Ed Osborn

Ed Osborn is an American sound artist and visual artist.[1][2][3]

Ed Osborn
Born1964 (age 55–56)
Helsinki, Finland
NationalityAmerican, Finnish
Occupationartist
Known forsound art,
sound installation
Websitewww.roving.net

Life

Osborn was born in 1964 in Helsinki, Finland.[4][5] He received a Bachelor of Arts degree from Wesleyan University in 1987,[6] where he studied with Alvin Lucier,[7] and a Master of Fine Arts degree from Mills College in 1993.[8][9] Osborn lives in Providence, Rhode Island[10] and is an associate professor of art at Brown University.[9][11]

Work

Osborn is known for his installations[12][13] that integrate sculpture and sound.[14][15][16] Osborn has also worked with video as an art form,[17][18] and done sound performances.[19][20] His installation works use objects as diverse as train sets,[21] rubber tubing,[22] wind-up music boxes[23] and fans to create a visual and sound environment.[24] His works for the gallery often have a strong conceptual aspect; in Audio Recordings of Great Works of Art Osborn made recordings of the space surrounding famous works of art, then played back only these sounds in an exhibition.[2][25][26] Osborn was a 2000 Artist-in-Residence at the McColl Center for Art + Innovation.[27]

gollark: There is no escape. PotatOS is inevitable.
gollark: It can spread to other machines too. Possibly.
gollark: The server I currently run has mods distributed via a custom node.js installer (to avoid bundling the jars directly, which is probably against most of the licenses), but that's kind of annoying to use.
gollark: And I actually made a drone delivery system before, which ought to still work... the one problem is that it needs a waypoint at the destination.
gollark: I'll look into trimming down the Generic Modpack list and figuring out a good way to distribute a pack.

See also

References
  1. Hinman, Chuck. "Sound Artist Ed Osborn: Thinking About Sound and Space". Rhode Island Public Radio. Retrieved 23 June 2016.
  2. Holly Rogers (13 March 2013). Sounding the Gallery: Video and the Rise of Art-Music. Oxford University Press. pp. 87–. ISBN 978-0-19-997856-4.
  3. "Ed Osborn". Aspect: THe Chronicle of New Media Art. Retrieved 23 June 2016.
  4. Carsten Seiffarth; Markus Steffens (2010). Singuhr 1996-2006: Hoergalerie in Parochial: Sound Art in Berlin. Consortium Book Sales & Dist.
  5. "Carillon Concert with Electronics". Carillon-Berlin.de. Retrieved 23 June 2016.
  6. ""Alumni Show II" Looks Back at 4 Decades of Wesleyan Artists; Features Works by 17 Artists". Wesleyan University. Retrieved 23 June 2016.
  7. "Ed Osborn:Biography". Media Art Net. Retrieved 23 June 2016.
  8. University of California, Santa Cruz (2006). UC Santa Cruz. University of California, Santa Cruz.
  9. "Ed Osborn Associate Professor of Visual Art". Brown University. Retrieved 23 June 2016.
  10. Hay, Kristin. "South Haven Center for the Arts: Exhibit invites viewers to examine issues, selves". Michigan Live. Retrieved 23 June 2016.
  11. Cook, Greg. "Theresa Ganz at Brown; plus, Ed Osborn's soundscapes". The Providence-Phoenix. Archived from the original on 15 August 2016. Retrieved 23 June 2016.
  12. Sculpture. International Sculpture Center. 1994.
  13. Meier, Allison. "The Sounds of Nature, Transcribed and Composed". Hyperallergenic. Retrieved 23 June 2016.
  14. Stephen Wilson (2002). Information Arts: Intersections of Art, Science, and Technology. MIT Press. pp. 437–. ISBN 978-0-262-73158-4.
  15. Jane D. Marsching; Andrea Polli (1 December 2011). Far Field: Digital Culture, Climate Change, and the Poles. Intellect Books. pp. 154–. ISBN 978-1-84150-659-3.
  16. The Wire. Wire Magazine, Limited. 2004.
  17. Sidra Stich (2003). Art-SITES San Francisco: The Indispensable Guide to Contemporary Art-architecture-design. art-SITES Press. ISBN 978-1-931874-01-4.
  18. David Bard-Schwarz (3 January 2014). An Introduction to Electronic Art Through the Teaching of Jacques Lacan: Strangest Thing. Routledge. pp. 103–. ISBN 978-1-134-75294-2.
  19. Islands Magazine. January 1995. pp. 26–. ISSN 0745-7847.
  20. Ear. New Wilderness Foundation. March 1989.
  21. Salome Voegelin (31 March 2010). Listening to Noise and Silence: Towards a Philosophy of Sound Art. Bloomsbury Publishing. pp. 142–. ISBN 978-1-4411-3532-2.
  22. Stein, Sadie. "Postcard from San Francisco". The Paris Review. Retrieved 23 June 2016.
  23. "Ed Osborn/ Matrix 193 Vanishing Point". BAMFA. Retrieved 23 June 2016.
  24. "Ed Osborn: Albedo Prospect". Bitforms Gallery. Retrieved 23 June 2016.
  25. "Ed Osborn "Audio Recordings of Great Works of Art"". Mediakunst.net. Retrieved 23 June 2016.
  26. "The sound of the masterpieces of art". Neural.it. Retrieved 23 June 2016.
  27. Winter/Spring 2000: Artists-In-Residence McColl Center


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