Esther Ferrer

Esther Ferrer (born 1937 in San Sebastián, Spain)[1] is a Spanish performance artist. Ferrer received Spain's National Award for Plastic Arts (1999),[2] the Marie-Claire Prize for Contemporary Art in France,[3] and the Velázquez Plastic Arts Prize.[4]

Esther Ferrer
Born1937 (age 82–83)
San Sebastián, Spain
NationalitySpanish
OccupationArtist
Spouse(s)Tom Johnson
Websiteestherferrer.fr/en/

History and career

In 1966 she joined Walter Marchetti and Juan Hidalgo Codorniu in the Spanish performance art group Zaj,[5] famous for its radical and conceptual performances, whose controversial "concerts" were presented in Spanish concert halls despite the censorship of Franco's regime. Zaj also performed in many other countries for 30 years, until 1996, when the group broke up after a retrospective in the Reina Sofia Museum in Madrid.

As a performer she has participated in festivals in Canada, Korea, the United States and Japan, and throughout Europe (France, Italy, Holland Belgium, Bulgaria, Switzerland, England, the Czech Republic, Poland, Denmark, Norway, Slovakia, Germany and Hungary).[6] Her production also includes objects, photos, video pieces, visual systems based on prime numbers, and a large collection of self-portraits in many media.

Ferrer is the author of two radio productions made for Radio Nacional de España (Au rhythm du temps and Ta, te, ti, to, tu ou l'agriculture dans le Moyen Age) and has given seminars on the performance arts in Universities and in Schools of Fine Arts in Spain, France, Italy, Canada, Switzerland and Mexico.[7]

Ferrer represented Spain in the Venice Bienal in 1999,[8] and did large individual shows in subsequent years in the FRAC Bretagne (Rennes, France), MACVAL (Val de Marne, France), and with the Instituto Cervantes in several South American cities.

She is married to minimalist composer Tom Johnson.[9]

gollark: You could say it about lots of things. Dealing with dangerous dangers is sensible as long as the cost isn't more than, er, chance of bad thing times badness of bad thing.
gollark: Probably.
gollark: Oh, and, additionally (I thought of and/or remembered this now), knowing your actions are monitored is likely to change your behavior too, and make you less likely to do controversial things, which is not very good.
gollark: i.e. demonstrate that they can actually function well, enforce the law reasonably, have reasonable laws *to* enforce in the first place, with available resources/data, **before** invading everyone's privacy with the insistence that they will totally make everyone safer.
gollark: Reduced privacy in return for more safety and stuff might be better if governments had a track record of, well, actually doing that sort of thing effectively.

References
  1. "Esther Ferrer Biography – Esther Ferrer on artnet". www.artnet.com. Retrieved 2019-03-06.
  2. "Esther Ferrer. Sculpture. Biography and works at Spain is culture". www.spainisculture.com. Retrieved 2019-03-06.
  3. "Léa Barbazanges et Esther Ferrer lauréates du Prix Marie Claire de l'art contemporain pour une artiste femme". Marie Claire (in French). Retrieved 2019-03-06.
  4. "Esther Ferrer, awarded with the Velázquez Plastic Arts Prize". www.etxepare.eus. Retrieved 2019-03-06.
  5. "Esther Ferrer. Intertwined Spaces (Press release)" (PDF). Guggenheim Bilbao. February 2018. Retrieved 6 March 2019.
  6. Utilisateur, Super. "initio". estherferrer.fr. Retrieved 2019-03-06.
  7. Utilisateur, Super. "accueil (2)". estherferrer.fr (in French). Retrieved 2019-01-18.
  8. "Biography". Bilbao Fine Arts Museum. Retrieved 6 March 2019.
  9. "Tom Johnson - Concerts, Biography & News - BBC Music". BBC. Retrieved 2020-03-26.
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