Falguni Mitra

Pandit Falguni Mitra is a reputed and erudite Hindustani classical vocalist who is known as a Dhrupad exponent of India.[1][2] Pandit Mitra belongs to the Bettiah gharana.[3]

Pandit

Falguni Mitra
Born (1942-03-01) 1 March 1942
Chittagong
NationalityIndian
CitizenshipIndian
EducationMaster of Arts, Philosophy, Psychology
Alma materSt. Xaviers College, Kolkata
OccupationHindustani classical vocalist
Known forDhrupad, Dhamar
StyleAlaap, Dhrupad and Dhamar
Home townKolkata
TelevisionRaag Rang, National Doordarshan
TitlePandit
Spouse(s)Pratima Mitra
Children1
HonoursDhrupad Ratna, Ballava Gandharva, Sangeet Ratna

Pandit Falguni Mitra combines the Dagar style of “Alaapchari” with the Betia style of Dhrupad and Dhamaar with a distinctive stamp of his own personality.

Early life

Pandit Mitra was initiated early into music by his father, Sangeetacharya Shib Mitra, at the age of five, who was himself trained under the tutelage of Pandit Bholanath Pathak of Varanasi.[4]

Education and work

Pandit Mitra completed his Intermediate from St. Xaviers College, Kolkata; Bachelor's Degree from Vivekananda College, University of Madras and then earned a master's degree in Philosophy from the University of Madras. He had a career in management with a multinational, Cookson Group TLC. Along with his professional career, he also pursued music and took it to an extent which was to be soon recognized as his own rendition of Dhrupad, in India and across the world.

He was the Guru and Prefect of ITC Sangeet Research Academy,[5] Kolkata from 1999 to 2010[6]

Pandit Falguni Mitra has received appreciation for his lecture-demonstrations and articles in various journals in the country and also abroad.[7]

Music career

Mitra is a performer in the Indian music circuit. He is known for his mastery in the Dhrupad style of the Betia Banaras Gharana along with the Dagar alap style.[3] He has been critically acclaimed over the last 50 years . His several accolades, bestowed titles and honors reflect his work as a vocalist where he brings to the fore the work with an exemplary sense of proportion and a unique sense of innovation.[8] He sings alap, nomtom and Dhrupad compositions in all the four Banis, namely, Gaurhar, Dagur, Nauhar and Khandar. He avoids splitting the words during upaj and thereby preserves the poetic integrity of those compositions. He is also known to sing many rare ragas in the Dhrupad style.

Some memorable performances
  • ‘Tansen Sangeet Sammelan‘, Kolkata, 1956
  • ‘Sangeet Rasika Sabha', New Delhi Kali Bari, 1957
  • ‘Sadarang Sangeet Sammelan’, Kolkata, 1963
  • ‘Sarba Bharatiya Sangeet Sammelan’, Kolkata, 1963, 1965
  • ‘Bhawanipore Sangeet Sammilani’, Kolkata, 1963, 1966, 1969, 1972, 1978, 1981, 1995, 1999, 2000, 2001, 2002, 2003
  • ‘Sursringar Sammelan‘, Mumbai, 1976
  • ‘Sursagar Society Sangeet Sammelan’, Kolkata, 1975, 1977, 1979. 1980, 1982, 1985, 1990, 1995, 2000
  • ‘Akhil Bharatiya Dhrupad Sammelan’, Varanasi, 1976, 1977, 1979, 2000, 2005, 2010, 2011
  • ‘Tansen Sangeet Samaroah‘, Raipur, 1978
  • ‘Akhil Bharatiya Dhmpad Sammelan‘, Nathdwara, Rajasthan, 1981
  • ‘Kalakshetra Art Festival’, Kalakshetra Foundation, Chennai, 1984
  • ‘Tansen Sangeet Sammelan‘, Chennai, 1986, 1987, 1988, 1989
  • ‘Ustad Chand Khan Memorial Conference’, New Delhi 1995
  • ‘West Bengal State Music Academy Conference, Kolkata, 1997, 1998, 1999, 2000, 2001, 2003, 2006, 2008, 2010
  • ‘Dover Lane Music Conference‘, Kolkata, 2000, 2002
  • ‘Sangeet Research Academy Music Circle’, Kolkata, 2000
  • ‘Salt Lake Music Conference‘, Kolkata, 2000
  • ‘Bangiya Sangeet Parishad Music Conference’, Kolkata, 2002
  • lTC Sangeet Research Academy Conference, Raipur, Kanpur, 2004
  • Indian Council for Cultural Relations, Kolkata, 2007
  • lTC Sangeet Research Academy Conference, Mumbai, 2008
  • Sangeet Natak Akademi Conference, Bangalore, 2009
  • Sangeet Natak Akademi Conference, Brindavan, 2010
  • Prakriti Foundation Gharana Festival, Chennai, 2010
  • Kala Prakash music festival, Varanasi, 2010
  • Tansen Sangeet Samaroah, Gwalior, 2010
  • Eastern Zone Cultural Center, Kolkata, 2011

Notable works
  • Program in collaboration with Smt. S. Sowmya on original Hindustani and Carnatic songs followed by Rabindranath Tagore's compositions on the same, Music Academy, Chennai. 1996
  • Pandit Mitra composed music for Smt. Rukmini Devi Arundale, dance ballet Meera of Mewar at Kalakshetra Foundation, Chennai, 1985.[9]
  • Artist at Prakriti Foundation[10]

Honors
  • Honored by the South Madras Cultural Association on 3 March 1996.
Dhrupad Ratna by Dhrupad Kalakendra, Indore.
  • Dhrupad Ratna by Dhrupad Kala Kendra, Indore on 28 March 1998.
  • Sangeet Ratna Alankaran by Sree Kashi Sangeet Samaj on 19 February 2012.
  • Sangeet Bharati by Sri Satyananda Mahapith, Jadavpur on 26 February 2016.
  • Ballava Gandharva
gollark: ```haskellmain = print $ traverse (\x -> [x, x + 1]) [1, 2, 3, 4, 5]```
gollark: Wow, I have no idea what `traverse` does.
gollark: Zygohistomorphic prepromorphisms.
gollark: There's also the applicative one but you can do that on top of monads anyway.
gollark: Give or take some argument order things.

References
  1. Banerjee, Meena (3 March 2016). "Into the world of banis". The Hindu. Chennai: The Hindu Group. Archived from the original on 8 January 2020. Retrieved 8 January 2020.
  2. Banerjee, Meena (29 March 2012). "Reviving tradition". The Hindu. ISSN 0971-751X. Retrieved 9 January 2020.
  3. "Betia Gharana".
  4. Mitra, Falguni; Ranganathan, Sumitra. "Betia". ITC Sangeet Research Academy.
  5. "ITC Sangeet Research Academy".
  6. "Guru and Prefect". ITC Sangeet Research Academy.
  7. "Pratima Chandra Foundation".
  8. "Telegraph". The Telegraph.
  9. "The Hindu Review of Mira Dasi".
  10. "Pandit Falguni Mitra".
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