Ellen Andrée

Ellen Andrée (7 March 1856[1]  – 9 December 1933[2]) was a French model for Édouard Manet, Edgar Degas and Pierre-Auguste Renoir and other impressionists, in the 1870s.[3]

Ellen Andrée
Andrée drinking in the center of Luncheon of the Boating Party by Renoir
Born7 March 1856
Died9 December 1933
NationalityFrench
Known forModel for Manet, Degas, and Renoir

Life

Andrée was born in 1857 in Paris and lived in the Rue du Rocher. She started working as a model, and has become notable because she appeared in a number of important impressionist paintings. She became an actress in the Naturalist style of theatre, in which the purpose was to give a near perfect view of real scenes and not to rely on the audience's imagination. She worked in that profession for several decades, appearing in plays and comedies such as those by Sacha Guitry and Georges Courteline, but it was the brief period in the 1870s, when she was a model for a number of artists, most importantly Édouard Manet, Edgar Degas and Pierre-Auguste Renoir, that made her name.[4] In 1878 she was the model for Rolla, a painting by Henri Gervex, that was based on a poem by Alfred de Musset.[3]

Ellen Andrée


Bibliography

  • Jean Sutherland Boggs: Degas. Ausstellungskatalog Paris, Ottawa, New York, Réunion des musées nationaux, Paris 1988, ISBN 2-7118-2146-3.
  • Françoise Cachin: Manet. DuMont, Köln 1991 ISBN 3-7701-2791-9
  • John Collins: Ellen Andrée in Berk Jiminez: Dictionary of Artists' Models. Fitzroy Dearborn, Chicago 2001, ISBN 1-57958-233-8.
  • Bernard Denvir: The chronicle of Impressionism. Thames and Hudson, London 1993, ISBN 0-500-23665-8.
  • Benoît Noël, Jean Hournon: Parisiana : la capitale des peintres au XIXe siècle. Presses Franciliennes, Paris 2006, ISBN 2-9527214-0-8.
  • Theodore Reff: Manet and modern Paris. National Gallery of Art, Washington und University of Chicago Press, Chicago und London 1982, ISBN 0-226-70720-2.
  • Maryanne Stevens, Colin B. Bailey, Stephane Guegan: Manet, portraying life, Ausstellungskatalog Toledo Museum of Art und Royal Academy of Arts 2012–13, Royal Academy of Arts, London 2012, ISBN 978-1-907533-52-5.
  • Terry W. Strieter: Nineteenth-century European art. Aldwych Press, London 1999, ISBN 0-86172-115-2.
  • Adolphe Tabarant: Manet et ses oeuvres. Gallimard, Paris 1947.
gollark: This is also approximately why I'm against more globalized governance integration: having multiple somewhat independent nations/states/whatever means you can test out different plans in parallel without having to *explicitly* A/B test people, which they dislike.
gollark: I'm not sure if your premise applies in realistic cases.
gollark: Sure.
gollark: umnikos said> and a very good argument for uniting the european union more stronglywhich I disagree with.
gollark: You seem to be missing what I'm talking about here.

References

  1. Fiche de naissance n° 5/32. Archives en ligne de la Ville de Paris, état-civil du 3ème arrondissement (ancien), fichier des naissances de 1856.
  2. Acte de décès n° 1216 (vue 17/24). Archives en ligne de la Ville de Paris, état-civil du 9ème arrondissement, registre des décès de 1933.
  3. Léonard, Sylvie. "Petites histoires de l'art". montpellier.fr. Archived from the original on 4 April 2011. Retrieved 12 February 2013.
  4. Benoit, Noel (2006). Parisiana: la capitale des peintres au XIXème siècle. Dislab.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.