Duncan McGuire

Duncan Hazlett McGuire (died 10 July 1989 from a lung cancer), was an Australian musician, songwriter, recording engineer and producer. He was associated with vocalist, Doug Parkinson, in various groups during the 1960s and 1970s; McGuire was also a founding member of the jazz fusion band, Ayers Rock from 1973 until he left in 1976. As a bass guitarist he appeared in several of Parkinson's groups including The Questions (1965–1968), Doug Parkinson in Focus (1968–1969) and The Southern Star Band (1978–1981). He went into music production in the early 1980s, in October 1980 he co-produced and engineered the debut self-titled album by Australian rock band, INXS. He died of a brain tumour in July 1989.

Duncan McGuire
Duncan McGuire at the Record Plant, L.A. in 1975
Background information
Birth nameDuncan Hazlett McGuire
OriginSydney, New South Wales, Australia
Died10 July 1989
Occupation(s)Musician, songwriter, audio engineer, record producer
Years active1959–1989
Associated actsThe Phantoms, The Statesmen, The Epics, The Questions, Doug Parkinson in Focus, Rush, King Harvest, Burton McGuire Kennedy, Ayers Rock, Windchase, The Southern Star Band

Early life and career

Duncan McGuire's music career began in 1959 with his first band, The Phantoms, in Sydney.[1][2] By 1963, on bass guitar, he had joined Roland Storm and The Statesmen, which included Storm on lead vocals, Mike Allen on drums, Peter Maxworthy on lead guitar, and Mark Rigney on drums.[2][3] They recorded two singles, "It's the Stomp" (1963) and "The Swingaroo" (1964) for HMV Records.[3] Without Storm, The Statesmen also recorded two of their own singles for HMV, "Beach Comber" (1963) and "Slow Stompin'" (1964).[3][4]

In 1964, band member Rigney left The Statesmen and Billy Green (aka Wil Greenstreet) joined on guitar as the group became Roland Storm and The Epics, which recorded a single, "Zip a Dee Doo Dah" (1964), and then became simply known as The Epics when Storm also left.[2][5] The Epics also issued their own singles, "Caravan" (September 1964) and "Too Late" (June 1965).[2][6] As a member of The Statesmen or The Epics, McGuire backed Little Pattie live, as well as on her early singles and her first album,[7] as well as backing other artists including Reg Lindsay, Johnny Ashcroft, Bryan Davies, Jay Justin and Johnny O'Keefe.[2][8]

Bands - The Questions (12/1965–3/1968), Doug Parkinson in Focus (3/1968–11/1969 & 6–9/1970), Rush (11/1969–2/1970)

From late 1965 to 1968 McGuire was the bass guitarist, alongside Green on guitar, in The Questions, which were a "musically substantial bunch" and they released their debut album, What Is a Question?, in October 1966.[2] Australian musicologist, Ian McFarlane, described it as containing "sub-Herb Alpert pastiches [which] failed to chart".[2] Early in 1967 Doug Parkinson joined on lead vocals, it was his first major band, the line up also included Ray Burton on guitar and Doug Lavery on drums – both later joined The Valentines and Axiom – and Rory Thomas on Hammond organ.[2][9]

The Questions entered the 1967 Hoadley's Battle of the Sounds and won the New South Wales state final, they competed in Melbourne for the Australian final finishing second to The Groop.[2][9][10] McFarlane described The Questions' first three singles with Parkinson as "minor psychedelic pop classics": "Sally Go Round the Roses" (July 1967), "And Things Unsaid" (October) and "Something Wonderful" (February 1968).[2] By January 1968 McGuire and Green had left the group.[2]

In March 1968 McGuire and Green returned to work with Parkinson for another group, Doug Parkinson in Focus, which also included Lavery and Thomas.[2] That group also won the New South Wales state final of the Hoadley's Battle of the Sounds, and finished third nationally: behind The Groove and The Masters Apprentices.[2][10] McGuire, as a member of Doug Parkinson in Focus, shifted to Melbourne where the band "were perfectly in sync with the tempo of the times ... [they] became one of the most popular outfits on the Melbourne suburban dance / inner-city discotheque circuit".[2] In May 1969 they issued a cover version of The Beatles' track, "Dear Prudence", which reached No. 5 on the Go-Set National Top 40 singles chart.[2][11]

