Emil Zettler

Emil Robert Zettler (March 30, 1878 – January 10, 1946) American sculptor, born in Karlsruhe, Germany [1] (or, Chicago, Illinois [2]) and active in Chicago. The Art Institute of Chicago, where Zettler studied, awarded him the Potter Palmer Gold Medal in 1917 for his colored plaster sculpture Job. It was among the first works of art by a Chicagoan showcased at the Arts Club of Chicago.[3]

He often worked with Prairie School architect George Grant Elmslie. He taught sculpture at the Art Institute of Chicago, rising to become head of its School of Industrial Arts. In 1931, Zettler married Edythe L. Flack, one of the Institute's assistant deans. The Institute commissioned Zettler to redesign its Frank G. Logan Medal.[4] Among his students there was John Weaver. Zettler was tasked with designing the official medals for the Century of Progress World's Fair in 1933.[5]

Works

Perkins, Fellows & Hamilton Studio and Office, Chicago, IL, 1917
Capitol Building and Loan Association, Topeka, KS, 1924
Frankenstein Memorial Chapel of Temple Sholom, Chicago, IL, 1928
First Congregational Church of Western Springs, Western Springs, IL, 1930

gollark: > a trump supporter is a lost causeThis is very politically polarizing of you. Don't do taht.

gollark: Especially given that on partisan issues there's probably another group arguing for the exact opposite thing.

gollark: Although I think it can still get caught up in uselessness and signalling quite easily.

gollark: Yes, that is somewhat better.

gollark: "Debate" mostly isn't actual meaningful debate but just showing how virtuous you are for showing how terrible the Other Side is.

References

McGlauflin, Alice Coe, editor, ‘’Who’s Who in American Art: Volume II, 1938-1939’’, The American Federation of Arts, Inc., Washington D.C., 1937
Opitz, Glenn B., Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers, Apollo Books, Poughkeepsie, NY, 1988
"In the Galleries". The International Studio. New York City, NY: John Lane Company. 64 (256): 136. June 1918.
Prince, Sue Ann (1990). The Old Guard and the Avant-Garde. Chicago, IL: University Of Chicago Press. p. 206. ISBN 978-0226682846.
Hibler, Harold E.; Kappen, Charles V. (2008). So-Called Dollars (2nd ed.). Coin & Currency Institute, Inc. p. 84. ISBN 978-0871841025.

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[1] McGlauflin, Alice Coe, editor, ‘’Who’s Who in American Art: Volume II, 1938-1939’’, The American Federation of Arts, Inc., Washington D.C., 1937

[2] Opitz, Glenn B., Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers, Apollo Books, Poughkeepsie, NY, 1988

[3] "In the Galleries". The International Studio. New York City, NY: John Lane Company. 64 (256): 136. June 1918.

[4] Prince, Sue Ann (1990). The Old Guard and the Avant-Garde. Chicago, IL: University Of Chicago Press. p. 206. ISBN 978-0226682846.

[5] Hibler, Harold E.; Kappen, Charles V. (2008). So-Called Dollars (2nd ed.). Coin & Currency Institute, Inc. p. 84. ISBN 978-0871841025.