Found and Lost (opera)

Found and Lost is a one-act opera by Emily Hall, first performed in January 2016, which "straddles the worlds of opera, art installation and promenade theatrical event".[1]

Background

The opera, which lasts about 50 minutes, is to a libretto by Matthew Welton. It is described as "an opera installation....written using found texts within Corinthia Hotel London" – these texts include for example checklists for room service staff.[2] The opera was created by the composer whilst she was an artist-in-residence at the Corinthia Hotel in London.[3] The composer's brief was to write an opera to take place in the hotel with a budget limit of ₤15,000. Hall carried out initial research in different areas of the hotel with the sound designer David Sheppard, with whom she had previously collaborated. The composer has said "Found and Lost is really not conventionally an opera. I prefer 'opera installation'. But unlike theatre, it is music-led: things have been dictated by the length of bits of music, rather than the music being fitted to the drama."[4]

Opera

Performances took take place in the hotel between 25 January and 3 February 2016.[5] Audiences, who were limited in number to twelve per performance, were required to carry portable speakers and to follow the performers through various parts of the hotel, including its bedrooms, bars and boiler room.[3] The plot commences with a list of lost objects, which include a bouquet, a swimsuit and a photograph, based on items which had actually been reported lost in the hotel. The composer says that the opera adumbrates "a date that goes badly wrong … the audience can piece together what has happened."[1] Events include arguments, videos, drunkenness and "an enigmatic but probably bad denouement in a bedroom".[3]

The opera's forces include an a cappella chorus, two actors, electric organ and a cellist.[1][6]

Reception

Critical comments have included "I particularly enjoyed a trip to the boiler room with its chaotic array of pipes and conduits, an alien world where music mixed with hissing technology";[6] " a triumph of marketing, even if the material itself feels slight";[7] and "Part of the fascination is that you are never sure who are the real guests and staff, and who is acting a part."[3]

Notes
  1. John Lewis, "Found and Lost review – the scenery steals the scene", The Guardian, 28 January 2016, accessed 29 January 2016
  2. "Found and Lost", programme (2016), p. [1], p.[11].
  3. Richard Morrison, "It's not over till the fat lady checks out", The Times Arts pages, 29 January 2016, p. 13
  4. Imogen Tilden, "Access all arias: the opera that wanders through a five-star hotel", The Guardian, 26 January 2016, accessed 29 January 2016.
  5. "Found and Lost", Corinthia Artist in Residence website, accessed 4 February 2016
  6. Mark Valencia, "Found and Lost (Corinthia Hotel, London)", WhatsOnStage website, accessed 29 January 2016
  7. George Hall, "Found and Lost review at Corinthia Hotel, London", The Stage website, 28 January 2016, accessed 29 January 2016.
gollark: Test.
gollark: It's documented in PS#ABB85797: "Utilizing unknown means possibly involving direct bytecode manipulation, [REDACTED], and side-channel attacks, the program [DATA EXPUNGED], potentially resulting in a cascading failure/compromise of other networked computers and associated PotatOS-related systems such as the ODIN defense coordination network and Skynet, which would result in a ΛK-class critical failure scenario."
gollark: All *known* copies of it were deleted because it is very dangerous.
gollark: Anyway, right now it seems to mostly be inactive. But there's not a good way to tell how much it's doing. Occasionally some stuff with "Siri" in it trips the potatOS code filtering, but it seems to mostly just be people testing the potatOS code filtering.
gollark: I had to *block* it in PotatOS, because it could cause a ΛK-class critical failure scenario.
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