Fiona Crisp

Fiona Crisp (born 1966 in Derbyshire) is an English photographer and installation artist. She is also Professor of Fine Art at Northumbria University.[1]

Fiona Crisp
Born
Fiona Crisp

1966
Derbyshire, England
NationalityBritish
EducationMA, Slade School of Fine Art; BA, West Surrey College of Art and Design
Known forPhotography and art installations

Career

Her solo exhibition, Subterrania, created over a six-year period, was shown at several UK locations in 2009.[1][2][3] It consisted of large scale photographs of underground scenes, including a World War Two hospital beneath Guernsey, catacombs under Rome and Geevor Tin Mine, Cornwall.[3] The works were intended to comment on the relationships between heritage, tourism, history and science.[3] According to The Guardian reviewer "Crisp's command of photographic atmosphere tends to suggest interiors of the mind as much as of architectural appearance."[2] A monograph, Hyper Passive,[4] was published to coincide with the tour and surveyed Crisp’s work from the preceding decade. The monograph includes an essay by Professor Christopher Townsend[5] of London University and an interview with Alessandro Vincentelli,[6] Curator of Exhibitions and Research at BALTIC.

Crisp’s current research centres on the idea of Negative Capability – a phrase first used by the poet John Keats to describe a desirable state of uncertainty and doubt. Keats’ idea is used by Crisp to pursue the photographic object as an unstable and deeply equivocal phenomenon as evidenced in her recent installation, Negative Capability: The Stourhead Cycle for Matt's Gallery, London.[7] This exhibition also reflected Crisp’s long-term engagement with the visual, political and philosophical ‘construction’ of a view – a position acknowledged by her inclusion in the 2013 exhibition, Looking at the View, at Tate Britain.[8]

Her 2007 digital print, Norwegian series #3 is in the collection of the Tate Gallery.[9]

gollark: I've attempted to breed the 29G messy aeon (29G messy aeon. 29G messy aeon) with one of the "2Gs" but got no egg.
gollark: It would be a disservice to not use it correctly.
gollark: 29G. Messy. Aeon.
gollark: I'd possibly influence it to breed with my 29G messy aeon.
gollark: Imagine if someone won the raffle then caught an AP CB prize.

References
  1. "Baltic Centre for Contemporary Art Announces Exhibition by British Photographer Fiona Crisp". ArtDaily.org. 7 April 2009. Retrieved 3 March 2014.
  2. Robert Clark (1 August 2009). "Exhibition preview: Fiona Crisp, Gateshead". The Guardian. London. Retrieved 3 March 2014.
  3. "Subterrania at Newlyn Art Gallery". BBC Cornwall. 3 February 2010. Retrieved 3 March 2014.
  4. http://www.mattsgallery.org/artists/crisp/books/books1-01.php
  5. http://pure.rhul.ac.uk/portal/en/persons/christopher-townsend(e286596f-38ee-4a39-8f80-00ed3b282ce3).html
  6. "Archived copy". Archived from the original on 2015-03-15. Retrieved 2015-03-07.CS1 maint: archived copy as title (link)
  7. http://www.mattsgallery.org/artists/crisp/exhibition-3.php
  8. http://www.tate.org.uk/whats-on/tate-britain/display/bp-exhibition-looking-view
  9. "Norwegian series #3". Tate.org.uk. Retrieved 3 March 2014.
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