Doug Parkinson in Focus, with McGuire aboard, entered the 1969 Hoadley's Battle of the Sounds as a Melbourne-based band.[2][10] They won both the Victorian state and the national grand finals, both held at the Festival Hall.[2][10] However, in November 1969, McGuire left Parkinson to form a new group, Rush, with Malcolm McGee on lead vocals (ex-Wild Cherries, Python Lee Jackson, Virgil Brothers), Kevin Murphy on drums (ex-Wild Cherries), and Steve Yates on keyboards.[2] By February the following year Rush had disbanded and both McGuire and Green rejoined Parkinson until June.[2]

Bands - King Harvest (9/1970–3/1971), Leo de Castro and Friends (12/1971–6/1973)

In September 1970 McGuire was a founding member of a progressive rock band, King Harvest, with Leo de Castro on lead vocals and lead guitar (ex-Leo and the Browns, Leo and Friends); Jimmy Doyle on guitar (Silhouettes, Aesop's Fables, Moonstone); Mark Kennedy on drums (Spectrum); and Steve Yates on keyboards (ex-Rush, Expression).[12] They performed cover versions of contemporary hits, including Jimmy Webb's "Wichita Lineman" and The Rolling Stones' "Jumping Jack Flash", which appeared as singles in 1971 on Festival Records.[12] He rejoined Parkinson for a few months before teaming with de Castro in Friends, another progressive rock group, by December that year.[12][13] Also in Friends were Kennedy, with Charlie Tumahai on vocals and percussion (Aesop's Fables, Healing Force, Chain) and Tim Martin on saxophone and flute.[13]

By April 1972 Green had joined Friends on guitar and the group released their debut single, "B-B-Boogie", in August.[13] The group performed at the Sunbury Pop Festival of 1973 in January and provided two tracks, "Bird on the Wire" and "La La Song", for the live album, Sunbury 1973 - The Great Australian Rock Festival.[13] By April that year Friends line up of McGuire, de Castro, Kennedy and Ray Burton on guitar recorded versions of "Lady Montego" and "Freedom Train" for the Various Artists' album, Garrison the Final Blow Unit I (June 1973).[13] McGuire wrote "Lady Montego".[1]

Bands - Burton McGuire Kennedy (6–8/1973), Ayers Rock (8/1973–8/1976), Windchase (1–5/1977), The Southern Star Band (1977–1980)

In June 1973, with two band mates from Friends, he formed Burton McGuire Kennedy, as a jazz fusion trio.[14] In August they were renamed as Ayers Rock when Jimmy Doyle (ex-King Harvest guitarist, vocalist) joined.[14] In October they recruited Col Loughnan on saxophone, flute, vocals, and piano (Crescents, Delltones, Kala) and by December they issued their debut single, "Rock'n'Roll Fight (Going On)", on Mushroom Records. Burton was replaced by Chris Brown (ex-Python Lee Jackson, Kala) on guitar and vocals in March 1974.[14] The group released their debut album, Big Red Rock, in November, which peaked at No. 32 on the Australian Kent Music Report Albums Chart.[15] McGuire had written three tracks for the album, including a re-worked version of "Lady Montego", which was also their next single.[14] At this time, journalists referred to McGuire's nickname as "The Wizard".[16] Tony Catterall of The Canberra Times caught their performance in October 1975 as they previewed material for a future album which "showed an improvement" over their previous work and noted that "McGuire's bass was always rock-solid but ready to fly at a moment's notice".[17]

McGuire remained with Ayers Rock until August 1976 leaving after their second album, Beyond (April), and their second tour of the United States (June–July).[14] McGuire was replaced by John Young on bass guitar.[14][18] In January 1977 McGuire briefly joined Windchase with Mario Millo on lead guitar, mandolin, and lead vocals; and Toivo Pilt on keyboards and guitar (both ex-Sebastian Hardie); and Doug Bligh on drums.[19] As a member Windchase, McGuire helped to finish their debut album, Symphinity, which was issued in June; however he had already left before it appeared.[19]

