Francis Boeniger
Francis Boeniger was an Argentine cinematographer.[1] He worked on around seventy films during his career.
Francis Boeniger | |
|---|---|
| Occupation | Cinematographer |
| Years active | 1934–1963 (film) |
Selected filmography
- The Soul of the Accordion (1935)
- New Port (1936)
- Three Men of the River (1943)
- The Prodigal Woman (1945)
- Wake Up to Life (1945)
- The Circus Cavalcade (1945)
- Lost Kisses (1945)
- Musical Romance (1947)
- From Man to Man (1949)
- The Earring (1951)
- The Voice of My City (1953)
- Love Never Dies (1955)
gollark: They biased it heavily toward singlecore when AMD started releasing high core count things cheaply.
gollark: They have not, in fact, made something 50 times more powerful than all competitors.
gollark: "Metal score" sounds like they're using Metal, i.e. the *GPU* abstraction layer on macOS.
gollark: Ah, it says here that many of Apple's people got hired by "Nuvia" which then got acquired by Qualcomm somehow.
gollark: The A15 apparently uses basically identical cores to its predecessor.
References
- Finkielman p.46
Bibliography
- Jorge Finkielman. The Film Industry in Argentina: An Illustrated Cultural History. McFarland, 2003.
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