Edith Alonso

Edith Alonso Sánchez (born 1974 in Madrid) is a Spanish composer, improviser, pianist, sound artist and academic who has been involved in the creation of an experimental electronic style that incorporates spoken word, musical sound and visual imagery. She has received a number of awards for her work.

Edith Alonso
Birth nameEdith Alonso Sánchez
Born1974 (age 45–46)
Madrid, Spain
Genreselectronica, experimental music, sound art
Occupation(s)academic, composer
Instrumentspiano
Years active2007 – present
Websitewww.edithalonso.com
This article uses Spanish naming customs: the first or paternal family name is Alonso and the second or maternal family name is Sánchez.

Life and education

Alonso was born in 1974 in Madrid.[1][2][3] As a child, she studied classical music and learned to play the piano, and later the saxophone and guitar.[3] She later moved from Madrid to Paris for her doctoral studies.[3] During the 1990s, Alonso played the electric bass in an underground punk rock band in Madrid.[3]

Alonso attended the French university Paris 8 in a program that jointly run with Spanish university Universidad Complutense de Madrid and was in the Facultad de filosofía. In 2009, she successfully defended her doctoral thesis titled "La estética de la mùsica acusmàtica en la obra de François Bayle".[3][4][5] Following her thesis defense, she was awarded the Société des auteurs, compositeurs et éditeurs de musique (SACEM) prize. She was also a given grants from the French Ministry of Research and the Spanish Ministry of Foreign Affairs.[3]

Alonso teaches at the Universidad Internacional de la Rioja, working there since 2013 as a professor.[3][6] She co-founded Campo de Interferencias, a Spanish non-profit dedicated to promoting sound art in Spain.[3]

Musical development

Alonso's involvement with music includes having done a number of roles including being a composer, improviser, pianist, sound artist and academic.[1][4][6] Alonso is one of a number of artists involved with the developing of tools to create music in a laboratory style setting, outside the traditional confines of creating new musical sounds.[7]

Alonso, along with Anthony Maubert, developed the musical style Radical dB, a style of electronica that incorporated musical sound, spoken word and visual imagery in 2007.[8][9] That year, the duo did extensive out outreach to teach others about electronica and Radical dB across Spain.[10] Their outreach included organizing concerts with several musical styles, running interdisciplinary evens with other artists, running courses, talks, and networking on a national and international level.[8] In 2007, they also worked with video, creating a series called Nomades which they showed in Nice, France before showing it in Ireland and the Netherlands.[10]

In 2013, she was one of a number of artists who participated in the second edition of the Sant Carles de la Ràpita hosted Eufònic, an art festival focused on sounds and visuals.[11] In 2014, the duo were in Zaragoza for a music festival, where they demonstrated Radical dB, a new technological approach to creating improvisational musical style with an emphasis on creating new unique musical sounds.[12][13] In October 2014, she was one of a number of artists to perform at Audiópolis in Madrid.[14] In November 2015, she was one of a number of composers to debut their work at El Festival Coma in Madrid.[15][16][17]

In 2016, Alonso continued to develop her unique style of infusing electronic music, the spoken word and visual imagery. In April in Zaragoza, she was involved with a week long musical education program organized by the Ayuntamiento de Zaragoza. As part of the program, she hosted an Open Source course on using freely licensed software and hardware to create new musical sounds.[18] In May 2016, she gave a talk and concert at Medialab Prado in Madrid.[2] Later that month, she gave another concert alongside other artists including Wade Mathews, and Joaquín Mendoza.[19] She worked with actor José Luis Esteban, poet Manuel Vilas for a production at the Teatro de la Estación in Zaragoza in June. This was a continuation of her work in developing Radical dB.[9]

As a composer, one of the pieces Alonso created was "Atardecer en un patio". This work was commissioned by France's Centre de documentation de la musique contemporaine (CDMC).[1][3] She has also had a work commissioned by Radio Nacional de España.[3] Her compositions have been performed in a number of countries including Portugal, Spain, Austria, Germany, Sweden, South Korea, Cuba, Costa Rica, Columbia, Argentina, and Mexico.[3][5][20] As an event organizer, Alonso has also influenced others through the Festival Radical dB, held annually in Zaragoza since 2014. The festival celebrates experimental music and sound art. The 2016 edition was held at the Centro de Arte y Tecnología Etopia. Artists participating at the festival included Agustí Fernández, Joel Ryan, eRikm, Concha Jerez & José Iges, Kaffe Matthews, Robert Lisek, Bosch & Simons, Andrea Borghi, Equipo Elevador, Myungduk Kim, Marco Ferrazza, Juan Antonio Nieto, and Carlos Tricas García.[3][20][21][22]

Awards

Alonso has been given a number of awards and won a number of prizes including the Société des auteurs, compositeurs et éditeurs de musique (SACEM) prize, winning the Madrid Abierto, earning an honorable mention for the Pauline Oliveros Prize and the Hablar en Arte, and getting a nomination for the Prix Europe. [3][5]

