Edoardo Vera

Edoardo Vera (1821–1889) was an Italian opera composer.[1][2][3]

Works

Operas

Anelda da Messina
Valeria: lyric tragedy in four acts to a libretto by Antonio Ghislanzoni – 1869
Adriana Lecouvreur e la duchessa di Bouillon: (on the same subject as Adriana Lecouvreur) lyric drama in 4 acts to a libretto by Achille de Lauzières – 1856[4]

Songs

"L'ombre"
"La tradita"
"Mescetimi il vin"

gollark: Against scanning like that? The government wants *more* of it.

gollark: It's better than forcing all content through even less auditable server side filters but still fairly bad.

gollark: The generality of this solution and the fact that they'll probably keep the exact details private for "security"-through-obscurity reasons also means that, as I have written here (https://osmarks.net/osbill/) in a blog post tangentially mentioning it, someone could just feed it image hashes for, say, anti-government memes and find out who is saving those.

gollark: No.

gollark: Please wait between 0 and 11.

References

Trevelyan, Raleigh (2012). Princes Under the Volcano: Two Hundred Years of a British Dynasty in Sicily. Faber & Faber. ISBN 9780571288915. OCLC 985906942. As for Edoardo Vera, the composer, famed for his wit and repartee, he would say that he only held three persons sacred: the rightful Queen of Italy, his sister and Giulia Scalia.
A guide to the autograph letters, manuscripts British museum dept. of MSS. – 1878 "Letter to Niccolo Vaccai, censor of the " Conservatoria " of Milan, recommending Edoardo Vera, the composer; dated Paris, 15th June, 1843. Italian. Holograph. Purchased in 1875. "
Memories – Volume 1 – Page 195 Algernon Bertram Freeman-Mitford Baron Redesdale 1916 "In his last years, when he had retired from the stage, had lost his fortune, and was custode of a museum, Queen Margherita was extremely anxious to hear him sing, and commissioned Edoardo Vera, her music master, to try and get him to do ..."
The Grove Book of Operas – Page 2 Stanley Sadie, Laura Macy – 2006 "Cilea chose the subject for its mixture of comedy and tragedy, its 18th-century ambience, the loving intensity of its protagonist and the moving final act; three other operas use the story of Adrienne Lecouvreur (by Edoardo Vera, ..."

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[1] Trevelyan, Raleigh (2012). Princes Under the Volcano: Two Hundred Years of a British Dynasty in Sicily. Faber & Faber. ISBN 9780571288915. OCLC 985906942. As for Edoardo Vera, the composer, famed for his wit and repartee, he would say that he only held three persons sacred: the rightful Queen of Italy, his sister and Giulia Scalia.

[2] A guide to the autograph letters, manuscripts British museum dept. of MSS. – 1878 "Letter to Niccolo Vaccai, censor of the " Conservatoria " of Milan, recommending Edoardo Vera, the composer; dated Paris, 15th June, 1843. Italian. Holograph. Purchased in 1875. "

[3] Memories – Volume 1 – Page 195 Algernon Bertram Freeman-Mitford Baron Redesdale 1916 "In his last years, when he had retired from the stage, had lost his fortune, and was custode of a museum, Queen Margherita was extremely anxious to hear him sing, and commissioned Edoardo Vera, her music master, to try and get him to do ..."

[4] The Grove Book of Operas – Page 2 Stanley Sadie, Laura Macy – 2006 "Cilea chose the subject for its mixture of comedy and tragedy, its 18th-century ambience, the loving intensity of its protagonist and the moving final act; three other operas use the story of Adrienne Lecouvreur (by Edoardo Vera, ..."