Everett Barksdale

Everett Barksdale (April 28, 1910 – January 29, 1986) was an American jazz guitarist and session musician.

Everett Barksdale
Born(1910-04-28)April 28, 1910
Detroit, Michigan, U.S.
Died(1986-01-29)January 29, 1986
Inglewood, California
GenresJazz
Occupation(s)Musician
InstrumentsGuitar
Years active1930s–1970s
Associated actsArt Tatum

He played bass and banjo before settling on guitar. In the 1930s Barksdale moved to Chicago, where he was in Erskine Tate's band. He recorded for the first time with violinist Eddie South in 1931, and he remained with South until 1939. He moved to New York City and became a member of the Benny Carter big band. Around the same time, he recorded with Sidney Bechet. During the 1940s, he worked for CBS as a session musician.[1]

As a sideman, Barksdale played guitar in many genres. He worked with vocalists Dean Barlow, Maxine Sullivan, the Blenders, and the Clovers. He played on the hit "Love Is Strange" by Mickey & Sylvia and was music director for the Ink Spots.[1]

Beginning in 1949, he worked with pianist Art Tatum until Tatum died in 1956. During the 1950s and '60s, he was a member of the house band at ABC.[1]

He played on recordings by Lena Horne, Sammy Davis Jr., Dinah Washington, and Sarah Vaughan. Among his other jazz associations are Milt Hinton, Buddy Tate, Clark Terry, and Louis Armstrong. He also played guitar in the studio for pop and soul musicians such as The Drifters (including on "Under the Boardwalk" and "Saturday Night at the Movies") and Ben E. King.[2]

Barksdale retired from active performance in the 1970s and moved to California. He died there in 1986.

Discography

As sideman

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gollark: > If I didn’t say that you would infer I think only democrats would do _You inferred my inferences wrong then.
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gollark: I'm not really sure what other inferences I can reasonably make, but I assume you're between 13 and 18 or so given the general demographics here.
gollark: Also, I think you accidentally at least heavily implied you're in the US!

References

  1. Yanow, Scott (2013). The Great Jazz Guitarists. San Francisco: Backbeat. p. 15. ISBN 978-1-61713-023-6.
  2. Joel Selvin, Here Comes the Night: The Dark Soul of Bert Berns and the Dirty Business of Rhythm and Blues. Counterpoint, 2014, pp. 388-391.
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