Doug Quattlebaum

Elijah Douglas Quattlebaum (January 22, 1929 – March 1, 1996),[2] better known as Doug Quattlebaum, was an American Piedmont blues guitarist, singer and songwriter.[3] He recorded one single for Gotham Records in 1953, but was offered another opportunity following his employment as an ice cream salesman.

Doug Quattlebaum
Birth nameElijah Douglas Quattlebaum
Born(1929-01-22)January 22, 1929
Florence, South Carolina, United States
DiedMarch 1, 1996(1996-03-01) (aged 67)
Philadelphia, Pennsylvania, United States
GenresPiedmont blues
Occupation(s)Guitarist, singer, songwriter
InstrumentsGuitar, human voice
Years activeLate 1940s–early 1970s
LabelsGotham Records, Bluesville Records[1]

Life and career

Quattlebaum was born in Florence, South Carolina,[1] as the only child of his mother's first marriage.[4] He spent the first thirteen years of his life there and was initially inspired by the music of Blind Boy Fuller. He fashioned crudely constructed homemade guitars from wire and cigar boxes. His mother remarried (to a brother of Arthur Crudup's) in the early 1940s,[2] when Quattlebaum was aged fourteen, and the family moved to Philadelphia. His stepfather purchased Quattlebaum's first real guitar and showed him how to play one chord; as a teenager Quattlebaum alone mastered the basics of playing the instrument.[4]

He toured playing guitar accompaniment for several gospel groups, and reckoned he first recorded with the Bells of Joy in Texas. Quattlebaum recorded solo in 1953, as a blues singer and guitarist, for the Philadelphia-based Gotham Records.[3] He cut three tracks for the label, "Don't Be Funny, Baby", "Lizzie Lou", and "Foolin' Me". The first two were released as a 78-rpm single by Gotham the same year; "Foolin' Me" was not released until many years later.[5] The recording was not a success, and Quattlebaum fell into obscurity, but by 1961 he was back, playing accompaniment for the Ward Singers.[3] In June the same year, he was "rediscovered" playing popular and blues songs through the public address system of his Mister Softee ice cream van.[3][5] The blues historian Pete Welding, who became known for discovering talent in unusual places,[6] heard his performances and arranged for him to record an album for Testament Records. For reasons unknown it was not released, but Welding recorded him again the following year for the album Softee Man Blues[7] (financed by Moe of the Pep Boys), released by Bluesville Records in 1963. The front cover of the album displayed a photograph of Quattlebaum in his ice cream uniform.[5]

The album was well received by critics, who noted his powerful voice and his Blind Boy Fuller–inspired guitar playing.[3] Quattlebaum wrote a number of his own compositions, but the collection contained his versions of songs previously recorded by others, including "So Sweet" (Fuller), "Mama Don't Allow Me to Stay Out All Night Long" (Crudup), "Trouble in Mind" (Richard M. Jones), "Whiskey Headed Woman" (Lightnin' Hopkins), "You Is One Black Rat" (Little Son Joe and Memphis Minnie), "Big Leg Woman" (Johnny Temple), "Black Night Is Falling" (Roy Brown), and "Baby, Take a Chance with Me" (Jazz Gillum).[4] This led to Quattlebaum making a number of appearances on the folk circuit, during the so-called blues revival period. He soon returned to Philadelphia, although he recorded a single for the obscure Na-Cat Records around 1970. It is believed Quattlebaum entered the ministry shortly thereafter.[2][3]

Quattlebaum died in March 1996, aged 67, in Philadelphia.[1][2] His "lost" album, If You've Ever Been Mistreated, was finally issued the following year.[8]

Discography

Singles
YearA-sideB-sideRecord label
1953"Don't Be Funny, Baby""Lizzie Lou"Gotham Records
Late 1960s (or 1971)"Jailhouse Blues""Baby I'm Back"Na-Cat Records

[8][9][10][11]

Albums
YearTitleRecord labelNotes
1963Softee Man BluesBluesville Records
1997If You've Ever Been MistreatedTestament RecordsRecorded 1961 but unreleased at that time

[8][9]

gollark: For 4D *Euclidean* space the 2D/3D stuff mostly just generalizes fine, as far as I know.
gollark: There are theories of how they might work, but any useful ones involve ridiculously complex maths and not vague ideas of extra dimensions.
gollark: Also, I don't think that "the universe is the 3-dimensional surface of a 4-sphere" thing is actually... true?
gollark: You can totally understand it ish, just not very intuitively.
gollark: And apparently (I read about it here: https://en.wikipedia.org/wiki/Beta_decay#Bound-state_%CE%B2%E2%88%92_decay) fully ionized atoms of one thing have a very different half life too.

See also

References
  1. Eagle, Bob L.; LeBlanc, Eric S. (2013). Blues: A Regional Experience. Santa Barbara, California: Praeger. p. 128. ISBN 978-0-313-34424-4.
  2. Franklin, Benjamin, V (30 May 2016). An Encyclopedia of South Carolina Jazz and Blues Musicians. University of South Carolina Press. p. 562. ISBN 978-1-61117-622-3.CS1 maint: multiple names: authors list (link)
  3. "Doug Quattlebaum: Biography". AllMusic.com. 1927-01-22. Retrieved 2017-01-25.
  4. Welding, Pete (1963). Softee Man Blues (sleeve notes). Bluesville Records.
  5. "Doug Quattlebaum: Big Road Blues". Sundayblues.org. Retrieved 2017-01-25.
  6. "Herb Gart – Incite Site". Therainbow.com. Retrieved 2014-06-27.
  7. Record Research, issue 42, March–April 1962, p.12
  8. "Doug Quattlebaum Catalog". Jazzdisco.org. 1961-11-27. Retrieved 2017-01-25.
  9. "Doug Quattlebaum Discography". Discogs.com. Retrieved 2017-01-25.
  10. "Goatham 500-Series 78rpm Numerical Listing Discography". 78discography.com. 2014-05-18. Retrieved 2017-01-25.
  11. "Dead Wax: Jailhouse Blues". Oldwax.blogspot.co.uk. 2014-01-10. Retrieved 2017-01-25.
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