From 1977 to 1980 McGuire joined Parkinson and Kennedy in The Southern Star Band which also had Tommy Emmanuel on guitar.[8][18] Other members of The Southern Star Band were Frank Esler-Smith, Jim Gannon, and Keith Kirwan.[20]

Production and INXS

McGuire turned to production work, he was the mixer, engineer and co-producer of INXS, the debut album by the Australian rock band of the same name, which was released on 13 October 1980.[21][22][23] It had been recorded from late 1979 to mid-1980 in midnight to dawn recording sessions at Trafalgar Studios, Annandale.[22][23][24] Due to the late sessions, McGuire was often "slumped exhausted over the mixing panel".[24] The album provided the single, "Just Keep Walking", in September 1980.[22][23] Australian music journalist, Ed Nimmervoll, described it as the "first significant INXS landmark".[24]

In January 1988 McGuire engineered an album, Long White Clouds, by de Castro and two different backing bands: The Dancehall Racketeers and Roger Janes Band.[25] He worked at the Rich Music Studios in Sydney, the album was eventually released in 2007 by Big Beat Music.[25][26] Early in 1989 McGuire and David Cafe co-produced an album, Crazy, by Roger Janes Band, which was issued in 2006.[27] Duncan McGuire died in July 1989 from a brain tumour.[14][18] Some of Duncan's last gigs were on Dunk Island with a young Parris Macleod on keyboard. They planned to set up a recording studio when they returned from the islands but Duncan went almost immediately into hospital where it was found he had advanced lung cancer which had spread to his brain. Following his death Parris set up Cloud Recording Studios in tribute to Duncan and carried on their purpose to create affordable recording for young musicians in Australia. Parris continues as a keyboard player and as a record producer in his Diamond Valley Queensland recording studio.

gollark: Very confusing and inconsistent.
gollark: Well, that and my short-lived one. It's confusing.
gollark: Or that TJ09 wanted people to think that or didn't care.
gollark: Well. And the other reasons.
gollark: *I* got IP-banned temporarily in confusing circumstances involving my hatchery. This is why I do not like TJ09.

