Emmer Sewell

Emmer Sewell (born 1934) is an African-American contemporary artist.[1] Sewell is known for her sculptures made of found objects.[2][3] Her work is included in the collection of the Metropolitan Museum of Art.[4]

Early life

Sewell grew up on a farm in Perry County, Alabama, near the town of Marion. She was one of fourteen children born to Patrick Sanders, a dairy employee. Her parents were strict and organized, frequently mobilizing the children to harvest crops, tend to or slaughter their cattle, or immaculately clean the house and surrounding fields. Sewell's first memories of drawing came from the rests she would take during harvests. She would sculpt and draw in the open patches of mud on her parents' property. Sewell carries her parents' habitual, ritual cleaning into her work, as she is constantly tidying, sweeping her yard, and rearranging its contents to make her charms and protective sculptures.

A performative child, Sewell excelled in school, particularly in music, performing arts, and arithmetic. Although most of her work is contained on her property, cumulatively, her oeuvre reads as a series of stages where her knowledge and spirituality perform.[1]

Career

Sewell's work undulates through her childhood home and stretches from the road to the back edges of her property. Mundane objects such as mailboxes and old refrigerators become vessels for history and Sewell's personal spirituality, which is a syncretism of southern American Christianity and West African-derived ancestor propitiation.

An X with dots in each quadrant also pervades her work. Sewell described " I put it on refrigerators and those things—symbols of God." Comparing this symbol to ancient Roman symbols that are now ubiquitous, "That is a sign of history. That sign is a great symbol of things. It’s no mean thing to it, nothing devilish in it. It is not. It is a symbol to recognize by. It is a symbol of recognized ways...Them little dots in it make it a star. Let you know you got good running. Knowledge can make you be a star You can use your knowledge and background."[1]

Other notable assemblages include a generations-old doghouse bordering the woods, many Black Panther inspired scarecrows, which stand guard against animals in her crops and people entering her property, and shrines to ancestors or biblical tales which are assembled on tree branches.[5]

gollark: It would be interesting if they scaled it up another order of magnitude or two.
gollark: Neural network stuff, and the fancy GPT models, tend to be better, but also far more complex and computationally intensive.
gollark: Some of them will look back several words, or do it by characters instead.
gollark: A very simple and not good one.
gollark: It's a text generation algorithm!

References
  1. "Emmer Sewell - Souls Grown Deep Foundation". www.soulsgrowndeep.org. Archived from the original on 2019-04-23. Retrieved 2019-04-23.
  2. Williams, Paige (4 December 2014). "The Met Embraces Neglected Southern Artists". Archived from the original on 28 December 2018. Retrieved 23 April 2019 – via www.newyorker.com.
  3. Cheryl Finley; Randall R. Griffey; Amelia Peck; Darryl Pinckney (21 May 2018). My Soul Has Grown Deep: Black Art from the American South. Metropolitan Museum of Art. pp. 18–. ISBN 978-1-58839-609-9.
  4. "Archived copy". Archived from the original on 2019-04-23. Retrieved 2019-04-23.CS1 maint: archived copy as title (link)
  5. Arnett, Paul Arnett, William (2001). Once that river starts to flow. Tinwood Books. ISBN 096537663X. OCLC 248062963.CS1 maint: multiple names: authors list (link)
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