Else Baum

Else Baum
Else Baum
Occupation	Film editor
Years active	1930–1940

Else Baum was an Austrian film editor active from 1930 to 1940.[1][2][3]

Selected filmography

Zwielicht (1940)
Ein Mädchen geht an Land (1938)
Schatten der Vergangenheit (1936)
Der König lächelt – Paris lacht (1936)
The White Horse Inn (1935)
...nur ein Komödiant (1935)
Die ewige Maske (1935)
Lockspitzel Asew (1935)
The Cousin from Nowhere (1934)
Shock Troop (1934)
Gruß und Kuß – Veronika (1933)
Two Good Comrades (1933)
Sehnsucht 202 (1932)
The Company's in Love (1932)[3]
Reserve hat Ruh (1931)
Victoria and Her Hussar (1931)
Geld auf der Straße (1930)
Die Lindenwirtin (1930)

gollark: It's *still* experimental? It's been at least four years and most of the UI is just a fancy browser anyway.

gollark: I find Kindle Unlimited really great because it means I can decide if I like a book without actually paying to.

gollark: They moved most of my unnecessary stuff into a pile right outside my door, so I now have to go to slightly more effort to walk outside.

gollark: Sometimes they say that I can't just arbitrarily keep things on the floor, even though it's more convenient than putting them on nonfloor things, and complain about the giant pile of several-year-old schoolbooks and important documents on my bookshelf.

gollark: I agree, it is *very* annoying when parents reorganize things.

References

Dassanowsky, Robert (2018-05-01). Screening Transcendence: Film under Austrofascism and the Hollywood Hope, 1933–1938. Indiana University Press. ISBN 9780253034243.
Giesen, Rolf (2015-09-11). Nazi Propaganda Films: A History and Filmography. McFarland. ISBN 9781476612690.
White, Susan M.; White, Professor Susan (1995). The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman. Columbia University Press. ISBN 9780231101134.

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.

[1] Dassanowsky, Robert (2018-05-01). Screening Transcendence: Film under Austrofascism and the Hollywood Hope, 1933–1938. Indiana University Press. ISBN 9780253034243.

[2] Giesen, Rolf (2015-09-11). Nazi Propaganda Films: A History and Filmography. McFarland. ISBN 9781476612690.

[:0-3] White, Susan M.; White, Professor Susan (1995). The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman. Columbia University Press. ISBN 9780231101134.