Ezra Mir

Ezra Mir (26 October 1903 – 7 March 1993)[1][2] (fl. 1924–1993) was an Indian film-maker, known for his documentary films.

Ezra Mir
Ezra Mir (1940)
Born
Edwyn Myers

(1903-10-26)October 26, 1903
DiedMarch 7, 1993(1993-03-07) (aged 89)
Bombay, Maharashtra, India
OccupationDirector (films, documentary)
Years active1924–1993

Mir changed his Jewish birth name, Edwyn Meyers, to Ezra Mir because he felt his original name "lacked Indianness". After working originally as a stage actor, he moved to New York in 1924 and started working in film, first as an actor and then later as an editor. During this period he also made his first short film, The Symbolesque (1929).[3]

Returning to India, Mir began directing films based on Hindi theatre. He made his first full length film in this genre, Noorjehan, for the Imperial Film Company in 1931, and subsequently Zarina and other films for the Sagar Movietone. He made a number of films for Madan Theatre Studios in the 1930s, and his most well-known work, Rickshawala, was produced by Ranjit Movietone. He then set up his own studio, Everest Pictures, in 1939.[3][4]

During the 1940s, Mir joined the Film Advisory Board and began making documentary films. The three notable shorts he made for them were Making Money, The Road To Victory and the Voice of Satan in 1940.[5] The Road To Victory was about the proclamation of dictatorship and was effectively directed and narrated by Mir.[6] Voice of Satan was a two-reeler about the propaganda used by the Germans in their broadcasting methods. Both the war documentaries were a production of Wadia Movietone, a co-operative effort with the Film Advisory Board.[7]

When the Advisory Board was replaced by Information Films of India, Mir continued to work for them, producing newsreels such as Indian News Parade. After the war, he continued documentary work, founding the Indian Documentary Producers Association in 1956, and worked on over 700 documentary films. Mir was appointed Chief Producer of the Ministry of Information's Films Division in 1956;[4] under his management, the Division was highly prolific, releasing newsreels at the rate of one per week as well as over 100 documentary films per year.[8] He was awarded the Padma Shri in 1970.[3]

Death

He died on 7 March 1993, in Mumbai.[9]

Filmography
As director
  • The Symbolesque (1929)
  • Noorjehan (1931)
  • Zarina (1932)
  • Premi Pagal (1933)
  • Farzande Hind (1934)
gollark: It may also be worth investigating high energy gender physics as apparently this is vaguely quantumly similar to small distance scale gender physics.
gollark: Their gender is determined by a periodic or just weirdly varying function.
gollark: However, we may need new theories of "quantum gender physics" for small scales.
gollark: Obviously people can change gender substantially over larger timescales.
gollark: Yes, but by how much? Are people making extremely small gender shifts constantly? Do genders change every time electrons move in the brain (by essentially zero amount?)?!!!!?

References
  1. https://www.imdb.com/name/nm0591913/
  2. Ashish Rajadhyaksha; Paul Willemen (10 July 2014). "Mir, Ezra". Encyclopedia of Indian Cinema. Taylor & Francis. pp. 9–. ISBN 978-1-135-94325-7. Retrieved 17 August 2015.
  3. "Ezra Mir". Upperstall.com. Retrieved 26 February 2013.
  4. N. J. Kamath (1 January 2005). The world of Ezra Mir: a monograph. Publications Division, Ministry of Information and Broadcasting, Govt. of India. ISBN 978-81-230-1202-5. Retrieved 26 February 2013.
  5. Patel, Baburao (October 1940). "The Country Wants More Short Films". Filmindia. 6 (10): 63. Retrieved 17 August 2015.
  6. Patel, Baburao (August 1940). "Bombay Calling". Filmindia. 6 (8): 7. Retrieved 17 August 2015.
  7. Patel, Baburao (December 1940). "Bombay Calling". Filmindia. 6 (12): 8. Retrieved 17 August 2015.
  8. Richard Meran Barsam (1992). Nonfiction Film: A Critical History. Indiana University Press. p. 271. ISBN 978-0-253-20706-7. Retrieved 26 February 2013.
  9. "Ezra Mir". jewishcalcutta.in. RJC. Retrieved 17 August 2015.
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