Edwin Ellis (poet)

Edwin John Ellis (1848–1916) was a British poet and illustrator.[1] He is now remembered mostly for the three-volume collection of the works of William Blake he edited with W. B. Yeats. It is now criticised, however, for weak scholarship, and preconceptions.[2]

Blake facsimile (1893) by Edwin John Ellis

Life

Ellis was a son of Alexander John Ellis.[3] He was a long-term friend of John Butler Yeats, sharing an interest in aesthetics, and from 1869 a London studio in Newman Street;[4] but was not on good terms with Susan his wife.[5]

Ellis was in an association with John Trivett Nettleship, and Sydney Hall, also followers of Blake, as well as John Butler Yeats and George Wilson (1848–1890, a Scottish Pre-Raphaelite inspired artist). Called The Brotherhood, the group was set up in 1869, with Hall leaving early.[6]

When the Yeats family moved to Bedford Park in London, which occurred in 1879,[7] Ellis met the son William Butler Yeats. W. B. Yeats became close to the "vague and depressive" Ellis in 1888. Their joint study of Blake began in 1889, and resulted in a major textual discovery, the manuscript of Vala, or the Four Zoas.[8]

Ellis took part in the gatherings of the Rhymers' Club, and contributed to their anthologies.[3] R. F. Foster describes his relationship to W. B. Yeats as that of a collaborator, repaid as other rhymers or mentors were by inclusion in Yeats's Oxford Book of Modern Verse 1892–1935.[9]

Works
  • Fate in Arcadia, and other poems 1892
  • Facsimile of the original outlines before colouring of the Songs of Innocence and of Experience executed by William Blake 1893
  • The works of William Blake, poetic, symbolic and critical 1893 (with W B Yeats)
  • The Real Blake; a portrait biography, 1907
  • Seen in Three Days
  • Sancan the Bard

Family

Ellis was married, with a German wife who died around 1922.[3]

gollark: Did we ever get a palaiologistical answer to the thing?
gollark: A+B or A. A has $1000 000 iff the oracle predicted you would only pick it. B has a fixed $10 000.
gollark: Depending on the model of time travel in use, you continuously generate alternate timelines, don't do the thing in the first place as the universe forbids it, or run into some ridiculously unlikely failure state of the apiochronoformic system in use.
gollark: Newcomb's paradox, yes.
gollark: Personal... scales, assuming you can guess how massive the empty box is?

References
  1. Sarah Haggarty; Jon Mee (28 November 2013). William Blake - Songs of Innocence and of Experience. Palgrave Macmillan. pp. 84–. ISBN 978-1-137-38245-0.
  2. Essick, Robert N. "Blake, William". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/2585. (Subscription or UK public library membership required.)
  3. "Edwin John Ellis Collection, University of Reading, Archive and Museum Database". Retrieved 18 July 2015.
  4. William Michael Murphy (2001). Prodigal Father: The Life of John Butler Yeats (1839-1922). Syracuse University Press. p. 57. ISBN 978-0-8156-0725-0.
  5. R. F. Foster (1998). W. B. Yeats: A Life. The apprentice mage, 1865-1914. I. Oxford University Press. p. 12. ISBN 978-0-19-288085-7.
  6. William Michael Murphy (2001). Prodigal Father: The Life of John Butler Yeats (1839-1922). Syracuse University Press. p. 61. ISBN 978-0-8156-0725-0.
  7. R. F. Foster (1998). W. B. Yeats: A Life. The apprentice mage, 1865-1914. I. Oxford University Press. p. 26. ISBN 978-0-19-288085-7.
  8. R. F. Foster (1998). W. B. Yeats: A Life. The apprentice mage, 1865-1914. I. Oxford University Press. pp. 98–102. ISBN 978-0-19-288085-7.
  9. R. F. Foster (17 March 2005). W. B. Yeats: A Life II : The Arch-Poet 1915-1939: The Arch-Poet 1915-1939. OUP Oxford. pp. 556–. ISBN 978-0-19-158425-1.
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