Francesca Cappelletti

Francesca Cappelletti is an Italian art history professor known for verifying the authenticity of the Caravaggio painting The Taking of Christ with Laura Testa while they were students at the University of Rome.[1][2][3]

Cappelletti, along with Testa, found the first recorded mention of The Taking of Christ in an ancient and decaying account book documenting the original commission and payments to Caravaggio, in the archives of the Mattei family, kept in the cellar of a palazzo in the small town of Recanati, an archive that is no longer accessible to the public.[4] Testa and Cappelletti were working on a hunch by Caravaggio scholar Roberto Longhi that a painting attributed to Gerard van Honthorst might, in fact, be by Caravaggio.[5] Cappelletti discovered a 1972 history of the National Gallery of Scotland’s collection which discussed a bequest of 28 paintings purchased from the Mattei family by William Hamilton Nisbet implying that the painting might be in the UK.[6] The painting was discovered in a Jesuit community residence in the early 1990s by Sergio Benedetti and is on indefinite loan to the National Gallery of Ireland.

Cappelletti published the results of her research first in the Italian publication Arte e Dossier and then in Burlington Magazine in 1993.[7][8] The discovery of the painting and the research leading up to it became the subject of the book The Lost Painting: The Quest for a Caravaggio Masterpiece by Jonathan Harr. In it, Cappelletti is described as "a free woman within the lingering, and dwindling, constraints of a profession largely dominated by men."[9]

Life

Cappelletti graduated from the University of Rome and studied at the Warburg Institute in London and the Collège de France in Paris.[10] She is a Professor of Art History at the University of Ferrara.[11]

Bibliography
  • Caravaggio and the Painters of the North (2017)
  • Les Bas-fonds du baroque : La Rome du vice et de la misère (2014)
  • Zurbarán (2014)
  • Nuova guida alla Galleria Doria Pamphilj (1996)
gollark: I assume the 0/1/infinite solution thing is from something something linear algebra.
gollark: Ah. So the matrix maps the values of all the variables to the outputs of each equation, and the same output can be attained in multiple ways sometimes.
gollark: No, I mean how do you use that to get intuition for number of solutions of some equations.
gollark: I've seen it with intersecting lines/planes(/hyperplanes), how does it work to interpret it as a transformation?
gollark: I don't think it tries to clarify the actual underlying foundational stuff much.

References
  1. Harr, Jonathan (2005). The Lost Painting: The Quest for a Caravaggio Masterpiece. Random House. ISBN 0-375-50801-5.
  2. Benedetti, Sergio (1993). Caravaggio, the Master Revealed. National Gallery of Ireland. ISBN 0-903162-68-7.
  3. Benedetti, Sergio (November 1993). "Caravaggio's 'Taking of Christ', a Masterpiece Rediscovered". The Burlington Magazine. 135 (1088): 731–741. JSTOR 885816.
  4. "A Painting's Story, Told Stroke by Stroke". Washington Post. December 29, 2005. Retrieved August 13, 2018.
  5. Kakutani, Michiko (December 2, 2005). "On the Trail of a Missing Caravaggio". The New York Times. Retrieved August 13, 2018.
  6. Nisbet, Jeff. "Beyond the Lost Caravaggio". mythomorph. Retrieved 13 August 2018.
  7. Bailey, John (19 June 2011). "The Lost Painting: A Caravaggio Found". American Cinematographer. American Society of Cinematographers. Retrieved 13 August 2018.
  8. Cappelletti, Francesca (November 1993). "The Documentary Evidence of the Early History of Caravaggio's 'Taking of Christ'". Burlington Magazine. 135 (188): 742–746.
  9. "The Caravaggio code". The Boston Globe. November 13, 2005. Retrieved August 13, 2018.
  10. "Caravaggio's Roman Period". Musée Jacquemart-André. May 15, 2018. Retrieved August 13, 2018.
  11. "FRANCESCA CAPPELLETTI". University of Ferrar. Retrieved 13 August 2018.
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