Durga Bai Vyom

Durgabai Vyam (born in 1972[2])  is one of the foremost female artists based in Bhopal working in the Gond tradition of Tribal Art. Most of Durga’s work is rooted in her birthplace, Burbaspur, a village in the Mandla district of Madhya Pradesh.[3]

Durgabai Vyam
Vyam in 2012
Born1972
Burbaspur, Madhya Pradesh, India[1]
NationalityIndian

Early life

Durgabai Vyam was born in Burbaspur, a village in Madhya Pradesh.[3]

At the age of six, she learned the art of digna from her mother, a ritual of painting geometric patterns on the inner and outer walls and floors of the house during weddings and harvest festivals.[3][4] Her early digna works were well appreciated by people in the community.[5]

Career

Listening to stories with her grandmother and mentoring under her mother contributed significantly to Durgabai's art in the initial years.[5] Durgabai Vyam began her creative journey in 1996 at an artist's camp organized by Indira Gandhi Rashtriya Manav Sangrahalaya, Bhopal.[6] At the age of 15, Durgabai married Subhash Vyam, a clay and wood sculptor.[4] Durgabai’s artistic career has flourished even further not only by her marriage to Subhash Vyam but also by the veteran Gond Artist, Jangarh Singh Shyam, her cousin. Durgabai and Subash together take workshops and teach participants the integral elements of Gond painting while pointing out the changes brought by modernization in their medium of painting.[7]

Impressed by Durgabai’s skills, Jangarh Singh Shyam, encouraged and advised her not to repeat what they had done for years but use their skills to show new things.[8] Her subjects are rooted in tribal folklore and mythology and are drawn mainly from the pantheon of the Gond Pradhan community and popular folklore.[3][9] She also painted several goddesses: Ratmaimurkhuri, the guardian of the night; Maharalin Mata, who wardedoff ghouls from entering villages; Khero Mata, protector against evil people; Budi Mai, patroness of the harvest; and Kulsahinmata, a goddess invoked when crop was sown. Durga also painted the males gods, Bada Dev,the supreme god, and Chula Dev, who ensured that the household chulha (hearth) always burns.[3]

"The themes I have always liked to paint are rivers, trees —especially the bamboo tree which is vital to life because from it is made Bada Dev's musical instrument bana and the bansuri,flute —Diwali celebrations, kanyadan, houses and children, animals such as tiger, deer, stag with antlers, peacock, bull, garden lizard, pig, birds sitting on top of trees while animals sit below."[10]

In 1996, Anand Singh Shyam, a fellow Gond artist, invited her to exhibit her works at Bharat Bhawan in Madhya Pradesh. Since then, Durgabai has notably had exhibitions in and around India and also abroad.[3] Durga Bai did a series of paintings of aeroplanes in the Gond style to mark her first plane ride and her first visit abroad to the Frankfurt Book Fair.[11] Each of her paintings is inspired by archetypal scenes of Gond Mythology, creating the unbridled lyricism and audacious imagination of her signature style.[6]

In 2003, Vyam was invited to a workshop by Tara Publishing in Chennai, and has since been illustrating books. She has contributed to illustrate several art books like 'The Night Life of Trees', 'One, Two, Tree!', 'Sultana's Dream'.[12] In 2011, Durgabai and Subhash Vyam published a graphic biography of Bhimrao Ramji Ambedkar titled 'Bhimayana: Experiences of Untouchability' published by Navayana.

In the ongoing Kochi Muziris Biennale 2018, the artist couple has created an experimental graphic narrative on marine plywood giving the traditional Gond wall art another dimension.[13]

Awards and recognition[12]
gollark: If it's stuck in a loop, it isn't going to terminate, by definition.
gollark: Easy.
gollark: Just see if you've already done a thing (keep hashes of previous expression trees around) and stop it if it's looping.
gollark: They would instantaneously sell out.
gollark: What are they meant to do, blindly insist on MSRP?

References
  1. "Durga Bai". Saffronart. Retrieved March 8, 2019.
  2. "The Gond artist Durgabai - sunitanair". sunitanair.in. Retrieved 2019-03-15.
  3. "Durga Bai | Paintings by Durga Bai | Durga Bai Painting - Saffronart.com". Saffronart. Retrieved 2019-03-15.
  4. "Durga Bai: Telling Women's Stories With Gond Art". 2014-05-26.
  5. Pande, Alka (2016). Many Indias. Must Arts Private Limited.
  6. Vyam, Durgabai (2012). "The Lyricism and Audacity of the Adivasi Imagination". Indian Literature. 56 (4 (270)): 219–234. ISSN 0019-5804. JSTOR 23345940.
  7. KUMARI, SAVITA (2011). "Symposium on Indigenous Art, Contemporary Significance". Indian Anthropologist. 41 (1): 95–99. ISSN 0970-0927. JSTOR 41921941.
  8. Between Memory and Museum. Tara Books. 2015. ISBN 978-93-83145-29-4.
  9. "Contemporary Artist Durga Bai Vyom". Artsper. Retrieved March 8, 2019.
  10. Indigenius Artists – India. Sunita Nair. 2018. ISBN 978-93-5311-387-2.
  11. Varma, Rashmi (November 2013). "Primitive Accumulation: The Political Economy of Indigenous Art in Postcolonial India". Third Text. 27 (6): 748–761. doi:10.1080/09528822.2013.857902. ISSN 0952-8822.
  12. "DURGA BAI – GOND ARTIST Of MADHYA PRADESH".
  13. "Gond artists' tryst with the folklore". The Hindu. Special Correspondent. 2018-12-21. ISSN 0971-751X. Retrieved 2019-03-15.CS1 maint: others (link)
  14. "Durga Bai". sutragallery. Retrieved 2019-04-06.
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