutsche Oper Berlin and the Deutsche Oper am Rhein. He created sets for Wagner's Der Fliegende Holländer at the Volksoper in Vienna, and Puccini's Madama Butterfly at the Opernhaus Dortmund.[3]

Schlößmann was the designer of stage and costumes for Der Ring in Minden, presenting Wagner's Ring cycle staged by Gerd Heinz from 2015 to 2019.[4][6] He framed the stage there by a large ring illuminated in changing colours.[6] For the world premiere of Heinz Holliger's opera Lunea at the Opernhaus Zürich on 18 February 2018, scenes after Lenau, he designed the stage for the production staged by Andreas Homoki with Christian Gerhaher in the title role and the composer conducting.[7]

gollark: It's possible that the general modded playstyle discourages interactions like that because you can be self-sufficient easily.
gollark: CN... didn't *really* ever manage that?
gollark: I think the interesting part of SC and whatnot is that you have a big and long-running enough server that you can get dynamics like economies and towns and whatnot arising from it.
gollark: I meant that more than 10% of people who are *ever* users for a significant amount of time probably use CC.
gollark: Although it might not be an issue with that as much as just network effects.

References
  1. "Frank Philipp Schlößmann". bayreuther-festspiele.de (in German). Bayreuth Festival. Retrieved 10 October 2019.
  2. "Frank Philipp Schlößmann". mariinsky.ru. Mariinsky Theatre. Retrieved 10 October 2019.
  3. "Frank Philipp Schlößmann". sfopera.com. San Francisco Opera. Retrieved 10 October 2019.
  4. "Frank Philipp Schlößmann". ring-in-minden.de (in German). Der Ring in Minden. Retrieved 10 October 2019.
  5. Pachl, Peter P. (21 June 2016). "Wie Balsam ins Ohr geträufelt – Franco Faccios 'Hamlet' bei den Bregenzer Festspielen". Neue Musikzeitung (in German). p. 3. Retrieved 10 October 2019.
  6. Koch, Ursula (14 August 2017). "Verwandlung in engem Rahmen / Der Bühnenbildner Frank Philipp Schlößmann findet immer wieder überraschende Bilder für die Mindener Inszenierung von Wagners Opern-Vierteiler 'Der Ring des Nibelungen'" (PDF). Mindener Tageblatt (in German). p. 3. Retrieved 10 October 2019.
  7. "Frank Philipp Schlößmann". Lunea (in German). Opernhaus Zürich. Retrieved 10 October 2019.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.