References
General
  • Kimball, Duncan. "MilesAgo – Australasian Music and Popular Culture 1964–1975". ICE Productions. Archived from the original on 7 March 2008. Retrieved 3 February 2014.
  • McFarlane, Ian (1999). "Whammo Homepage". Encyclopedia of Australian Rock and Pop. St Leonards, NSW: Allen & Unwin. ISBN 1-86508-072-1. Archived from the original on 5 April 2004. Retrieved 3 February 2014. Note: Archived [on-line] copy has limited functionality.
  • Spencer, Chris; Nowara, Zbig; McHenry, Paul (2002) [1987]. The Who's Who of Australian Rock. notes by Ed Nimmervoll. Noble Park, Vic: Five Mile Press. ISBN 1-86503-891-1.
Specific
  1. "'Lady Montego' at APRA search engine". Australasian Performing Right Association (APRA). Retrieved 5 February 2014.
  2. McFarlane, "Doug Parkinson" entry at the Wayback Machine (archived 19 April 2004). Archived from the original on 19 April 2004. Retrieved 3 February 2014.
  3. Spencer et al, "Roland Storm and The Statesmen" entry.
  4. Spencer et al, "The Statesmen" entry.
  5. Spencer et al, "Roland Storm and The Epics" entry.
  6. Spencer et al, "The Epics" entry.
  7. McFarlane, "Little Pattie" entry at the Wayback Machine (archived 30 September 2004). Archived from the original on 30 September 2004. Retrieved 5 February 2014.
  8. Kimball, "Doug Parkinson". Archived from the original on 7 March 2007. Retrieved 3 February 2014.
  9. Spencer et al, "The Questions" entry.
  10. Stacey, Terence J. (2002). Duncan Kimball (ed.). "Hoadley's National Battle of the Sounds". MilesAgo – Australasian Music and Popular Culture 1964–1975. ICE Productions. Archived from the original on 7 March 2007. Retrieved 4 February 2014.
  11. Nimmervoll, Ed (2 August 1969). "Go-Set National Top 40". Go-Set. Waverley Press. Retrieved 4 February 2014.
  12. McFarlane, "King Harvest" entry at the Wayback Machine (archived 18 May 2003). Archived from the original on 18 May 2003. Retrieved 5 February 2014.
  13. McFarlane, "Friends" entry at the Wayback Machine (archived 1 October 2004). Archived from the original on 10 January 2004. Retrieved 5 February 2014.
  14. McFarlane, "Ayers Rock" entry at the Wayback Machine (archived 3 August 2004). Archived from the original on 3 August 2004. Retrieved 6 February 2014.
  15. Kent, David (1993). Australian Chart Book 1970–1992. St Ives, NSW: Australian Chart Book Ltd. ISBN 0-646-11917-6. Note: Used for Australian Singles and Albums charting from 1974 until Australian Recording Industry Association (ARIA) created their own charts in mid-1988. In 1992, Kent back calculated chart positions for 1970–1974.
  16. "Export Big Red Rock". Juke (Melbourne). 4 June 1975. p. 21.
  17. Catterall, Tony (25 October 1975). "Rock Music: Ayers Rock: a world-class band". The Canberra Times (ACT : 1926 - 1995). National Library of Australia. p. 10. Retrieved 6 February 2014.
  18. Kimball, "Ayers Rock". Archived from the original on 15 March 2009. Retrieved 6 February 2014.
  19. McFarlane, "Sebastian Hardie" entry at the Wayback Machine (archived 19 April 2004). Archived from the original on 19 April 2004. Retrieved 6 February 2014.
  20. Holmgren, Magnus; Carruthers, Melody. "Tommy Emmanuel". Australian Rock Database. Passagen (Magnus Holmgren). Archived from the original on 22 October 2013. Retrieved 6 February 2014.
  21. Holmgren, Magnus; Shaw, Julian; Meyer, Peer. "INXS". Australian Rock Database. Passagen (Magnus Holmgren). Archived from the original on 22 October 2013. Retrieved 6 February 2014.
  22. Bozza, Anthony (2005). INXS Story to Story: The official autobiography. Bantam Books, Sydney. ISBN 0-593-05517-9.
  23. St John, Ed (1998). Burn : The life and times of Michael Hutchence and INXS (doc). Bantam Books, Sydney. ISBN 0-733-80182-X.
  24. Nimmervoll, Ed. "INXS". HowlSpace – The Living History of Our Music (Ed Nimmervoll). Archived from the original on 19 August 2012. Retrieved 6 February 2014.
  25. de Castro, Leo; Roger Janes Band; Dancehall Racketeers (2007), Long White Clouds, Big Beat Music. National Library of Australia, retrieved 6 February 2014, Credits: Produced by David Cafe; engineered by Duncan McGuire; executive producer, Bob Burns. Recorded live in 1998 [sic] at Paradise Studios and Rich Music Studios.
  26. "Leo De Castro/The Dancehall Racketeers/Roger Janes Band – Long White Clouds CD". Big Beat Music. Retrieved 6 February 2014. Tracks 1-4 recorded Paradise Studios Sydney January 31, 1988. Tracks 5-12 recorded Rich Music Studios January 28, 1988. Engineered by Duncan McGuire. Mixed & Mastered by David Cafe at Tapitallee West NSW 2006-07.
  27. "Roger Janes Band – Crazy". Big Beat Music. Retrieved 6 February 2014. Produced by Duncan McGuire & David Cafe. Since the original session in 1989, Roger Janes, Tom Baker and Duncan McGuire each passed away in unrelated circumstances. The only studio collaboration of all three is captured here, amidst a sea of influences that could be described as hillbilly-jazz meets punk-swing.
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