Published works

She has published academic papers about the musical style she has been involved with creating and examining.[5] One paper was "El concepto de "imagen-de-lo-sonoro" en la música acusmática según el compositor François Bayle" which was published in Escritura e imagen in 2013.[23] Another paper she published was "Claves de la Música del Siglo XX" also published in Escritura e imagen in 2005.[24] A third paper she published was "The Listener in François Bayle’s Works: A resonant subject in a living space" published in 2015 in Organised Sound.[25]

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References
  1. Lopez, Pedro (10 May 2016). "Ars Sonora: Atardecer en un patio, de Edith Alonso | radioartnet" (in Spanish). RTVE. Retrieved 9 July 2016.
  2. Costa, J.M. (23 April 2016). "La rebelión de las músicas raras". eldiario.es (in Spanish). Retrieved 9 July 2016.
  3. "Biography". www.edithalonso.com. Archived from the original on 5 April 2016. Retrieved 9 July 2016.
  4. Edith, Alonso (2009-01-01). "La estética de la mùsica acusmàtica en la obra de François Bayle". Cite journal requires |journal= (help)
  5. "Edith Alonso Sánchez — Profesores UNIR". UNIR. Universidad Internacional de La Rioj. Retrieved 9 July 2016.
  6. Pujades Fernández, Ana Luz (2015). "El Scratch: Una Herramienta Didáctica para la Educación Musical en la Etapa de Primaria" (PDF). Facultad de Educación de Palencia Universidad de Valladolid. Retrieved 9 July 2016.
  7. Creuheras, Pol; Delatte, Marta; Palazzi, Cristian (2010). "Música y tecnología: la eclosión de lo virtual en la composición sonora". Trípodos (in Spanish). 26: 36. Retrieved 9 July 2016.
  8. Barber, Llorenç; Palacios, Montserrat (2009-01-01). La mosca tras la oreja: de la música experimental al arte sonoro en España (in Spanish). Fundación Autor.
  9. Arainfo (5 June 2016). "Música y poesía se unen para escribir "Un Diario Pop" en el Teatro de la Estación". Diario Libre d'Aragón (in Spanish). Retrieved 9 June 2016.
  10. Valdellós, Ana María Sedeño (2011-01-01). Historia y estética del videoarte en España (in Spanish). Comunicacion Social. ISBN 9788492860456.
  11. "Arte sonoro y visual en el Eufònic de Sant Carles de la Ràpita". La Vanguardia. 6 September 2013. Retrieved 9 July 2016.
  12. "Radical dB: nuevas sonoridades". MondoSonoro (in Spanish). 19 November 2014. Retrieved 9 July 2016.
  13. "RADICAL DB: TECNOLOGÍA, MÚSICA Y ALGO MÁS — Aragón Musical". Aragón Musical (in Spanish). 2014-11-19. Retrieved 2016-07-09.
  14. "Audiópolis reúne a 100 artistas sonoros". hoyesarte.com — Primer diario de arte y cultura en lengua española (in Spanish). hoyesarte.com. 28 October 2014. Retrieved 9 July 2016.
  15. "El Festival Coma con más de 40 estrenos — Doce Notas". Doce Notas (in Spanish). 2015-09-04. Retrieved 2016-07-09.
  16. "Regresa el Festival Coma con 20 conciertos". hoyesarte.com — Primer diario de arte y cultura en lengua española (in Spanish). 15 September 2015. Retrieved 9 July 2016.
  17. "coma ´15" (PDF). XVII Festival de Música Contemporánea de Madrid (in Spanish). AMCC. Retrieved 9 July 2016.
  18. "Arte, socialización y educación a través del campo sonoro se citan en la Semana del Sonido de Etopia - 20minutos.es". Europa Press. 20 Minutos. 17 April 2016. Retrieved 9 July 2016.
  19. Raposo Martín, Juan José (18 April 2016). "Encuentros AVLAB. GRS Madrid" (in Spanish). Sul Ponticello. Retrieved 9 July 2016.
  20. "Edith Alonso — Medialab-Prado Madrid". medialab prado (in Spanish). Archived from the original on 17 September 2016. Retrieved 9 July 2016.
  21. "III Radical dB: músicas arriesgadas en Etopia — Aragón Musical". Aragón Musical (in Spanish). 2 June 2016. Retrieved 9 July 2016.
  22. "radical dB | festival de arte sonoro : música electroacústica, experimentación sonora, live coding, improvisación". radicaldb.es (in Spanish). Retrieved 9 July 2016.
  23. Sánchez, Edith Alonso (2013-01-01). "El concepto de "imagen-de-lo-sonoro" en la música acusmática según el compositor François Bayle". Escritura e Imagen (9): 101–124.
  24. Alonso Sánchez, Edith (2005). "Claves de la Música del Siglo XX". Escritura e Imagen. 1.
  25. Alonso, Edith (2015-12-01). "The Listener in François Bayle's Works: A resonant subject in a living space". Organised Sound. 20 (Special Issue 03): 308–315. doi:10.1017/S1355771815000230. ISSN 1469-8153.
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