Flyin' the Koop

Flyin' the Koop is the second solo album by New Orleans drummer Stanton Moore. The album includes funk, rock and jazz. Moore's line-up for Flyin' the Koop is in part a combination of musicians with whom he played at a "SuperJam" at Tipitina's during Jazz Fest 2000.[2]

Flyin' the Koop
Studio album by
Stanton Moore
Released2002
RecordedJanuary 8-11, 2001 at Prairie Sun Studios, Petaluma, CA
GenreJazz, funk, rock
Length52:16
LabelBlue Thumb Records, Verve Music Group
ProducerJason Olain, Stanton Moore, Nick Sansano
Stanton Moore chronology
All Kooked Out!
(1998)		 Flyin' the Koop
(2002)		 III
(2006)
Professional ratings
Review scores
SourceRating
All About Jazz link
Allmusic		[1]

Moore's concept for the album "was to have two saxes, bass and drums, and to improvise over loops..." building the tracks upon rhythm. Melodies then developed through improvisation and composition by the saxophonists.[2] "Magnolia Triangle" is a classic New Orleans composition in 5/4 meter from famed New Orleans drummer and composer James Black. "Let's Go" and "Hunch" are both contributions from the writing team of Charlie Dennard and Brian Seeger who were half of Moore's working band at the time, "Moore and More". The track "For the Record" is a composition by Seeger written specifically for this session.[3]

On Flyin' the Koop Moore played vintage Gretsch drums with an 18-inch bass drum. Wood plays upright and Hoffner bass. Many fans speculated at first that the name of the solo album implied that Moore could be leaving his band Galactic. Moore explained that the metaphor which regarded "freeing yourself from the limitations" of music styles was combined with the location of the recording studio being on a former chicken farm in Cotati, California.[2]

Musicians

Track listing
  1. "Tang the Hump"
  2. "Fallin' Off"
  3. "Let's Go"
  4. "Launcho Diablo"
  5. "Prairie Sunset"
  6. "Things Fall Apart"
  7. "Amy's Lament"
  8. "Magnolia Triangle"
  9. "Hunch"
  10. "Bottoms Up"
  11. "For the Record"
  12. "Organized Chaos"
gollark: *But* some single humans could... probably break civilization.
gollark: Not entirely, no.
gollark: As technology improves this will probably get even more problematic as individual humans get able to throw around more energy to do things.
gollark: > A human gone rogue can be stopped easily enoughI mean, a hundred years ago, a rogue human might have had a gun or something, and could maybe shoot a few people before they were stopped. Nowadays, humans have somewhat easier access to chemical stuff and can probably get away with making bombs or whatever, while some control advanced weapons systems, and theoretically Trump and others have access to nukes.Also, I think on-demand commercial DNA printing is a thing now and with a few decades more development and some biology knowledge you could probably print smallpox or something?
gollark: You probably want to be able to improvise and stuff for emergencies, like in The Martian, and obviously need to be good at repair, but mostly those don't happen much.

References
  1. [https://www.allmusic.com/album/r569264 All About Jazz http://www.allaboutjazz.com/php/article.php?id=9467 link
    Allmusic review]
  2. Stanton Moore New Orleans' Sexiest Drummer? Galactic's Skinman Keeps It Up Christopher Blagg, offBEAT.com, Mar 1, 2002, Retrieved June 22, 2007
  3. Brian Seeger Lead Sheets, brianseeger.com, Retrieved June 23, 2009
  • Flyin' The Koop Glenn Astarita, AllAboutJazz.com, March 1, 2002, Retrieved June 22, 2007
  • Flyin' the Koop Thom Jurek, AllMusic.com, Retrieved June 22, 2007
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