Evan Charlton

Evan Charlton (1904–1984) was a British artist who painted surrealist landscapes and interiors.[1]

Evan Charlton
Detail of Self-portrait: The Caretaker and his Cat (1982)
Born1904 (1904)
London
Died1984 (aged 79–80)
Porthkerry, South Glamorgan
NationalityBritish
Education
  • University College, London
  • Slade School of Art
Known forPainting
Spouse(s)Felicity Charlton

Early life and education

Charlton, whose mother was Welsh, was born in London. He studied chemistry at University College, London, where he graduated in 1926. He worked for some time as an analyst for London County Council.[2][3]

Charlton led a University College fencing team and reached the threshold for Olympic selection in fencing.[3] He painted at least two pictures of fencing, one of which is in the University College London Art Museum.[4][5][6]

Charlton's brother George, who was five years older, was a teacher at the Slade School of Art in London. Evan Charlton was thinking of becoming a teacher, and while waiting for a place in a teacher training college his brother invited him to spend the summer drawing and painting at the Slade. One of his paintings won the Slade Prize and won him entry to a course at the college, where he studied from 1930 and 1933. His teachers at the college included Henry Tonks, Philip Wilson Steer and Randolph Schwabe.[3]

Career
A Parachute Factory (1943), (Art.IWM ART LD 2908)

In 1935 Charlton took a teaching post at the West of England College of Art in Bristol.[7] While at Bristol he met his wife Felicity, who was a student at the college.[8] He left Bristol in 1938 when he was appointed the Head of the Cardiff School of Art.[1] He appointed Ceri Richards as Head of Painting there in 1940.[9]

During World War Two, Charlton worked as a war artist with a series of short-term contracts from the War Artists' Advisory Committee to paint industrial scenes and also some portraits.[10]

In about 1945 Charlton was appointed Her Majesty's Inspector of Art for Wales, inspecting art colleges. In 1962 he was appointed Staff Inspector of Art, with his remit covering all the art colleges in England and Wales. He retired from the Civil Service in 1964.[3]

Charlton continued to paint and draw during his career as a teacher and a college inspector,[3] and in retirement he painted full-time and was able to contribute to a number of exhibitions, including at the Royal West of England Academy, the New English Art Club and the Welsh Arts Council.[11]

Charlton died in Porthkerry, South Glamorgan,[12] where he had lived for several years.[3] A memorial exhibition of his work was held at the National Museum of Wales in Cardiff in 1985.[7][8] Cardiff Metropolitan University, the successor of Cardiff School of Art, issues the Evan and Felicity Charlton Travel Award annually, in memory of Charlton and his wife, the artist Felicity Charlton.[13]

Style

Charlton painted in a realistic style, and is known for invented landscapes and interiors with a surrealist atmosphere. During his years as an art school inspector he painted privately for himself, isolated from the criticism of the contemporary art world and its preference for abstract and semi-abstract styles. As with many realistic artists of the period, he was influenced by de Chirico, whose work had been exhibited in London in 1928, and the perspectives and architecture in Charlton's work show this influence. Charlton was also influenced by Leonardo and by the old masters in the National Gallery, following their conventions of perspective and composition, with a figure often placed at the golden section.[14]

gollark: No. We can reason about problems in various ways. So can some animals.
gollark: It doesn't have its own will. It's a giant non-agent mess driven by tons of interacting blind optimization processes.
gollark: Depends. There's not a general answer which isn't vaguely stupid somehow.
gollark: It isn't useful to treat it as intelligent because it doesn't display intelligent behaviours.
gollark: It *is*, practically speaking.

References
  1. Frances Spalding (1990). 20th Century Painters and Sculptors. Antique Collectors' Club. ISBN 1 85149 106 6.
  2. Peter W Jones & Isabel Hitchman (2015). Post War to Post Modern:A Dictionary of Artists in Wales. Gomer Press. ISBN 978 184851 8766.
  3. Turner, Derrick E. (1985). "Introduction". Evan Charlton: Last Paintings (exhibition catalogue). Cardiff: National Museum of Wales. ISBN 0 7200 0299 0.
  4. Mary Ann Wingfield (1992). A Dictionary of Sporting Artists 1650-1990. Antique Collectors' Club.
  5. "The Park of a Country House with Fencing Matches and Spectators". Art UK. Retrieved 8 May 2019.
  6. "The fencing match,1932–1932". ArtNet. Retrieved 8 May 2019.
  7. Evan Charlton: Last Paintings (exhibition catalogue). Cardiff: National Museum of Wales. 1985. ISBN 0 7200 0299 0.
  8. Liss Llewellyn Fine Art. "Biography:Evan Charlton". Liss Llewellyn Fine Art. Retrieved 29 February 2016.
  9. Peter Lord (2006). The Tradition A New History of Welsh Art 1400-1990. Parthian. ISBN 978-1-910409-62-6.
  10. Brain Foss (2007). War Paint: Art, War, State and Identity in Britain, 1939-1945. Yale University Press. ISBN 978-0-300-10890-3.
  11. Martin Tinney Gallery (2011). "Evan Charlton 1904-1984". Martin Tinney Gallery. Retrieved 29 February 2016.
  12. David Buckman (1998). Artists in Britain Since 1945 Vol 1, A to L. Art Dictionaries Ltd. ISBN 0 95326 095 X.
  13. "The Evan and Felicity Charlton Travel Award". Cardiff Metropolitan University. Retrieved 5 December 2018.
  14. Fraser Jenkins, David (1985). "Evan Charlton: Last Paintings". Evan Charlton: Last Paintings (exhibition catalogue). Cardiff: National Museum of Wales. ISBN 0 7200 0299 0.
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