Frances Baker

Frances Baker (3 May 1873-December 1944) was a British painter who was active in Ireland in the early years of the 20th century.

Frances Baker
Born
Frances Davies-Colley

3 May 1873
London, United Kingdom
DiedDecember 1944
Cambridge, United Kingdom
NationalityBritish
EducationSlade School of Fine Art
Known forGenre and Portrait Painting

Biography

Frances Baker (née Davies-Colley) was born into a prominent family of medical professionals: her father, John Neville Davies-Colley, was chief surgeon at Guy's Hospital, London, her brothers, Robert Davies-Colley and Hugh Davies-Colley, also became surgeons at Guy's, and her sister, Eleanor Davies-Colley, was the founder of the South London Hospital for Women and Children and the first woman elected to the Royal College of Surgeons. Frances, the eldest child, studied at the Slade School of Art, taking a certificate in figure drawing in the 1894-95 session.[1] She married Cecil Cautley Baker in 1897;[2] a surveyor by profession, he had taken first prize honors at the Royal Agricultural College in 1877[3] and passed the professional examination of the Institution of Surveyors in 1885.[4] The couple had two daughters: Lettice Cautley Baker (later Ramsey), born in Guildford, Surrey, England in 1898; and Frances Cautley Baker (later Trench;[5] later Farrell[6]), born in Thakeham, Sussex, England in 1902. The family moved to Rosses Point, County Sligo, where Cecil Baker leased oyster farming rights in the Sligo estuary.[7] He died suddenly in 1903,[8] and his widow and young family moved to Ballysadare, where Frances had a farm, worked as a photographer[9] and continued painting.

Working both in oil and watercolor, producing portraits and landscapes, Baker exhibited regularly with George William Russell (AE).[10][11] In Dublin, Baker was acquainted with Irish activists and artists including Constance Gore-Booth and her second husband Casimir Dunin Markievicz.[12] She exhibited paintings in a joint show at the Leinster Lecture Hall in 1911 with Markievicz, Russell, and Paul and Grace Henry.[13][14] She also showed work in exhibitions at the Royal Hibernian Academy, Dublin, and the Royal Institute of Oil Painters.[15][16]

Frances Baker married a second time in 1915 to Dublin physician Francis Kennedy Cahill. Her husband was active in amateur theatrical circles, and they were involved with the United Arts Club in Dublin.[17]

In 1919, she opened a textile weaving workshop called the Crock of Gold in Dublin.[11] The firm became well known as part of the craft revival of handwork and exhibited at the Irish Decorative Art Association exhibitions pre-Partition and the Arts and Crafts Society shows throughout the late 1920s and early 1930s.[18] As with other successful handcrafting businesses at the time, the firm’s traditional handmade textiles sold to modern fashion designers, including French designer Coco Chanel.[19] Baker's daughter Frances and her husband, the writer Michael Farrell, later managed the highly successful business.[20][21][22]

Baker's second husband Dr. Francis Kennedy Cahill died suddenly in 1930 in Dublin, while Baker was in England attending the funeral of her son-in-law, the Cambridge mathematician Frank P. Ramsey.[17] Baker lived in France for a time but settled in Cambridge by the late 1930s.[11][23] She died in Cambridge in December 1944.[24]

Paintings

After her second marriage, Baker was known as Mrs. Kennedy Cahill and Frances Cahill; she signed her work with the initials “FB” and “FC.”

