Eros Volúsia

Eros Volúsia
Eros Volúsia
	Eros Volúsia as Salome (1943)
Born	Heros Volúsia Machado; June 1, 1914; Rio de Janeiro, Brazil
Died	January 1, 2004 (aged 89)
Occupation	Dancer, actress
Parent(s)	Gilka Machado Rodolfo Machado

Heros Volúsia Machado (1 June 1914 — 1 January 2004), known as Eros Volúsia was a Brazilian dancer and actress. Her dancing style blended classical ballet to Afro-Brazilian dancing traditions.[1]

Volúsia participated in several movies in Brazil and Hollywood, among them the 1942 film Rio Rita, starring Abbott and Costello.[2]

Biography

Volúsia was born in Rio de Janeiro, in 1914; her parents were the poets Gilka Machado and Rodolfo Machado.[3] Volúsia entered the ballet school in 1928, where she studied under Maria Olenewa.[4] She also attended the umbanda terreiro of João da Luz, where she had her first contact with Afro-Brazilian dances.[4]

In 1929, Volúsia made her first presentation at Theatro Municipal, dancing samba barefooted.[4] She would make another presentations in the following years, invited by cultural salonists like Paschoal Carlos Magno.[5] In the spirit of Brazilian modernism Volúsia researched Amerindian and African dances in order to create a "national dance" (bailado nacional).

In 1935 she participated of her first Brazilian film, Favela dos Meus Amores. She would be featured in other four films in Brazil.[5]

On 22 September 1941 she was featured at the cover of Life magazine. The following year she participated in a musical act in the MGM film Rio Rita, with Abbott and Costello. She would be compared to Carmen Miranda by local media.[3]

Filmography

Year	Title	Role	Notes
1935	Favela dos Meus Amores
1937	Samba da Vida
1942	Rio Rita	Eros Volusia
1943	Caminho do Céu
1944	Romance Proibido	Dançarina
1949	Pra Lá de Boa		(final film role)

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gollark: I mean, from what I've read, the evidence it does something is minimal, and it *definitely* has problematic side effects.

References

Inc, Time (1941-09-22). LIFE. Time Inc.
III, Harris M. Lentz (2005-04-20). Obituaries in the Performing Arts, 2004: Film, Television, Radio, Theatre, Dance, Music, Cartoons and Pop Culture. McFarland. ISBN 9780786452095.
Sadlier, Darlene J. (2010-10-01). Latin American Melodrama: Passion, Pathos, and Entertainment. University of Illinois Press. ISBN 9780252092329.
Pereira, Roberto (2003). A formação do balé brasileiro: nacionalismo e estilização (in Portuguese). FGV Editora. ISBN 9788522504503.
Mancebo Zenicola, Denise. "Eros Volúsia Performance, poéticas criativas e afirmação identitária".

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[1] Inc, Time (1941-09-22). LIFE. Time Inc.

[2] III, Harris M. Lentz (2005-04-20). Obituaries in the Performing Arts, 2004: Film, Television, Radio, Theatre, Dance, Music, Cartoons and Pop Culture. McFarland. ISBN 9780786452095.

[Sadlier-3] Sadlier, Darlene J. (2010-10-01). Latin American Melodrama: Passion, Pathos, and Entertainment. University of Illinois Press. ISBN 9780252092329.

[:0-4] Pereira, Roberto (2003). A formação do balé brasileiro: nacionalismo e estilização (in Portuguese). FGV Editora. ISBN 9788522504503.

[:1-5] Mancebo Zenicola, Denise. "Eros Volúsia Performance, poéticas criativas e afirmação identitária".