Enrique Chagoya

Enrique Chagoya (born 1953) is a Mexican-born painter and printmaker. His subject is the changing nature of culture.

'Liberty Club in the Sky', hard ground and spit bite aquatint and etching with drypoint by Enrique Chagoya, 2005
'Against the Common Good II', etching and aquatint by Enrique Chagoya, 1983

Biography

He was born in Mexico City in 1953. He was partly raised by an Amerindian nurse who helped him to respect the indigenous people of his country and their history. He studied economics at the National Autonomous University of Mexico in Mexico City in 1975. As a student, he was sent to work on rural development projects, an experience that strengthened his interest in political and social activism.

In 1977, Chagoya and his first wife immigrated to the United States, where he worked as a free-lance illustrator and graphic designer and for a time, in 1977, with farm laborers in Texas. In 1984, he earned a BFA at the San Francisco Art Institute and in 1987 an MFA at the University of California at Berkeley. He lives in San Francisco where he also shows at Gallery Paule Anglim and teaches art at Stanford University, where he received the Dean's Award in the Humanities in 1998.

His works are held in the collections of the Santa Barbara Museum of Art, the Honolulu Museum of Art, the Los Angeles County Museum of Art, the Metropolitan Museum of Art (New York City), di Rosa,[1] the Museum of Modern Art (New York City),[2] the National Museum of American Art (Washington, D. C.), the New York Public Library, the San Jose Museum of Art (San Jose, California), the Art Institute of Chicago,[3] Arkansas Arts Center (Little Rock, Arkansas), the Whitney Museum of American Art, the Williams College Museum of Art (WCMA) in Williamstown, Massachusetts, and the Fine Arts Museums of San Francisco.[4]

His controversial artwork “The Misadventures of the Romantic Cannibals”, which portrays Jesus, and possibly other religious figures, in a context of ambiguous sexual content, is part of 10-artist exhibit called “The Legend of Bud Shark and His Indelible Ink” which is on display in a city-run art museum in Loveland, Colorado.[5] The copy on exhibit in Loveland, one of a limited edition of 30 lithographs, was destroyed by a woman wielding a crowbar on October 6, 2010. According to the artist the work is a commentary on the Catholic sex abuse cases. The woman is set to go to court on October 15, 2010.[6][7]

gollark: In fact, lists are functors, applicatives and monads.
gollark: `join` is essentially `flatten`, and `fmap` is like `map` on lists.
gollark: Technically functors have `fmap`, actually.
gollark: Functor: has `map`, lets you run an `a → b` over a `f a` to get a `f b`Applicative: has `<*>`, lets you run a `f (a → b)` over a `f a` to get a `f b` and `pure`, which lets you get a `f a` from an `a`Monad: has `join`, which does `f (f a)) → f a` or alternately `bind`, which is `f a → (a → f b) → f b`.
gollark: Ah yes.

References
  1. "The Collection". dirosaart.org. Retrieved 2016-11-03.
  2. MoMA online catalogue
  3. "Search Collection". The Art Institute of Chicago. Retrieved 2016-03-16.
  4. "Search Results". FAMSF Explore the Art. Retrieved 2016-03-16.
  5. "Colorado town upset over artistic depiction of Jesus Christ" post in the blog "Culture Monster" on the website of The Los Angeles Times October 1, 2010, accessed October 7, 2010
  6. "Mont. woman takes crowbar to disputed artwork in Loveland" article by Monte Whaley in The Denver Post 10/06/2010, accessed October 7, 2010
  7. "Provocative Image of Christ Sets Off a Debate Punctuated With a Crowbar" article by Dan Frosch in The New York Times October 10, 2010, accessed October 11, 2010

Further reading
  • Chagoya, Enrique, Enrique Chagoya, Locked in Paradise, Reno, Nevada, Nevada Museum of Art, 2000.
  • Hickson, Patricia et al., Enrique Chagoya, Borderlandia, Des Moines, Iowa, Des Moines Art Center, 2007.
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