  • Lettice, Newnham College
  • Loading the Turf Cart (aka Gathering the Turf) (pastel on tinted paper, 30.5 x 43 cm)
  • Driving Cattle (aka Bringing Home the Cows) (pastel on tinted paper, 30.5 x 43 cm)
  • Ox Mountain Co Sligo (watercolour and pencil, 24 x 34 cm)
  • Peasants Working before a Cottage (watercolour and pencil, 29 x 39.5 cm)
  • Self Portrait, 1900 (pencil, heightened with white; waxed crayon, 33 x 23.5 cm)
  • Self Portrait, 1917 (pencil, heightened with white; waxed crayon, 28.5 x 21.5 cm)
  • Cafe Scenes, Spalato Croatia (pencil, 20.5 x 27 cm)
  • A Park in Paris (watercolour, 23 x 30.5 cm)
  • Fontaine De L'Observatoire, Paris, 1933 (watercolour and pencil, 23 x 26 cm)
  • Irish Cottage Interior with Family Group, 1904 (watercolour and pencil, 18 x 26 cm)
  • Irish Landscape (oil on canvas, 49.5 x 60 cm)
  • Lettice Reading and Frances Knitting, 1914 (oil on canvas, 62.25 x 53.5 cm)
  • Market Day, Co Sligo (watercolour and pen heightened with white, 21.5 x 29 cm)
  • Market Stalls on the Left Bank, Paris (watercolour, 23 x 31.75 cm)
  • Meadow (watercolour, 25.5 cm x 35.5 cm)
  • Morning, Place Montrouge, 1933 (watercolour and pencil heightened with white, 13 x 19 cm)
  • Portrait of Cecil Baker (oil on canvas, 59 x 49.5 cm)
  • Portrait of Mrs. George Russell (oil on canvas, 76 x 61 cm)
  • River Scene with Trees on the Far Bank (watercolour and pencil, 20.5 x 39 cm)
  • Self Portrait (oil on board, 34 x 23.5 cm)
  • Self Portrait (oil on canvas, 75.5 x 63.5 cm)
  • Self Portrait, 1895 (oil on canvas, 43 x 32.5 cm)
  • Women Digging Potatoes, Co Sligo, 1905 (watercolour and pencil heightened with white, 32.5 x 42 cm)
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References
  1. University College, London (1895). Calendar. p. (l).
  2. "January 1st, 1897, Cecil Cautley Baker and Frances Davies-Colley". London, England, Church of England Marriages and Banns, 1754-1931. p. 81.
  3. The Farmer's Magazine. 1877.
  4. The British Architect: A Journal of Architecture and the Accessory Arts. 1885.
  5. Debrett, John; Hankinson, C. F. J.; Hesilrige, Arthur G. M. (1947). Debrett, John, C. F. J. Hankinson, and Arthur G. M. Hesilrige. Debretts peerage, baronetage, knightage, and companionage ... London: Odhams Press.
  6. "Marriages registered in October, November, December, 1930". England & Wales, Civil Registration Marriage Index, 1916-2005. p. 316.
  7. Commons, Great Britain Parliament House of (1903). Sessional papers. Inventory control record 1.
  8. "Baker, Cecil Cantley (1903)". England & Wales, National Probate Calendar (Index of Wills and Administrations), 1858-1966, 1973-1995. p. 100.
  9. Form A, Census of Ireland, 1911.
  10. Burch, Stephen. "Lettice Ramsey - Obituary and feature article". Stephen Burch (Steve Burch) Birding Website. Retrieved 31 January 2018.
  11. Kennedy, S. B.; Henry, Paul (2007). Paul Henry: With a Catalogue of the Paintings, Drawings, Illustrations. Yale University Press. ISBN 978-0-300-11712-7.
  12. "Irish Republican History & Remembrance". Retrieved 13 February 2018.
  13. "Pictures at Molesworth Street". Freeman's Journal. 17 October 1911.
  14. "The Five Artists: Pictures as Leinster Hall". Irish Times. 16 October 1911.
  15. "The Hoyle Gallery". Retrieved 17 February 2018.
  16. Arrington, Lauren (2015). Revolutionary Lives: Constance and Casimir Markievicz. Princeton University Press. ISBN 978-1-4008-7418-7.
  17. "In memoriam. Francis Kennedy Cahill (1876-1930)". Vdocuments.site. Retrieved 13 February 2018.
  18. McBrinn, Joseph (2017). "Craft as union, craft as demarcation: the decoration of Belfast Cathedral". In Sandra Alfoldy (ed.). "Craft, Space and Interior Design, 1855-2005 ". Routledge. ISBN 978-1-351-57082-4.
  19. McBrinn, Joseph (September 2015). "Cleo: Irish Clothes in a Wider World". Fashion Theory: The Journal of Dress, Body & Culture. 19 (4): 477–482. doi:10.1080/1362704X.2015.1058047. ISSN 1362-704X.
  20. Lynch, Martin (2000). "Michael Farrell, Carlowman (1899-1962) Writer or "Die, Publish and be damned"" (PDF). Carloviana. 48: 46–47. Retrieved 16 February 2018.
  21. "Ireland's Industrial Advance: Crock of Gold" (PDF). Gaelic Echo. 6 (3): 8. March 1957. Retrieved 25 February 2018.
  22. O'Meara, John (1997). "On the Fringe of Letters". Irish University Review. 27 (2): 310–324. JSTOR 25484738.
  23. "Results for 1939 Register, 'Frances Cahill 1873 Cambridge'". Find My Past.
  24. "Deaths Registered in October, November and December, 1944". England & Wales, Civil Registration Death Index, 1916-2007.
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