Tragacanth

Tragacanth is a natural gum obtained from the dried sap of several species of Middle Eastern legumes of the genus Astragalus, including A. adscendens, A. gummifer,[1] A. brachycalyx,[2][3] and A. tragacantha. Some of these species are known collectively under the common names "goat's thorn" and "locoweed". The gum is sometimes called Shiraz gum, shiraz, gum elect or gum dragon.[4] The name derives from the Greek words tragos (meaning "goat") and akantha ("thorn"). Iran is the biggest producer of this gum.

Astragalus gummifer
A dish of Tragacanth

Gum tragacanth is a viscous, odorless, tasteless, water-soluble mixture of polysaccharides obtained from sap that is drained from the root of the plant and dried. The gum seeps from the plant in twisted ribbons or flakes that can be powdered. It absorbs water to become a gel, which can be stirred into a paste. The major fractions are known as tragacanthin, highly water soluble as a mucilaginous colloid, and the chemically related bassorin, which is far less soluble but swells in water to form a gel. The gum is used in vegetable-tanned leatherworking as an edge slicking and burnishing compound, and is occasionally used as a stiffener in textiles. The gum has been used historically as a herbal remedy for such conditions as cough and diarrhea. Powders using tragacanth as a basis were sometimes called diatragacanth.[5] As a mucilage or paste, it has been used as a topical treatment for burns. It is used in pharmaceuticals and foods as an emulsifier, thickener, stabilizer, and texturant additive (E number E413). It is the traditional binder used in the making of artists' pastels,[6] as it does not adhere to itself the same way other gums (such as gum arabic) do when dry. Gum tragacanth is also used to make a paste used in floral sugarcraft to create lifelike flowers on wires used as decorations for cakes, which air-dries brittle and can take colorings. It enables users to get a very fine, delicate finish to their work. It has traditionally been used as an adhesive in the cigar-rolling process used to secure the cap or "flag" leaf to the finished cigar body.[7]

In the Middle East, and in Turkey in particular, gum tragacanth is used in paper marbling to make size on which to float and shape the pigments, just as carrageenan is used in the West.

Gum tragacanth is also used in incense-making as a binder to hold all the powdered herbs together. Its water solubility is ideal for ease of working and an even spread, and it is one of the stronger gums for holding particles in suspension. Only half as much is needed, compared to gum arabic or something similar.[8][9]


Notes
  1. Japanese Pharmacopoeia (PDF) (15th ed.). Archived from the original (PDF) on 2011-07-22.
  2. "Astragalus adscendens Persian Manna PFAF Plant Database". www.pfaf.org.
  3. "Astragalus brachycalyx Fisch". Germplasm Resources Information Network (GRIN). Agricultural Research Service (ARS), United States Department of Agriculture (USDA). Retrieved 24 December 2010.
  4. Wedgwood, Hensleigh (1855). "On False Etymologies". Transactions of the Philological Society (6): 67.
  5.  Chambers, Ephraim, ed. (1728). "Diatragacanth". Cyclopædia, or an Universal Dictionary of Arts and Sciences. 1 (first ed.). James and John Knapton, et al. p. 209.
  6. Mayer, Ralph (1991) [1940]. The Artist's Handbook of Materials and Techniques (5th ed.). Viking. p. 427. ISBN 0-670-83701-6. chief use among artists' materials is as a binder for pastel and chalk crayons
  7. Gage, Tad (2007). The Complete Idiot's Guide to Cigars (2nd ed.). Alpha. p. 133. ISBN 978-1-59257-591-6.
  8. Cunningham, Scott (1989). The Complete Book of Incense, Oils, and Brews. Llewellyn Publications. pp. 49–50. ISBN 978-0-87542-128-5.
  9. Cunningham, Scott (1989). The Complete Book of Incense, Oils, and Brews. Woodbury, MN: Llewellyn Publications. p. 49. ISBN 978-0-87542-128-5.
gollark: ```rust let with_db = warp::any().map(move || pool.clone()); let static_files = warp::path("assets").and(warp::fs::dir("assets")); let view_page = warp::path!(String).and(warp::get()).and(with_db.clone()) // repeating the next bit for every route is kind of bad, see if it can be changed somehow .and_then(|title, db| async { error_to_http_response(view_page(db, title).await) }); let editor_page = warp::path!(String / "edit").and(warp::get()).and(with_db.clone()) .and_then(|title, db| async { error_to_http_response(editor_page(db, title).await) }); let save_edit = warp::path!(String / "edit").and(warp::post()).and(warp::body::form()).and(with_db) .and_then(|title, form, db| async { error_to_http_response(save_edit(db, title, form).await) }); let not_found = warp::any().map(|| warp::reply::with_status("404 Not Found", http::StatusCode::NOT_FOUND)); let main = editor_page.or(save_edit).or(view_page); let app = static_files.or(main).or(not_found);```See, this is how you SHOULD design routes: incomprehensibly.
gollark: no!
gollark: Your *routes* shouldn't be config. They're code. They're part of the application.
gollark: What? Why is that a config file?! You should be defining routes in your code.
gollark: Yes, that is a bit weird and not ideal.
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