Ehsan Aman

Ehsan Aman (Persian: احسان امانEḥsān Amān; born 1959) is an Afghan American singer.[1][2] He is one of the few veterans of Afghanistan’s lost music Golden Age who've maintained their popularity over the decades. He gained fame in Afghanistan during 1970s and early 1980s with his first singles and the performances he held at Kabul University. Exiled since the early 80s in the US, he has continued writing and producing music in the state of Virginia, which has also been his residence since that time.

احسان امان
Ehsan Aman
Background information
Birth nameEhsan Aman
Born1959
Lashkargah, Afghanistan
GenresPop, dance
Occupation(s)Singer, composer, architecture engineer
InstrumentsGuitar, harmonium, accordion
Years active1978–present
LabelsFifth String Entertainment, Inc
AKA Sound, Inc.
Nala Studios

Aman is married to the daughter of songwriter Nainawaz.[1][2]

Early life

Ehsan was born in Lashkargah, Afghanistan, to Mohammad Aman Ibrahim, an engineer by profession. By caste he is Baloch, whose lineage can be traced to the distinguished people of Helmand province.[3] Ehsan's interest in music developed in early childhood when he learned to play the accordion. This led to his participation in his high school music functions that raised public support for his professional pursuit of music. After completing his high school education, Ehsan won a scholarship to enter Kabul University and he followed his father's footsteps to study.

Aman's serious interest in music began during university - during his attendance as a student, he held various live performances; Ehsan's popularity began to rise. However, there were tensions between Aman and media personalities - the adverse circumstances of the time period led to misinterpretation of his lyrics and contributed to negative publicity. His songs – which were regulars of Kabul Radio Station – were banned.

Career

Avoiding a confrontation that could have cost him his life, he chose to leave the country. He arrived in Pakistan in 1981. In October 1982, he immigrated to the United States, re-kindling his musical pursuits. In spite of economic and technical difficulties, he collaborated with other exiled musicians from Afghanistan and, in 1983, he released his first album: Musafer.

However, burdened with family life and the adjustment to the adopted country, Ehsan limited his involvements from 1985 to 1993 to a career in engineering. After 1993, at the request of fans, he returned to music.

In January 2002, he was asked by the Embassy of Afghanistan in Washington, D.C. to re-arrange the national anthem of Afghanistan. He performed his rendition in front of a 3,500 member audience, achieving acclaim for his achievement.

Personal life

In 1985, Ehsan married his wife Sahar who is the daughter of the late Afghan poet and composer Nainawaz. His wife supports his musical endeavors and often accompanies him to his concert performances. Ehsan is also a calligrapher and an avid tennis player. From 1976 to 1980, he was a member of the Afghan National Tennis Team, and participated in many international tennis competitions outside of Afghanistan.

Accolades

  • 1996: Artist of the Year. Afghan Youth Ballot. (Reported by Karwan Newspaper.)

Discography

Year Title Notes
1983 Musafer First Album
1999 Sahar Named in Honor of his Wife Sahar
2001 Blue Moods
2002 Afghan Hope new songs romantic Devoted for Afghan Children
2004 Heart Beat
2005 Echoes from the Past

Videography

Year Title Notes
2001 Live in Concert Ehsan's First DVD

References and footnotes

gollark: I suspect your foreword thing might actually be incompatible with that.
gollark: Then you would need to explicitly release it under some free software license. Which yours might not be.
gollark: Actually, the way it works is that if you program something/make some sort of creative work, you own the "intellectual property rights" or whatever to it (there's a time limit but it constantly gets extended), and have to explicitly release it as public domain/under whatever conditions for it to, well, be public domain/that.
gollark: ... it's saying what you can do with the (copyrighted) code.
gollark: It's *basically* a license in spirit.
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